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Clotelle: A Tale of the Southern States is a novel by William Wells Brown. Considered one of the first novels written by an African American, Clotelle tells the story of a mixed-race woman who is sold into slavery and separated from her family. The novel explores themes of race, identity, and the devastating effects of slavery on individuals and families.
The first novel by an African-American, this dramatic tale describes the fate of a child fathered by Thomas Jefferson with one of his slaves. Although born into slavery, the author escaped bondage to become a prominent reformer and historian. An emotionally powerful depiction of slavery, racial conflict in the antebellum South.
Published in 1867, William Wells Browns Clotelle; or The Colored Heroine confronts racism and Afro-American slavery, which are presented as the foundation of a nation that prides itself on justice and democracy. The events play out in the background of the Civil War. A slave girl, Clotelle, is on a quest to save her daughter, whose father is her previous owner.
'Clotelle; Or, The Colored Heroine, a tale of the Southern States; Or, The President's Daughter' is a novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery at the age of 20, published the book in London. The narrative of Clotel plays with history by relating the "perilous antebellum adventures" of a young mixed-race slave Currer and her two light-skinned daughters fathered by Thomas Jefferson. Because the mother is a slave, according to partus sequitur ventrem, which Virginia adopted into law, her daughters are born into slavery. The book includes "several subplots" related to other slaves, religion and anti-slavery. Currer, described as "a bright mulatto" (meaning light-skinned) gives birth to two "near white" daughters: Clotel and Althesa.
Major Characters in American Fiction is the perfect companion for everyone who loves literature--students, book-group members, and serious readers at every level. Developed at Columbia University's Center for American Culture Studies, Major Characters in American Fiction offers in-depth essays on the "lives" of more than 1,500 characters, figures as varied in ethnicity, class, sexual orientation, age, and experience as we are. Inhabiting fictional works written from 1790 to 1991, the characters are presented in biographical essays that tell each one's life story. They are drawn from novels and short stories that represent ever era, genre, and style of American fiction writing--Natty Bumppo of The Leatherstocking Tales, Celie of The Color Purple, and everyone in between.
In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.
Literary and sociological studies have long been fascinated by the seemingly innocuous substance of sugar, not least because of its direct link with the histories of slavery in the New World. Unlike previous texts, Slaves to Sweetness examines not only traditional, classic studies of the history of sugar, but also explores the previously ignored work produced by expatriate Caribbean authors from the 1980s onward. As a result, this volume provides the most comprehensive account to date of the historical transformations undergone by our representations of sugar, making it a rich resource for scholars in numerous fields.