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Volume Four of Four. If you are reading this, perhaps it might mean that you have survived trekking through the previous three volumes of this surreal deserts story…if you are still thinking that you have been heroic enough…lock your pooch up and prevent it from returning to the Sonora Desert with you!The old Soviet Union Doctor is thinking of chopping its head no sooner he lands on his Surgery Table. Over 55 HD 2048 X 1536 Image Files.
Explore new routes into the burgeoning field of biblical literature and film theory The present collection of essays is a sequel to the groundbreaking Semeia 74 issue, published in 1996, entitled Biblical Glamour and Hollywood Glitz. These new essays showcase the divergent approaches from film studies and cultural studies that can be used in the visual analysis of biblical and religious themes, narratives, and characters in cinema. It is the first volume that specifically addresses issues of methodology, theory, and analysis in the study between bible and film. As such, this collection is of interest to scholars in film studies and theology/religion/biblical studies, who are invested in doing interdisciplinary research in the expanding field of religion and film. Features Specific focus on methods of film analysis, rather than the more common focus on thematic analysis in the study of religion, Bible, and film. Visual analysis in the encounter between Bible and film Fourteen essays and an introduction by top scholars in the field
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
In 1939 British cyclist Tommy Godwin cycled 75,065 miles in a single year. Think about that for a second: that's an average of over 200 miles each day. And it's a mark that still stands after almost eighty years. In The Year, Dave Barter resurrects the legend of the year record - a challenge nearly as old as bicycles themselves - and the cyclists who pushed themselves to establish and break it. Barter uncovers the stories behind these riders who would routinely cycle over a hundred miles a day in the race to set new records: Americans such as John H. George who recorded over 200 'centuries', nineteen double 'centuries' and three triple 'centuries' in the late 1800s. The British advertising executive Harry Long, whose annual tallies of over 20,000 miles in the early twentieth century led to the founding of the formal cycling year record, and Cycling magazine's Century Competition. The Englishman of French descent, Marcel Planes, whose 1911 record of 34,366 miles stood for over twenty years. Not forgetting the legends of the job-seeking Arthur Humbles, the one-armed vegetarian communist Walter Greaves, the 'keep-fit girl' Billie Dovey and the staggering mark set by Godwin who left a youthful Bernard Bennett trailing in his wake. Meticulous research through the annuals, archives and news stories of the bicycling world is backed up with insights from the families of these legendary cyclists, as well as Dave's own analysis of the riders' years in numbers. There is no more difficult challenge in cycling. The Year is the definitive story of these phenomenal cyclists.
Surreal Things is the first book to examine in depth the influence of Surrealism on the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world. In Parts I and II, the work of artists and designers such as Hans (Jean) Arp, Alexander Calder, Max Ernst, Rene Magritte, Joan Miro, Meret Oppenheim, Man Ray and Elsa Schiaparelli provides the means to explore Surrealism's relationship with the material world, while 45 star objects are given particular consideration in Part III. The range of objects covered in this book spans painting, sculpture, works on paper, jewellery, ceramics, textiles, furniture, fashion, film and photography.
Going Farther into the Woods than the Woods Go opens with the poet speaking from an interior landscape in which life is going too fast and he is lonely and isolated from himself and others. Life is brutal, and the speaker finds himself constantly questioning his self-worth, yet in a surrealistic, witty fashion perhaps best described as black humor. As the book moves forward, the point of view shifts to a landscape largely identified as a desert. Many of these poems address the horrors of war, with concerns such as political liberation, elections, and the plight of refugees. Throughout the book, the aloneness and isolation of the individual is the paramount theme; yet, despite the darkness of the poet's vision, his fresh, vivid imagery, use of wit and humor, and his unique approach to style and content make this book a showcase for one of the most interesting and original voices in contemporary American poetry.