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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Featuring renowned artist-historian Don Troiani's careful research, painstaking attention to detail, and dramatic style.
A history of the series of American Civil War battles fought at a town outside of Richmond, Virginia. Robert E. Lee feared the day the Union army would return up the James River and invest the Confederate capital of Richmond. In the spring of 1864, Ulysses Grant, looking for a way to weaken Lee, was about to exploit the Confederate commander’s greatest fear and weakness. After two years of futile offensives in Virginia, the Union commander set the stage for a campaign that could decide the war. Grant sent the 38,000-man Army of the James to Bermuda Hundred, to threaten and possibly take Richmond, or at least pin down troops that could reinforce Lee. Jefferson Davis, in desperate need of a capable commander, turned to the Confederacy’s first hero: Pierre Gustave Toutant Beauregard. Butler’s 1862 occupation of New Orleans had infuriated the South, but no one more than Beauregard, a New Orleans native. This campaign would be personal. In the hot weeks of May 1864, Butler and Beauregard fought a series of skirmishes and battles to decide the fate of Richmond and Lee’s army. Historian Sean Michael Chick analyzes and explains the plans, events, and repercussions of the Bermuda Hundred Campaign in Grant’s Left Hook: The Bermuda Hundred Campaign, May 5-June 7, 1864. The book contains hundreds of photographs, new maps, and a fresh consideration of Grant’s Virginia strategy and the generalship of Butler and Beauregard. The book is also filled with anecdotes and impressions from the rank and file who wore blue and gray. Praise for Grant’s Left Hook “A superb installment . . . one of the best books in the ECW series (easily rating among the top handful in this reviewer’s estimation). Sean Chick’s Grant’s Left Hook is highly recommended reading.” —Civil War Books and Authors “An excellent, very informative book about one of the least understood campaigns of the Civil War . . . also quite readable, and is highly recommended for anyone with an interest in the great conflict, and particularly for those who like tramping across battlefields.” —The NYMAS Review
What is the function of art in the era of digital globalization? How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of “neurocurating,” in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity. In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world’s most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, fake news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of freeports, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.
"Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington."
Brings together contemporary watercolors, tempera paintings, and drawings depicting all campaigns from Sumter to Appomattox
The picture in the attic -- Behind enemy lines -- The woman in the sunlight.
The Civil War tore the nation apart, pitting brother against brother. Marking the sesquicentennial of this epic struggle for America's soul, For Us the Living brings the crisis unforgettably to life through stunning paintings by acclaimed Civil War artist Mort K�nstler and stirring text by Pulitzer Prize-nominated author James I. Robertson Jr., interwoven with eyewitness accounts. This deluxe edition, with a beautiful cloth cover stamped in gold, includes a ready-to-frame photographic print of a stunning new Mort K�nstler painting inside.
"On June 19, 1864, the United States warship Kearsarge sank the Confederate raider Alabama off the coast of Cherbourg, France, in one of the most celebrated naval engagements of the American Civil War. When Kearsarge later anchored off the French resort town of Boulogne-sur-Mer it was thronged by curious visitors, one of whom was the artist Edouard Manet. Although he did not witness the historic battle, Manet made a painting of it partly as an attempt to regain the respect of his colleagues after having been ridiculed for his works in the 1864 Salon. Manet's picture of the naval engagement and his portrait of the victorious Kearsarge belong to a group of his seascapes of Boulogne whose unorthodox perspective and composition would profoundly influence the course of French painting." "Manet's paintings and watercolors related to the battle are considered in depth alongside numerous prints, photographs, letters, and archival newspaper illustrations that illuminate the history of the episode and in some cases dispel lingering misconceptions. Manet's other Boulogne seascapes are also discussed in terms of their complex chronology and evolution. A final chapter touches on some of the sources for the seascapes - from Old Master paintings to Japanese woodblock prints - and traces the influence of the seascapes on such artists as Gustave Courbet, James Abbott McNeill Whistler, and Claude Monet."--BOOK JACKET.
A history of the bitter battles and skirmishes in the Ozark Region, including photos: “It’s great to see a revised edition of this Civil War classic.” —Ozarks Mountaineer In this revised edition of Civil War in the Ozarks, Phillip W. Steele and Steve Cottrell provide new insight into the clashes that occurred in the Ozarks and additional commentary from experts. Explanations of the political and cultural conditions there at the time create a backdrop for the drama that unfolded as a result. An updated map is also included. In writing the original version, the authors extensively researched the battles taking place between 1861 and 1865. With meticulous detail, they chronicle the heroes, outlaws, and peacemakers who were at the center of this hot-blooded battleground. Skirmishes between the abolitionist Kansas Jayhawkers and slaveholders in Arkansas and Missouri began years before the firing upon Fort Sumter, making the Ozarks a volatile and dangerous region during the Civil War. Although many citizens of Missouri wished to remain neutral, they reluctantly found themselves caught in the crossfire of raids between the two groups. Relocated Indian tribes of present-day Oklahoma also fell prey to the vicious fighting. As the war crept westward, more groups were drawn into the conflict—making the Ozarks one of the bloodiest regions in the battle between the Blue and Gray. Includes photos and illustrations “Highly recommended.” —Curled Up with a Good Book