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The first five volumes of the new edition of the Journals of the Lewis and Clark Expedition have been widely heralded as a lasting achievement in the study of western exploration. The sixth volume begins on November 2, 1805, in the second year of Meriwether Lewis and William Clark’s epic journey. It covers the last leg of the party’s route from the Cascades of the Columbia River to the Pacific Coast and their stay at Fort Clatsop, near the river’s mouth, until the spring of 1806. Travel and exploration, described in the early part, were hampered by miserable weather, and the enforced idleness in winter quarters permitted detailed record keeping. The journals portray the party’s interaction with the Indians of the lower Columbia River and the coast, particularly the Chinooks, Clatsops, Wahkiakums, Cathlamets, and Tillamooks. No other volume in this edition has such a wealth of ethnographic and natural history materials, most of it apparently written by Lewis and copied by Clark, and accompanied by sketches of plants, animals, and Indians and their canoes, implements, and clothing. Incorporating a wide range of new scholarship dealing with all aspects of the expedition, from Indian languages to plants and animals to geographical and historical contexts, this new edition expands and updates the annotation of the last edition, published early in the twentieth century.
Thirty years after Meriwether Lewis and William Clark passed through the Mandan villages in present-day North Dakota, the Upper Missouri River region was being plied by fur traders. In 1834 Francis A. Chardon, a Philadelphian of French extraction, took charge of Fort Clark, a main post of the American Fur Company on the Upper Missouri. The journal that Chardon began that year offers a rare glimpse of daily life among the Mandan Indians, including the Arikaras, Yanktons, and Gros Ventres. In particular, it is a valuable and graphic record of the smallpox scourge that nearly destroyed the Mandans in 1837. Chardon describes much of historical interest, including such figures as the interpreter Charbonneau, Sacajawea's husband, and the fantastic James Dickson, "Liberator of all the Indians." By the time his account ends in 1839, the fur trade is already in decline. Chardon's journal was long lost, rediscovered, and finally edited and published in 1932 by Annie Heloise Abel, a distinguished scholar whose works, all available as Bison Books, included The American Indian As Slaveholder and Secessionist; The American Indian in the Civil War, 1862-1865; and The American Indian and the End of the Confederacy, 1863-1866. Her historical introduction provides background on the fur trade and on Chardon's life before and after his tenure at Fort Clark. William R. Swagerty is a history professor at the University of Idaho.
A Notable Social Studies Trade Book for Young People: The tale of the famous expedition of Lewis and Clark, condensed from their own eight-volume journals for young historians Lewis and Clark’s famous 1804 expedition was told with great detail by the explorers themselves in an eight-volume account. Now young historians have the opportunity to learn the thrills, challenges, and adventures in a version accessible for them. Two years’ worth of entries are condensed into a flowing account that maintains the historical essence of the original. With a fact-filled prologue and epilogue, young readers can relive the adventurous eight-thousand-mile journey across uncharted wilderness.
Original Journals of the Lewis and Clark Expedition: 1804-1806; Part 1 & 2 Volume 6
Charles Fritz: 100 Paintings Illustrating the Journals of Lewis and Clark unites exquisite Western art with one of our nation's greatest epics. The result of a decade of comprehensive research and on-location painting, this expanded collection of 100 paintings depicts the triumphs and travails of the Corps of Discovery's two-and-a-half-year trek through unknown territory to the Pacific Ocean and back between 1804 and 1806. Although several members of the Corps of Discovery kept journals, an artist did not accompany the expedition. Unlike almost every expedition since, there had been no one to visually document the unique people, landscapes, animals, and plants never before seen by Americans living in the East. With artistry and a passion for historical accuracy, Charles Fritz, one of the nation's most respected Western artists, brings the Journals of Lewis and Clark to life, telling this remarkable American story visually-and for the first time allowing us to experience what the Corps saw on their historic journey.
This groundbreaking book collects black women's personal recollections of their public and private lives during the period of legal segregation in the American South. Using first-person narratives, collected through oral history interviews, the book emphasizes women's role in their families and communities, treating women as important actors in the economic, social, cultural, and political life of the segregated South. By focusing on the commonalities of women's experiences, as well as the ways that women's lives differed from the experiences of southern black men, Living with Jim Crow analyzes the interlocking forces of racism and sexism .
Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.