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The aim of this book is to provide a complete handbook of information and opinion about the history of the music of the 1970s. There are over 1000 entries on the bands, musicians, songwriters, producers and record labels of this decade, everyone who had any significant impact on the development of rock and pop music. From the stars who, unlike Hendrix, Joplin and Morrison, survived the sixties only to be dudded as dinosaurs, to the angry reactions of punk and the new wave and the sounds of glam rock and disco, this encylopaedia aims to answer any query about any aspect of seventies music. As well as the giants of the decade, such as Queen, Abba and Fleetwood Mac, the book also includes those artists who only flourished briefly.
Thoroughly researched history of one of Britain’s longest-established folk-rock groupsDetailed and comprehensive discographyEssential reading for any lover of ’70s and ’80s rock musicIncludes information provided to the author by surviving original members such as Rod Clements (leader of the current line-up) and Ray Laidlaw When singer-songwriter Alan Hull joined the group Brethren in 1969 and they were renamed Lindisfarne shortly afterwards, nobody could have foreseen that the name would still be around more than forty years later. It has been a chequered saga for them, from the members’ origins in the beat and folk boom of their teenage years, to their swiftly-won reputation as one of Britain’s most popular live attractions and the remarkable success of the chart-topping second album Fog on the Tyne, from the issues – which divided them into two camps in 1973 and a total disbandment two years later – to a reunion following two annual series of Christmas concerts in their native Newcastle and beyond. They survived the sudden death of Hull in 1995 and several changes in line-up until 2003, dispersing and then reforming again some ten years later. This tells the story of their long and colourful history, the ups and downs, and the singles, albums and concerts, which made them a unique name in popular music history. Illustrations: 35 colour photographs
All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Newcastle folk-rock giants Lindisfarne have always been a people''s band. Fog on the Tyne tells the band''s story, from its birth in the union of two struggling 1960s bands, through to the new line-up of the present day.'
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
The tale that follows is not another clichéd collection of rock'n'roll debaucheries (sorry) nor is it another tired fable of triumph over adversity (you're welcome).It's the story of a half-deaf kid from a tiny, remote village in South Wales who was hailed as a genius by the UK's biggest radio station and headhunted by major record labels, only for the music industry to collapse. It crashed hard, taking with it an entire generation of talented artists who would never now get their shot. CNN called it &‘music's lost decade'.Along the way, there are goodies, baddies, gun-toting label execs, life-saving surgeons, therapy, true love, loyalty, hope, breakdowns, suicidal managers, betrayal, drummers and way too many hangovers. James Kennedy shows that the best lessons are to be learned from good losers. It really is all about the journey.Part memoir, part exposé of the music world's murky underbelly, Noise Damage is emotional, painfully honest, funny, informative and ridiculous. It's also a celebration of the life-changing magic of music.
Michael Bradley joined his school friend's group in Derry, Northern Ireland in the summer of 1974. They had two guitars and no singer. Four years later the Undertones recorded 'Teenage Kicks', John Peel's favourite record, and became one of the most fondly remembered UK bands of the post punk era. Sticking to their punk rock principles, they signed terrible deals, made great records and had a wonderful time. They broke up in 1983 when they realised there was no pot of gold at the end of the rock and roll rainbow. His story is a bitter-sweet, heart-warming and occasionally droll tale of unlikely success, petty feuding and playful mischief during five years of growing up in the music industry. Wiser but not much richer, Michael became a bicycle courier in Soho after the Undertones split. "Sixty miles a day, fresh air, no responsibilities," he writes. "Sometimes I think it was the best job I ever had. It wasn't, of course."
Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.