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A Life of Gerald Gardner Volume 2. From Witch Cult to Wicca by Philip Heselton From the author of the highly acclaimed "Wiccan Roots", this is the first full-length biography of Gerald Brosseau Gardner (1884-1964) - a very personal tale of the man who single-handedly brought about the revival of witchcraft in England in the mid 20th Century. From Gerald's birth into an old family of wealthy Liverpool merchants, through an unconventional upbringing by his flamboyant governess in the resorts of the Mediterranean and Madeira, it tells how, having taught himself to read, his life was changed by finding a book on spiritualism. During a working life as a tea and rubber planter in Ceylon, Borneo and Malaya, he came to know the native people and was invited to their secret rituals. But it was only on his retirement to England, settling on the edge of the New Forest in Hampshire, that destiny took him firmly by the hand. Through various twists and turns involving naturist clubs and a strange esoteric theatre, he became friends with a group of people who eventually revealed their true identity - they were members of a surviving witch coven. One evening in 1939, as the hounds of war were being unleashed, he was initiated into the 'witch cult' by these people, who called themselves 'the Wica'. Gardner was overwhelmed by the experience and was determined that the 'witch cult' should survive. This book chronicles his efforts over the remaining quarter century of his life to ensure not only that it survived but that it would become the significant player on the world religious stage that it now is - "the only religion that England has ever given the world", in the words of Ronald Hutton, Professor of History at the University of Bristol, who calls it "... a very fine book: humane, intelligent, compassionate, shrewd, and based upon a colossal amount of primary research". Born in 1946, Philip Heselton is a geographer and retired local government officer who has written extensively on Earth Mysteries and our spiritual relationship with the landscape. He has also carried out extensive research into the story of the modern witchcraft revival, chronicled in his books, "Wiccan Roots" and "Gerald Gardner and the Cauldron of Inspiration". Hutton has described him as being "... the most interesting, valuable and enjoyable author who has yet written on what is becoming one of the greatest riddles in the history of modern religion: the origins of pagan witchcraft. ... Nobody has ever done more than Philip Heselton to reveal the world of magic, paganism, naturism and faerie that lay behind the garden gates of inter-war English suburban villas; and perhaps only he could have done it at all."
This book discusses the role of children in the Salem witch trials through a close reading of the many and varied narratives of the trials, including court records, contemporary and historical documents, fiction, drama, and poetry. Taking a critical theory approach to explore both what we might understand as a child in 1692 New England and to consider our adult investment in reading the child, Kristina West explores narratives of the afflicted girls and the many accused children whom are often absent or overlooked in histories, and considers how the trial structure is continually repeated in attempts to establish the respective guilt and innocence of these and other groups. This book also analyses later manuscripts and fictional rewritings of the trials to question the basis on which assumptions about the child in history are made, and to consider why such narratives of Salem’s children are still relevant now.
Married to a drunken tavern-keeper, Anna Wirth takes solace in her two sons, hard-working Konrad and the beautiful, flaxen-haired Manfred, who sings like an angel and who, some say, has been touched by God. But at the same time, Anna is desperate to prevent people finding out the truth about her younger son. That he is not like other children: he does not communicate, doesn't make eye contact, lives in his own private world, endlessly collecting and arranging piles of leaves and stones. When rumours of witchcraft sweep through the town, Manfred is seized by those who would use him to pursue their own agenda. As innocent townsfolk are accused, a climate of fear prevails. No one is safe - and at the heart of the terror is Anna's own son. As the death toll mounts, Anna realizes there is only one way to stop the madness. But can she act against a mother's deepest instincts?
The second powerful novel in the Five Crowns of Okrith fantasy series brings us into a new part of the world as the fae princess Rua joins forces with a truly unlikely ally—all with the same romance and adventure readers have come to expect from A.K. Mulford’s viral sensation! A magic sword. A powerful curse. An untested fae princess. And a continent on fire... Eighteen-year-old Ruadora Dammacus now possesses the Immortal Blade, a powerful artifact that might be enough to overthrow the cruel oppression threatening the land. Yet when Rua discovers the Northern Court King’s uncle is not only alive but has cast a spell on the blue witch army, she realizes that the battle is just beginning. Venturing into the Northern Court, Rua finds herself working closely with the young Northern King. Her problems are mounting, and the handsome—and perhaps evil—king is only one of them. With the eyes of her newfound family on her, can Rua prove herself worthy of the Immortal Blade and break the curse over the blue witches, or will its magic be too difficult to control? And, perhaps even more dangerous, is her growing connection to the Northern King and what that means for her people…and her heart.
Pepper McKay comes from a long line of powerful witches. Unfortunately, magic brings her nothing but trouble. She learned the love of wildlife rescue and rehab from her Aunt Ashling. After graduating from college, Pepper works for Salem Wildlife Sanctuary and lives from paycheck to paycheck until she inherits the McKay property in Lobster Cove. With the family land and resources, she dares to dream of starting her own wildlife rescue and rehabilitation center. Lathen Quartz, a former Navy SEAL turned handyman maintains the enchanted McKay property for the McKay estate. But someone is trying to steal the McKay magic. Lathen offers to help Pepper achieve her life-long dream of building a wildlife center. During the long hours spent together on the project, their mutual attraction can't be denied. But each harbors a deep, dark secret. Will they overcome their demons and give love a chance?
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
After Charmed ended in 2006, witches were relegated to sidekicks of televisual vampires or children's programs. But during the mid-2010s they began to resurface as leading characters in shows like the immensely popular The Chilling Adventures of Sabrina, the Charmed reboot, Salem, American Horror Story: Coven, and the British program, A Discovery of Witches. No longer sweet, feminine, domestic, and white, these witches are powerful, diverse, and transgressive, representing an intersectional third-wave feminist vision of the witch. Featuring original essays from noted scholars, this is the first critical collection to examine witches on television from the late 2010s. Situated in the aftermath of the #MeToo movement, essays examine the reemergence and shifting identities of TV witches through the perspectives of intersectional gender studies, hauntology, politics, morality, monstrosity, violence, queerness, disabilities, rape, ecofeminism, linguistics, family, and digital humanities.
The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Using historical, psychological, comparative religious and anthropological perspectives, this book sets out to separate the voice of Isobel Gowdie from that of her interrogators.
The Meaning of Witchcraft is a non-fiction book written by Gerald Gardner. Gardner, known to many in the modern sense as the "Father of Wicca", based the book around his experiences with the religion of Wicca and the New Forest Coven. He claimed he was allowed to tell more than ever before and cast light on the rituals and beliefs of witches. The book's main message was that neither the practices of witches nor their intents were harmful. The book tells the history of witchcraft in Europe. The author traces back to pre-Christian times, studies the rituals and beliefs of templars, and states that the belief in fairies in ancient, medieval, and early modern Europe was connected with a secretive pygmy race that lived alongside other communities. The preface to this book was Margaret Murray, who stated that witchcraft took its root in the pre-Christian religions and had nothing to do with spell-casting and other evil practices. Instead, Murray proposes to view witchcraft as "the sincere expression of that feeling towards God which is expressed, perhaps more decorously though not more sincerely, by modern Christianity in church services."
Southern Cunning is a journey through the folklore of the American South and a look at the power these stories hold for modern witches. Through the lens of folklore, animism, and bioregionalism the book shows how to bring rituals in folklore into the modern day and presents a uniquely American approach to witchcraft born out of the land and practical application.