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In cities throughout the world, there is an increasingly ubiquitous presence of distinct social and spatial areas - urban villages, cultural and ethnic quarters. These spaces are sites where capital and culture intertwine in new ways. City of Quarters brings together some of the most prominent authors writing about urban villages to provide the first systematic and multi-disciplinary overview of this high-profile urban phenomenon. They address key questions such as 'What is the role of urban villages and quarters in the contemporary city?' and 'What are the economic, political, socio-spatial and cultural practices and processes that surround these urban spaces?' Blending conceptual chapters with theoretically directed case studies from all over the world, this book includes issues such as local and regional development strategies, production, consumption, the creative industries, popular culture, identity, lifestyle, and tourism.
'Original and illuminating ... what a good book this is' Jonathan Dimbleby 'A love letter to the people of the Old City' Jerusalem Post In Jerusalem, what you see and what is true are two different things. Maps divide the walled Old City into four quarters, yet that division doesn't reflect the reality of mixed and diverse neighbourhoods. Beyond the crush and frenzy of its major religious sites, much of the Old City remains little known to visitors, its people overlooked and their stories untold. Nine Quarters of Jerusalem lets the communities of the Old City speak for themselves. Ranging through ancient past and political present, it evokes the city's depth and cultural diversity. Matthew Teller's highly original 'biography' features the Old City's Palestinian and Jewish communities, but also spotlights its Indian and African populations, its Greek and Armenian and Syriac cultures, its downtrodden Dom Gypsy families and its Sufi mystics. It discusses the sources of Jerusalem's holiness and the ideas - often startlingly secular - that have shaped lives within its walls. Nine Quarters of Jerusalem is an evocation of place through story, led by the voices of Jerusalemites.
When Americans declared independence in 1776, they cited King George III "for quartering large bodies of armed troops among us." In Quarters, John Gilbert McCurdy explores the social and political history behind the charge, offering an authoritative account of the housing of British soldiers in America. Providing new interpretations and analysis of the Quartering Act of 1765, McCurdy sheds light on a misunderstood aspect of the American Revolution. Quarters unearths the vivid debate in eighteenth-century America over the meaning of place. It asks why the previously uncontroversial act of accommodating soldiers in one's house became an unconstitutional act. In so doing, Quarters reveals new dimensions of the origins of Americans' right to privacy. It also traces the transformation of military geography in the lead up to independence, asking how barracks changed cities and how attempts to reorder the empire and the borderland led the colonists to imagine a new nation. Quarters emphatically refutes the idea that the Quartering Act forced British soldiers in colonial houses, demonstrates the effectiveness of the Quartering Act at generating revenue, and examines aspects of the law long ignored, such as its application in the backcountry and its role in shaping Canadian provinces. Above all, Quarters argues that the lessons of accommodating British troops outlasted the Revolutionary War, profoundly affecting American notions of place. McCurdy shows that the Quartering Act had significant ramifications, codified in the Third Amendment, for contemporary ideas of the home as a place of domestic privacy, the city as a place without troops, and a nation with a civilian-led military.
This book synthesizes urban design and urban regeneration by examining the revitalization of a number of historic urban quarters. Its focus is on quarters or areas where there is a significant number of historic buildings concentrated in a small area; with places and area-based approaches. Many cities have such quarters that confer on them a sense of place and identity through their historic continuity and cultural associations. The quarters are often an integral element of the city's image and identity. The lessons and observations from the experience of the revitalization of such historic urban quarters forms the core of this book with a number of case study examples from North America and Europe showing a variety of approaches to and outcomes of revitalization.
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Studies on ancient urbanity either concerns individual buildings or the city as a whole. This volume, instead, addresses a meso-scale of urbanity: the socio-spatial organisation of ancient cities. Its temporal focus is on Late Republican and Imperial Italy, and more specifically the cities of Pompeii and Ostia. Referring to a praxeological and phenomenological perspective, it looks at neighbourhoods and city quarters as basic categories of design and experience. With the terms 'neighbourhood and 'city quarter' the volume proposes two different methodological approaches: Neighbourhood here refers to the face-to-face relation between people living next to each other - thus the small-scale environment centred around a house and an individual. Neighbourhoods thus do not constitute a (collectively defined) urban territory with clear borders, but are rather constituted by individual experiences. In contrast, city quarters are understood as areas that share certain characteristics.
It covers the construction of institutional complexes, the introduction of significant changes in Jerusalem's administration, the creation of new planning frameworks, the planning of new settlements around the city, the concentration of large tracts of agricultural land by Jerusalem's Arab effendis, and the development of the Arab and Jewish villages in the rural hinterland."--BOOK JACKET.
A Companion to the City provides the reader with an indispensable and authoritative overview of the key debates, controversies, and questions concerning the city from a variety of theoretical vantage points with an international perspective. Indispensable companion for students of the City. Multidisciplinary approach of interest across several fields. Includes contributions from major scholars in the field.
The classic odyssey through Caesar’s Empire. Camul and Acco are young Gauls, content to accept Roman occupation for the benefits it brings. Until Acco brings on himself the curse of the Goddess, and the two are forced to escape her by joining the Roman Army. Julius Caesar’s campaigns carry them from the Rhine to Rome, Greece and finally the steppes of Russia. Along the way they face many trials, and feel the full might of the Roman war machine. But distance means little to a Goddess, and Camul must make a terrible pact to survive... The classic of Roman fiction, Winter Quarters is an extraordinary and vivid journey through Roman legions. Perfect for fans of Wallace Breem’s Eagle in the Snow, Simon Scarrow and Ben Kane. Praise for Winter Quarters ‘Winter Quarters covers a remarkable amount of ground, and covers it convincingly... Mr Duggan throws the strengths and weaknesses of the era into sharp relief... damnably skillful’ The Sunday Times ‘Winter Quarters... is among the finest, I think, that he has yet produced... It is an exciting story, admirably told. The closing battle-scene is particularly well done.’ Daily Mail ‘Mr Duggan is one of the best historical novelists going now. He writes economically and is always to the point... We are given a vivid picture of life in Rome and the Near East... there are some splendid battles.’ News Chronicle ‘The chief triumph of this remarkable book is its presentation of paganism.’ John Betjeman, Daily Telegraph ‘Contains just the right blend of information and imagination, with a vivid background and a just appreciation of the human element underlying historical figures. The strength and weaknesses of the Romans are put into excellent perspective.’ Irish Times ‘Few novelists can touch Alfred Duggan when it comes to recreating remote corners of historical time and place’ Guardian
NEW YORK TIMES BESTSELLER • Includes Dean Koontz’s short story “The Neighbor”—first time in print! Dean Koontz is at the peak of his acclaimed powers with this major new novel. A young boy, a musical prodigy, discovering life’s wonders—and mortal dangers. His best friend, also a gifted musician, who will share his journey into destiny. His remarkable family, tested by the extremes of evil and bound by the depths of love . . . on a collision course with a band of killers about to unleash anarchy. And two unlikely allies, an everyday hero tempered by the past and a woman of mystery who holds the key to the future. These are the people of The City, a place where enchantment and malice entwine, courage and honor are found in the most unexpected quarters, and the way forward lies buried deep inside the heart. Brilliantly illumined by magic dark and light, their unforgettable story is a riveting, soul-stirring saga that speaks to everyone, a major milestone in the celebrated career of #1 New York Times bestselling author Dean Koontz and a dazzling realization of the evergreen dreams we all share. Praise for The City “Beautifully crafted and poignant . . . The City is many things: serious, lighthearted, nostalgic, courageous, scary, and mysterious. . . . [It] will have readers staying up late at night.”—New York Journal of Books “[Koontz] can flat-out write. . . . The message of hope and depiction of how the choices you make can change your life ring true and will remain with you once the book has been closed.”—Bookreporter Acclaim for Dean Koontz “Perhaps more than any other author, Koontz writes fiction perfectly suited to the mood of America: novels that acknowledge the reality and tenacity of evil but also the power of good . . . that entertain vastly as they uplift.”—Publishers Weekly “A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times “Tumbling, hallucinogenic prose. ‘Serious’ writers . . . might do well to examine his technique.”—The New York Times Book Review “[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.”—Los Angeles Times “Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today “Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune “A literary juggler.”—The Times (London)