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A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
"I doubt I would have grown up to be the writer and artist I became had I not fallen in love with D’Aulaire’s Book of Greek Myths at the age of seven."—R. J. Palacio, author of Wonder Kids can lose themselves in a world of myth and magic while learning important cultural history in this beloved classic collection of Greek mythology. Now updated with a new cover and an afterword featuring never-before-published drawings from the sketchbook of Ingri and Edgar D'Aulaire, plus an essay about their life and work and photos from the family achive. In print for over fifty years, D'Aulaires Book of Greek Myths has introduced generations to Greek mythology—and continues to enthrall young readers. Here are the greats of ancient Greece—gods and goddesses, heroes and monsters—as freshly described in words and pictures as if they were alive today. No other volume of Greek mythology has inspired as many young readers as this timeless classic. Both adults and children alike will find this book a treasure for years to come.
Combines a 1981-82 series of twenty-four lectures by Canadian literary critic Northrop Frye and Canadian poet and classicist Jay Macpherson's "Four Ages: the Classical Myths" published in 1962.
A textbook or reference work that includes illustrative selections from English poetry, review questions, projects, and suggestions for additional reading.
Return of the Serpents of Wisdom and Conversations With the Goddess author Pinkham tells us the Truth Behind the Christ Myth and presents radically new information regarding Jesus Christ and his ancient legend, includes: The legend of Jesus Christ is based on a much earlier Son of God myth from India, the legend of Murrugan, the Peacock Angel; The symbol of the Catholic Church is Murrugan's symbol, the peacock, a bird native to south-east Asia; Murrugan evolved into the Persian Mithras, and Mithras evolved into Jesus Christ Saint Paul came from Tarsus, the centre of Mithras worship in Asia Minor. He amalgamated the legend of the Persian Son of God onto Jesus' life story; The Three Wise Men were Magi priests from Persia who believed that Jesus was an incarnation of Mithras; While in India, Saint Thomas became a peacock before he died and merged with Murrugan, the Peacock Angel; The Emperor Constantine, the first 'Christian' Emperor of the Roman Empire, was a lifelong devotee of Mithras. He was baptised Christian on his deathbed; The myth of the One and Only Son of God originated with Murrugan and Mithras.
This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory.
An introduction to the mythological world of the Greeks and the Romans, combined with a chronology of myths and a dictionary of key characters, objects, and events. Handbook of Classical Mythology offers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths. Written by a foremost mythologist, the book begins by exploring the sources and landscapes from which the myths emerged. It then provides a richly detailed timeline of mythic episodes from the creation of the cosmos to the end of the Heroic Age—plus an illustrated mythological dictionary listing every significant character, place, event, and object. Whether exploring the world that gave rise to ancient mythology or researching a specific piece of the whole, the handbook is the best introduction available to the extraordinary cast of these tales (gods, nymphs, satyrs, monsters, heroes) and the natural and supernatural stages upon which their fates are played out.
Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.
"The Thrill Book" is a legendary magazine, one of the holy grails of pulp collecting. Original copies sell for thousands of dollars -- if you can find them. Running for sixteen issues in 1919, it was a magazine of "strange, bizzare, occult, mysterious tales," but not quite a fantastic-fiction magazine, mixing various types of adventure stories with often outstanding fantasy, horror, and science fiction by Murray Leinster, Seabury Quinn, Francis Stevens, Perley Moore Sheehan, Tod Robbins, Edward Lucas White, Greye La Spina, and other giants of the pulp era. While sheer scarcity may have once added something to the lustre of "The Thrill Book," now that an issue is finally made available at an affordable price, the reader may appreciate that this truly was a pioneering -- and supremely entertaining -- publication.
Classical Mythology, Sixth Edition, continues to build on its best-selling tradition of focusing on the literary tradition of Greek and Roman mythology through extensive translations of original mythological sources. Its coverage of comparative and interpretative approaches as well as evidencefrom art and archeology is expanded in this edition. Morford and Lenardon's insightful and accessible discussion of classical myths in their historical and cultural settings, as well as their survival in literature, art, music, and film, remains unparalleled: This comprehensive introduction toclassical mythology features new translations, expanded critical coverage, an expanded art program, and a new web site.