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What should Christians do to protect the Earth and its people? Amounts and patterns of consumption and production in the West have reached a level that cannot be maintained. Lifestyles based on our present way of creating and using energy are no longer environmentally sustainable--and are threatening the health and well-being of both planet and people. Our activities and the policies that shape them need to change. In light of those realities, Spencer, White, and Vroblesky offer serious Christian engagement with the emerging issue of Sustainable Consumption and Production. They analyze the scientific, sociological, economic, and theological thinking that makes a Christian response to these trends imperative and distinctive. And they offer practical conclusions that explore and explain what can be done at the personal, community, national, and international levels to ensure that next generations will have the resources necessary for life. Firmly rooted in the good news of the Christian faith, this is, above all, a constructive and hopeful book that offers a realistic vision of what the future could and should look like. This book is endorsed by A Rocha: Christians in Conservation, The Jubliee Centre, The Faraday Institute for Science and Religion, and The Au Sable Institute of Environmental Studies.
This book examines how sustainability has the potential to transform both the fashion system and the innovators who work within it. Sustainability is arguably the defining theme of the twenty-first century. The issues in fashion are broad-ranging and include labour abuses, toxic chemicals use and conspicuous consumption, giving rise to an undeniable tension between fashion and sustainability. The book is organized in three parts. The first part is concerned with transforming fashion products across the garment's lifecycle and includes innovation in materials, manufacture, distribution, use and re-use. The second part looks at ideas that are transforming the fashion system at root into something more sustainable, including new business models that reduce material throughput. The third section is concerned with transforming the role of fashion designers and looks to examples where the designer changes from a stylist or creator into a communicator, activist or facilitator.
There is no doubt that the textile industry – the production of clothing, fabrics, thread, fibre and related products – plays a significant part in the global economy. It also frequently operates with disregard to its environmental and social impacts. The textile industry uses large quantities of water and outputs large quantities of waste. As for social aspects, many unskilled jobs have disappeared in regions that rely heavily on these industries. Another serious and still unresolved problem is the flexibility textile industry companies claim to need. Faced with fierce international competition, they are increasingly unable to offer job security. This is without even considering the informal-sector work proliferating both in developing and developed countries. Child labour persists within this sector despite growing pressure to halt it.Fashion demands continuous consumption. In seeking to own the latest trends consumers quickly come to regard their existing garments as inferior, if not useless. "Old" items become unwanted as quickly as new ones come into demand. This tendency towards disposability results in the increased use of resources and thus the accelerated accumulation of waste. It is obvious to many that current fashion industry practices are in direct competition with sustainability objectives; yet this is frequently overlooked as a pressing concern.It is, however, becoming apparent that there are social and ecological consequences to the current operation of the fashion industry: sustainability in the sector has been gaining attention in recent years from those who believe that it should be held accountable for the pressure it places on the individual, as well as its contribution to increases in consumption and waste disposal.This book takes a wide-screen approach to the topic, covering, among other issues: sustainability and business management in textile and fashion companies; value chain management; use of materials; sustainable production processes; fashion, needs and consumption; disposal; and innovation and design.The book will be essential reading for researchers and practitioners in the global fashion business.
This book covers the elements involved in achieving sustainability in textiles and Clothing sector. The chapters to be covered in three volumes of this series title cover all the distinctive areas earmarked for achieving sustainable development in textiles and the clothing industry. This second volume deals with the measurement of environmental and societal impacts across the textiles and clothing supply chain. It addresses this important aspect in a comprehensive way including the overall picture of environmental and societal impacts of textiles and clothing supply chain, environmentally sustainable clothing consumption, emerging green technologies and eco-friendly products for sustainable textiles, etc. This volume has a dedicated place to deal with the consumer phase impacts in the life cycle of clothing products, biodegradation of textile products, sustainable business development and its implications in textile sector.
Praise for the previous edition: "[A] fascinating book." John Thackara, Doors of Perception "Provides the foundations for a radical new perspective." Ethical Pulse "At last a book that dispels the idea that fashion is only interested in trend-driven fluff: not only does it have a brain, but it could be a sustainable one." Lucy Siegle, Crafts Magazine Fully revised and updated, the second edition of Sustainable Fashion and Textiles: Design Journeys continues to define the field of design in fashion and textiles. Arranged in two sections, the first four chapters represent key stages of the lifecycle: material cultivation/extraction, production, use and disposal. The remaining four chapters explore design approaches for altering the scale and nature of consumption, including service design, localism, speed and user involvement. While each chapter is complete in and of itself, their real value comes from what they represent together: innovative ways of thinking about textiles and garments based on sustainability values and an interconnected approach to design. Including a new preface, updated content and a new conclusion reflecting and critiquing developments in the field, as well as discussing future developments, the second edition promises to provide further impetus for future change, sealing Sustainable Fashion and Textiles: Design Journeys as the must-buy book for fashion and textiles professionals and students interested in sustainability.
Environmental issues are playing an increasingly important role in the textile industry, both from the point of view of government regulation and consumer expectations. Sustainable textiles reviews ways of achieving more sustainable materials and technologies as well as improving recycling in the industry.The first part of the book discusses ways of improving sustainability at various points in the supply chain. Chapters discuss how sustainability can be integrated into textile design, ensuring more sustainable production of both natural and synthetic fibres, improving sustainability in processes such as dyeing as well as more environmentally-friendly technologies including enzyme and plasma technologies. The second part of the book reviews consumer perceptions of recycled textiles, eco-labelling, organic textiles and the use of recycled materials in textile products.With a distinguished editor and an impressive range of international contributors, Sustainable textiles is an important reference for the textile industry and those researching this important topic. - Reviews government regulations and consumer expectations about environmental impact on the textiles industry - Discusses ways of achieving more sustainable materials and technologies as well as textiles recycling - Examines how sustainability can be integrated into textile design, production and processes
Assessing the Environmental Impact of Textiles and the Clothing Supply Chain, Second Edition, is a fully updated, practical guide on how to identify and respond to environmental challenges across the supply chain. This new edition features updates to important data on environmental impacts and their measurements, the sustainable use of water and electricity, and new legislation, standards and schemes. Chapters provide an introduction to the textile supply chain and an overview of the methods used to measure environmental impacts, including greenhouse gas emissions, water and energy footprints, and a lifecycle assessment (LCA) on environmental impacts. This book will be a standard reference for R&D managers in the textile industry and academic researchers in textile science. - Provides a holistic view of the sustainability issues that affect the textile value chain - Explains ways to calculate the textile industry's use of resources, its impact on global warming, and the pollution and waste it generates - Reviews key methods for the reduction of the environmental impact of textile products and how they are implemented in practice - Includes methods for calculating product carbon footprints (PCFs), ecological footprints (EFs) and lifecycle assessments (LCA)
This book provides a critical insight into sustainability and fashion in a retailing and marketing context. Examining a truly global industry, Sustainability in Fashion offers international application with a view to contextualising important developments within the industry. Contributors use their diverse backgrounds and expertise to provide a contemporary approach in examining key theoretical concepts, constructs and developments. Topics include consumer behaviour, communications, circular economy and supply chain management. The individual chapters focus on sustainability and provide a range of fashion sector examples from high street to luxury apparel.
Fashion is a lot more than providing an answer to primary needs. It is a way of communication, of distinction, of proclaiming a unique taste and expressing the belonging to a group. Sometimes to an exclusive group. Currently, the fashion industry is moving towards hyperspace, to a multidimensional world that is springing from the integration of smart textiles and wearable technologies. It is far beyond aesthetics. New properties of smart textiles let designers experiment with astonishing forms and expressions. There are also surprising contrasts and challenges: a new life for natural fibers, sustainable fabrics and dyeing techniques, rediscovered by eco-fashion, and "artificial apparel," made of wearable electronic components. How is this revolution affecting the strategies of the fashion industry?