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Recorder Music through the Centuries is a compilation of three previously published volumes of recorder music by Franz Zeidler: Recorder Book of Medieval and Renaissance Music, Baroque Recorder Music and Classic Period Recorder Music. This book contains 11 recorder solos from the Medieval period, 7 from the Renaissance, 14 from the Baroque period, 10 from the Classical period, and 11 themes from well-known symphonies...53 solos!
Well-known classical works for recorder students at all levels of ability, adapted and arranged especially for the recorder. the works are drawn from all periods, including Baroque, Classical, Romantic and Modern. the author has carefully placed the melodies in the best keys for easy recorder.
Baroque & Folk Tunes For The Recorder is an unusual collection, containing over fifty pieces drawn from over 300 years of music. The selection contained in this book offer the player a sizeable scope of musical moods from lively, catchy pieces that are fun to rip through to those that are just beautifully melodic. It gathers together melodies originally written for violin or oboe, sung by trained singers and common people alike, Baroque and rag tunes, old and new tunes. Experience the joy of making them come alive again!
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.
Concert Repertoire for Recorder is a collection of twenty-seven idiomatic arrangements and original pieces for the Beginner to Intermediate (Grade 1-4) player. There is also a smattering of pieces for descant recorder, for variety and to encourage switching between instruments. From Handel to Beethoven, Telemann to Schumann and original pieces by Sally Adams, Ned Bennett, Walter Bergmann, Doris Da Costa, David Gordon and Sarah Watts. These pieces are guaranteed to be a real hit on the concert platform!
58 fine recorder solo arrangements on international folk songs, classics and music from opera and light opera. an excellent addition to the musical library of any recorder student.
Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music. Offering detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, this book offers a comprehensive overview of the essential skills involved in successfully producing a classical recording. Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional with the required knowledge and confidence to tackle everything from solo piano to opera.
The music contained was arranged and composed especially for the treble/alto recorder. the student will find these selections not only instructive and useful, but also pleasant and entertaining; an excellent book for the developing treble/alto recorder player. Piano accompaniment included for each song.