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Mark Colvin is a broadcasting legend. He is the voice of ABC Radio's leading current affairs program PM; he was a founding broadcaster for the groundbreaking youth station Double J; he initiated The World Today program; and he's one of the most popular and influential journalists in the twittersphere. Mark has been covering local and global events for more than four decades. He has reported on wars, royal weddings and everything in between. In the midst of all this he discovered that his father was an MI6 spy. Light and Shadow is the incredible story of a father waging a secret war against communism during the Cold War, while his son comes of age as a journalist during the tumultuous Whitlam and Fraser years and embarks on the risky career of a foreign correspondent. Mark was witness to some of the most world-changing events, including the Iranian hostage crisis, the buildup to the first Gulf War in Iraq and the direct aftermath of the shocking genocide in Rwanda. But when he contracted a life-threatening illness while working in the field, his life changed forever. Mark Colvin's engrossing memoir takes you inside the coverage of major news events and gently navigates the complexity of his father's double life.
Natural light portraiture is hugely popular. The light source is free, malleable, and available anywhere. Mastering its use requires a specific skill set, however. Fortunately, Tony Corbell is up to the task of showing readers how to harness its full power. He sets a foundation for mastering this powerful source, beginning with a discussion on how to set camera controls to ensure the right amount of light is allowed to strike the image sensor to create the portrait and how to read a histogram to ensure that a subject-appropriate (versus so-called “correct”) exposure results. Next, he moves on to discuss light quantity and quality and how each can be modified and manipulated to produce dimensional, lifelike portraits. Readers will learn techniques for using hard/soft light, working with window light, ensuring a proper white balance (so that colors in the scene are true-to-life in the final image), and adding or subtracting light to achieve the desired effect. Corbell’s images and instructions show readers how to produce the flattering, highly salable portraits they’re after—indoors and out.
Wardens. Selected for their strong, innate connection to the lifeblood of the world, these unique individuals were granted the gift of immortality and tasked with the protection of Kylir and its ancient Guardians against the Darkness. Where once they warred openly, raining unimaginable destruction upon the world, the centuries have seen their conflict shift to the shadows in the hope of gaining victory through the manipulation of the mundane instead of open, devastating conflict. For what victory is there in reigning over a dead world? On the continent of Triclose, war is life and life is war. For two-hundred years, the proud people of this land have battled for control of the long-empty throne - the Wardens and their war, lost to the annals of myth and legend. The children of this land are raised on stories of their ancestors and noble battles against life-long enemies; thus, with each new generation loyalties are sworn, hatreds renewed, and the wars begin anew. It is here, even as this never-ending cycle of generational warfare plays out, that events both unexpected and foreseen threaten to draw the ancient Wardens from the shadows and reignite a war with the cataclysmic potential to reshape Kylir for all time. . .
Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film. In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.
Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI – a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American – and global – cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject – a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.
In the past the focus of urban illumination has been purely functional. Designing with Light and Shadow, however, is a treatise on the work of Kaoru Mende + Lighting Planners Associates, a Japanese firm, which purposely creates spaces to leave a lasting
This book is a scholarly inquiry into several dimensions of culture, exploring the close relationship between architecture and metaphysical ideas as well as religious and philosophical concepts in each period of human history, a relationship which has, however, been largely forgotten or neglected by modernity. Rather than being a specialized account of any particular epoch, it is an intellectual attempt to map out a general picture of how certain ideas have made their way into architectural structures or shaped them in one or another way, from classical Antiquity through the Middle Ages and the Renaissance to the present. The four essays it contains, focusing on light, water, color, and sound in architecture, are written by an author who is a historian and critic of architecture as well as literary scholar, who firmly believes in the value of discussing these issues from the perspective of the history of ideas. The author is conscious about the limits of any generalizations, but he believes that architecture should be studied not only as an art in its own right, but as something larger, enveloping many layers of culture and reflecting the bonds between human thinking and the practice of the art of building.
In this evocative, intimate, piercing, and often funny collection of stories, "New York Times" reporter and columnist Barry discovers New York City at its most ordinary and most extraordinary.