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Arab women poets have been around since the earliest of times, yet their diwans (collected poems) were not given the same consideration as their male counterparts’. Spanning 5,000 years, from the pre-Islamic to the Andalusian periods, Classical Poems by Arab Women presents rarely seen work by over fifty women writers for the first time. From the sorrowful eulogies of Khansa to the gleeful scorn of Wallada bint al-Mustakfi, this collection exclusively features the work of Arab women who boldly refused to be silenced. The poems are excursions into their vibrant world whose humanity has been suppressed for centuries by religious and political bigotry. With poems in both English and Arabic, this remarkable anthology celebrates feminine wit and desire, and shows the significant contribution Arab women made to the literary tradition.
This is a compilation of poetry written by Arabic women poets from pre-Islamic times to the end of the Abbasid caliphate and Andalusia, and offers translations of over 200 poets together with literary commentary on the poets and their poetry. This critical anthology presents the poems of more than 200 Arabic women poets active from the 600s through the 1400s CE. It marks the first appearance in English translation for many of these poems. The volume includes biographical information about the poets, as well as an analysis of the development of women’s poetry in classical Arabic literature that places the women and the poems within their cultural context. The book fills a noticeable void in modern English-language scholarship on Arabic women, and has important implications for the fields of world and Arabic literature as well as gender and women’s studies. The book will be a fascinating and vital text for students and researchers in the fields of Gender Studies and Middle Eastern studies, as well as scholars and students of translation studies, comparative literature, literary theory, gender studies, Arabic literature, and culture and classics.
With poems in both English and Arabic, this remarkable anthology presents rarely seen poems by over fifty Arab women spanning over 5000 years from the pre-Islamic to the Andalusian periods.
Bestselling poetry anthology back in print. Winner of the PEN Oakland Literary Award. Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 83 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets. Hold my hand and take me to the heart for I prefer your home, oh poetry. —excerpted from Small Sins by Maram Masri (Syria) Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 82 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets.
A collection of poetry by Arab women from the Jahiliyya (pre-Islamic era) to the Andalusian period. The poems celebrate the triumph of feminine wit over the arrogance of muscle power, in a period when women were suppressed by religious and political bigotry.
ANTHOLOGY OF CLASSICAL ARABIC POETRY(From Pre-Islamic Times to Al-Shushtari)Translations, Introduction and Notes by Paul SmithCONTENTS: Classical Arabic Poetry… page 7, The Qasida… 10, The Qit'a… 11, The Ghazal… 12, The Ruba'i… 16, Selected Bibliography… 17: THE POETS (In Order of Appearance) Imra' ul-Qays 17, Zuhair 29, Harith 39, Antara 46, Tarafa 58, Amru 71, Al-A'sha 80, Suhaym 82, Labid 84, Ka'b 96, Khansa 100, Hazrat Ali 102, Ali Ibn Husain 111, Omar Ibn Abi Rabi'a 106, Majnun (Qays ibn al-Mulawwah) 109, Rab'ia of Basra 116, Bashshar 123, Abu Nuwas 126, Abu Tammam 151, Dhu'l-Nun 155, Bayazid Bistami 163, Al-Nuri 163, Junaid 169, Sumnun 171, Mansur al-Hallaj 173, Ibn 'Ata 181, Shibli 183, Al-Mutanabbi 185, Al-Ma'arri 211, Ibn Sina 233, Al-Ghazali 236, Gilani 239, Abu Madyan 243, Suhrawardi 248, Ibn al-Farid 250, Ibn 'Arabi 265, Al-Busiri 278, Al-Shushtari 284. Pages 287.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all. ” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. “Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author of his own poems inspired by Hafiz). Paul Smith is a poet, author and translator of over 80 books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati and many others, as well as his own poetry, fiction, plays, biographies, children's books and twelve screenplays. www.newhumanitybooksbookheaven.com
It is a little-known secret that Arabic literature has a long tradition of erotic writing. Behind that secret lies another – that many of the writers are women. We Wrote in Symbols celebrates the works of 75 of these female writers of Arab heritage who articulate love and lust with artistry and skill. Here, a wedding night takes an unexpected turn beneath a canopy of stars; a woman on the run meets her match in a flirtatious encounter at Dubai Airport; and a carnal awakening occurs in a Palestinian refugee camp. From a masked rendezvous in a circus, to meetings in underground bars and unmade beds, there is no such thing as a typical sexual encounter, as this electrifying anthology shows. Powerfully conveying the complexities and intrigues of desire, We Wrote in Symbols invites you to share these characters' wildest fantasies and most intimate moments. 'Fierce, captivating, revolutionary. A dazzling collection that will win hearts and change minds.'- Elif Shafak 'These voices are furious, witty, outrageous, tender and entranced. This collection offers much delightful entertainment and fresh perspectives on women and sex in the Middle East.'- Marina Warner
Verse and prose, from the 6th century CE (pre-Islamic) to the early 18th century CE.
Mahmud Darwish, Samih al-Qasim and Adonis are amongst the leading poets in the Arab world today. Victims of a Map presents some of their finest work in translation, alongside the original Arabic, including thirteen poems by Darwish never before published – in English or Arabic – and a long work by Adonis written during the 1982 siege of Beirut, also published here for the first time.