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This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
The Dharmasutras are the four surviving works of the ancient Indian expert tradition on the subject of dharma, or the rules of behaviour a community recognizes as binding on its members. Written in a pithy and aphoristic style and representing the culmination of a long tradition of scholarship, the Dharmasutras record intense disputes and divergent views on such subjects as the education of the young and their rites of passage, ritual procedures and religious ceremonies, marriage and marital rights and obligations, dietary restrictions, the right professions for and the proper interaction between different social groups, sins and their expiations, institutions for the pursuit of holiness, king and the administration of justice, crimes and punishments, death and ancestral rites. In short, these unique documents give us a glimpse of how people, especially Brahmin males, were ideally expected to live their lives within an ordered and hierarchically arranged society. In this first English translation of the Dharmasutras for over a century, Patrick Olivelle uses the same lucid and elegant style as in his award-winning translation of the Upanisads and incorporates the most recent scholarship on ancient Indian law, society, and religion. Complex material is helpfully organized, making this the ideal edition for the non-specialist as well as for students of Indian society and religion.
Conjure, Roots, working the root, root doctoring: all names for African American Hoodoo. Hoodoo is a traditional African American folk spirituality that was developed from a number of West African spiritual traditions and beliefs. You will learn with this book not only the history, but also the beliefs, practices, spirits and saints which are. There are also spells working with mojo bags and poppets and incense. Hoodoo is not a religion. It is a magical system which this book is intended to demystify.