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Whether for tango, football, or art, passions in Buenos Aires run high. The largest city in Argentina, it is chaotic and lively, dangerous and cosmopolitan, and presents seemingly unlimited attractions for tourists. This book provides a view into the city today, and into its past. Europeans colonized Buenos Aires in the 16th century, and from this modest start by the end of the nineteenth century it had boomed. Its history is one of excesses and swings between authoritarian and democratic governments. By examining Buenos Aires past, we can appreciate what remains as story, urban myth, or reality. "
The most European of South American cities, Buenos Aires evokes exile and nostalgia. A nineteenth-century replica of Paris or Madrid set adrift in an alien continent, its identity is neither of the Old World nor the New. The Argentine capital's rootlessness has famously found expression in the melancholy of tango and, more recently, in a vogue for psychoanalysis even more widespread than New York's. Jason Wilson explores this contradictory and culturally rich city by tracing its development from remote ranching settlement to modern metropolis. Taking landmarks, both well-known and hidden, as starting points for a journey of discovery, he looks at the events, people and writing that have shaped modern Buenos Aires and its cultural life. • The city of Borges and Cortazar: the European literary tradition, magical realism and fantasy, the construction of an Argentine voice, writers local and foreign •The city of tango: the music of longing and despair, a meeting-point of machismo and sensuality, lowlife culture of the port •The city of passions: the cult of Evita Peron, the life-and-death matter of soccer, the totalitarian political legacy.
By 1920 Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe in the previous decades. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city, Buenos Aires across the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.
In this book James Scorer argues that culture remains a force for imagining inclusive urban futures based around what inhabitants of the city have in common. Using Buenos Aires as his case study, Scorer takes the urban commons to be those aspects of the city that are shared and used by its various communities. Exploring a hugely diverse set of works, including literature, film, and comics, and engaging with urban theory, political philosophy, and Latin American cultural studies, City in Common paints a portrait of the city caught between opposing forces. Scorer seeks out alternatives to the current trend in analysis of urban culture to read Buenos Aires purely through the lens of segregation, division, and enclosure. Instead, he argues that urban imaginaries can and often do offer visions of more open communities and more inclusive urban futures.
A discussion of the historical archaeology of one of the largest cities in the world following four centuries of marginal positioning in regard to empires, trade routes, and the production and accumulation of wealth. The author describes how Buenos Aires came to achieve its current status as a major urban metropolis through an analysis of settlement patterns, architecture, the lifestyle of its residents, and the access to commodities of different social groups.
A colorful and entertaining account of Buenos Aires—one of the most beautiful and culturally rich cities in the world, and a major tourist destination.
"A sweeping account of one of the cultural centers of Latin America, Specular City tells the history of Buenos Aires during the interregnum after Juan Peron's fall from power and before his restoration. During those two decades, the city experienced a rapid metamorphosis at the behest of its middle class citizens, who were eager to cast off the working-class imprint left by the Peronists. Laura Podalsky discusses the ways in which the proliferation of skyscrapers, the emergence of car culture, and the diffusion of an emerging revolution in the arts helped transform Buenos Aires, and, in so doing, redefine Argentine collective history. More than a cultural and material history of this city, this book also presents Buenos Aires as a crucible for urban life. Examining its structures through films, literatures, new magazines, advertising and architecture, Specular City reveals the prominent place of Buenos Aires in the massive changes that Latin America underwent for a new, modern definition of itself."--Book cover.