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The dark story of Adolf Hitler's life in 1924 -- the year that made a monster. Before Adolf Hitler's rise to power in Germany, there was 1924. This was the year of Hitler's final transformation into the self-proclaimed savior and infallible leader who would interpret and distort Germany's historical traditions to support his vision for the Third Reich. Everything that would come -- the rallies and riots, the single-minded deployment of a catastrophically evil idea -- all of it crystallized in one defining year. 1924 was the year that Hitler spent locked away from society, in prison and surrounded by co-conspirators of the failed Beer Hall Putsch. It was a year of deep reading and intensive writing, a year of courtroom speeches and a treason trial, a year of slowly walking gravel paths and spouting ideology while working feverishly on the book that became his manifesto: Mein Kampf. Until now, no one has fully examined this single and pivotal period of Hitler's life. In 1924, Peter Ross Range richly depicts the stories and scenes of a year vital to understanding the man and the brutality he wrought in a war that changed the world forever.
After her father’s death, young Anne Beddingfeld moves to London with her meagre inheritance, hopeful and ready to meet adventure. She witnesses a fatal accident at a Tube station and picks up a cryptic note dropped by the anonymous doctor who appeared on the scene. When Anne learns of a murder at the estate that the dead man was on his way to visit, it confirms her suspicion that the man in the brown suit who lost the note was not a real doctor. With her clue in hand she gains a commission from the newspaper leading the search for the “man in the brown suit,” and her investigation leads her to take passage on a South Africa–bound ocean liner. On board, she meets a famous socialite, a fake missionary, a possible secret service agent, and the M.P. at whose estate the second murder occurred. She learns about a secretive criminal mastermind known only as the Colonel and of stolen diamonds connected to it all. During the voyage, she evades an attempt on her life, and in South Africa she escapes from a kidnapping and barely survives another attack on her at Victoria Falls. She falls in love, finds the diamonds, and discovers the truth about the two deaths in London that started it all. Finally, she confronts the mysterious criminal mastermind, the Colonel. Published in 1924 by the Bodley Head, The Man in the Brown Suit is Agatha Christie’s fourth novel. Unlike the classic murder mysteries that made her famous, The Man in the Brown Suit, like her second novel The Secret Adversary, is an international crime thriller. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
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Alekhine's Controversial Masterpiece Finally in English! For decades, Alexander Alekhine's account of New York 1927 was at the top of the list of works that should have been rendered into English but unaccountably were not. This is unlike any other tournament book ever written. Not only do you have one of the greatest annotators of all time rendering some brilliant analysis, but he melds it with an exceptional agenda, an anti-Capablanca agenda. And since he wrote it after defeating Capablanca in their marathon match, he sounds like a sore loser who became a sore winner. So, this is just a mean-spirited book, right? Nothing of the sort. Alekhine goes beyond elaborate move analysis and offers deep positional insights and psychological observations. Nikolai Grigoriev, in his foreword to the 1930 Russian edition of this book, pointed out how Alekhine broke new ground by underlining the critical moments of each game. Why Alekhine's work was published in German, in Berlin in 1928, and not in English, is unclear. But now, after more than 80 years, it's finally available to the largest audience of chessplayers. It's about time.
The Able McLaughlins is a 1923 novel by Margaret Wilson. It won the Pulitzer Prize for the Novel in 1924. The story is about Wully McLaughlin, doughty but inarticulate young hero, returns from Grant's army to find that his sweetheart, Christie McNair, has fallen a victim, against her will, to the scapegrace of the community, Peter Keith. She has concealed her plight from every one, but cannot conceal it from him.
First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo;
The Brazilian Northeast has long been a marginalized region with a complex relationship to national identity. It is often portrayed as impoverished, backward, and rebellious, yet traditional and culturally authentic. Brazil is known for its strong national identity, but national identities do not preclude strong regional identities. In Region Out of Place, Courtney J. Campbell examines how groups within the region have asserted their identity, relevance, and uniqueness through interactions that transcend national borders. From migration to labor mobilization, from wartime dating to beauty pageants, from literacy movements to representations of banditry in film, Campbell explores how the development of regional cultural identity is a modern, internationally embedded conversation that circulated among Brazilians of every social class. Part of a region-based nationalism that reflects the anxiety that conflicting desires for modernity, progress, and cultural authenticity provoked in the twentieth century, this identity was forged by residents who continually stepped out of their expected roles, taking their region’s concerns to an international stage.
This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.