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In a parallel modern world, the Roman Empire stretches from India in the East to the Great Wall of Terranova in the West. A runaway slave girl with a strange gift sets out to rescue her brother and seize her freedom, while the young heir to the Imperial throne discovers a plot against his life. For all three, the only way to survive may shake the Empire to its roots. A fast-moving, compelling story, brilliantly imagined - CONN IGGULDEN [A] hugely imaginative debut - DAILY MIRROR A thoroughly good read ... vividly imagined ... elegant, lively writing - SUNDAY TELEGRAPH
In the last decade of Dryden's life, he brought four new works before the theatre-going public: a dramatic opera, a tragedy, a tragicomedy, and a number of appendages to an old comedy by John Fletcher, which was revived partly so that Dryden might have the author's third-night profits. He died that night, but his family received the money. The dramatic opera, King Arthur, benefited from a fine score by Henry Purcell and has remained in the operatic repertoire to this day. Cleomenes, the tragedy, was banned until Dryden was able to convince Queen Mary that it did not reflect any seditious sympathy with the exiled James II, after which it was successful. The fate of Love Triumphant, the tragicomedy, was different; possibly because of a growing swell of moral reform, the play was universally damned, even though its themes of incest and miscellaneous fornication had never brought rejection to Dryden in the past. The Secular Masque, Dryden's principal contribution to The Pilgrim by Fletcher, had undistinguished music, but its lively verse and broad review of the previous century kept the piece on the stage for the next fifty years, and in anthologies up to the present.
Plutarch's classic biography of Cleomenes, translated by John Dryden.
This resource strategically traces Greek warfare from 720 to 30 BC and its specific and extensive details-the wars, the troops, the armor, the military tactics, and other factors either affecting or affected by the wars. Read how warfare evolved during the centuries in ancient Greece from rudimentary, non-sophisticated strategies and weaponry to more complex arsenals and tactics. Includes entries on many aspects of war for which ancient Greece is historically recognized, as well as profiles of famous military and civilian leaders, including Alcibiades and Alexander the Great, who were involved in the battles on both land and sea. An extensive bibliography suggests further reading of interest. No other general work on ancient Greek warfare covers the entire period included in this volume.
Includes a chronological table of the principal events recorded by Herodotus and a separately paginated supplement entitled Questions on Herodotus.
Reading Herodotus is a 2007 text which represented a departure in Herodotean scholarship: it was the first multi-authored collection of scholarly essays to focus on a single book of Herodotus' Histories. Each chapter studies a separate logos in Book 5 and pursues two closely related lines of inquiry: first, to propose an individual thesis about the political, historical, and cultural significance of the subjects that Herodotus treats in Book 5, and second, to analyze the connections and continuities between its logos and the overarching structure of Herodotus' narrative. This collection of twelve essays by internationally renowned scholars represents an important contribution to scholarship on Herodotus and will serve as an essential research tool for all those interested in Book 5 of the Histories, the interpretation of Herodotean narrative, and the historiography of the Ionian Revolt.
Volume XV contains three of Dryden's Plays, along with accompanying scholarly appartus: Albion and Albanius, Don Sebastian, and Amphitryon.
Plutarch's Lives were once treasured. Today they are studied by classicists, known vaguely, if at all, by the educated public, and are virtually unknown to students of ancient political thought. The central claim of this book is that Plutarch shows how the political form of the city can satisfy an individual's desire for honor, even under the horizon of empire. Plutarch's argument turns on the difference between Sparta and Rome. Both cities stimulated their citizens' desire for honor, but Sparta remained a city by linking honor to what could be seen first-hand, whereas Rome became an empire by liberating honor from the shackles of the visible. Even under the rule of a distant power, however, allegiances and political actions tied to the visible world of the city remained. By resurrecting statesmen who thrived in autonomous cities, Plutarch hoped to rekindle some sense of the city's enduring appeal.