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"In 'City of Hope, City of Rage: Miami, 1968-1994,' Seth A. Weitz examines the transformative period when the young city-founded under Jim Crow in 1896 and searching for an identity after the upheavals of the 1950s and 60s-began to strive for maturity. Tracing three turbulent decades marked by mass immigration, racially motivated uprisings, economic inequity, rising crime, and social change, 'City of Hope, City of Rage' tells the story of Miami's evolution from a predominantly white southern city and vacation community into what is now a global, predominantly Hispanic metropolis with an international tourist base-one which nevertheless remains one of the most segregated cities in the United States. Drawing on numerous primary sources, including one-on-one interviews with people who lived the history, Weitz assembles a kaleidoscopic portrait of his hometown's coming of age, returning again and again to the question of how Miami is defined, who gets to define it, and, by extension, the parameters of civic identity and belonging in an increasingly cosmopolitan network of communities"
Regions connect and divide us even as global economies, weather, and germs batter us. Historians, literary scholars, and social scientists use region to ground and challenge ideas about national belonging. In Reconsidering Regions in an Era of New Nationalism Alexander Finkelstein and Anne F. Hyde have assembled leading scholars of regionalism to discuss the relationship of region to nation. The contributors explore how historical forces have changed regional associations and how regional associations have changed culture and history. The themes of culture, space, and institutions organize this volume: contributors historicize how race and racial thinking have evolved as a major force to define region and nation over time; the essays raise questions about the stability and validity of "canonical regions" in U.S. history to find new complexity in how these blocs form and how they understand themselves; and they focus on historicist and conjunctural trends and how institutions and ordinary people shape regional identities through politics and cultural change throughout history. Challenging ideas about both national belonging and local association, the contributors emphasize how regional analysis deepens understanding of migration, race, borders, infrastructure, climate, and Native sovereignty. Alexander Finkelstein teaches at Western Colorado University. He has published articles with the Journal of Gilded Age and Progressive Era and Southern California Quarterly. Anne F. Hyde teaches at the University of Oklahoma. She is the author of Empires, Nations, and Families: A New History of the North American West, 1800-1860 (Nebraska, 2011), winner of the Bancroft Prize in American History and finalist for the Pulitzer Prize in History.
At opening this book, everything one has learned or thought about “urban ministry” is challenged, and changed. Stephan de Beer offers a fresh, exciting and thoroughly engaging approach. The title is enticing and playful, but the book is a serious grappling with the daunting realities of a shadowed, marginalised, urban life. It does not theorise or pontificate about a concept. The author is not a distant, neutral observer. He is an engaged minister to the people, a struggler in their struggles, prophet to the powerful. This book invites the reader to join the people of the cities under siege by failed policies, empty promises, and disastrous politics, in their struggles for meaningful life, and it makes a powerful, persuasive case. Stephan de Beer has offered us a great gift and a wonderful opportunity to think and hope anew, and differently, about the life, reality, and future of the city.
White working-class people are the canary in the mine. Poorly understood and perceived as a threat to the common good – unintelligent, self-destructive, utterly incapable of leveraging their own privilege - white working-class people have recaptured the cultural and political imagination in the wake of the 2016 presidential election. Pundits, politicos, cultural commentators, party leaders and many others are scrambling to understand what makes this demographic tick with mixed results. Scape-goated for all things racist and identified as the voting block that gave the country its most divisive leader in a generation, they are not what they seem: so much more than common xenophobes and red-hat wearing nostalgics for a lost time of white supremacy, this group begs for a richer, more nuanced portrait if they are to be loved and impacted by Christian faith and the Gospel of Jesus Christ. Tex Sample, acclaimed author of White Soul and Hard Living People, is a reliable and reader-friendly guide through the current literature with keen eye on the implications of understanding this group so pastors and leaders can better communicate the Good News of Jesus and work for a more just society that values black and white lives and creates the partnerships that lead to the good life for all. This book also describes how our inability to sustain attention to the value of black lives is a traveling companion to our failure to understand or care about the pain and anger of working class whites. Calling Christians (individuals, as well as communities of faith) to a concrete version of social well-being befitting faithful life in Jesus and God’s vision of justice for the world, Tex Sample drills deeper into the realities of a group of people whose suffering and anger is denied, ignored, or misunderstood. The conclusion? Working for real-world, Gospel-centered change (spiritual, social, political, cultural) requires a field guide to the people we too often stereotype or misunderstand. They can be partners when we frame a message of hope built on a sense of vocation to life in Jesus – the good life for all.
Music is powerful and transformational, but can it spur actual social change? A strong collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world.
After four days of violence, black and white civic leaders came together in unprecedented meetings that can be viewed as either concerted public relations efforts to downplay the events, or as setting the stage for Atlanta's civil rights leadership half a century later. Rebecca Burns brings this horrifying yet fascinating moment in history to life, delivering a drama you won't want to put down"--BOOK JACKET.
The CW's hit adaptation of Supergirl is a new take on the classic DC character for a new audience. With diverse female characters, it explores different versions of the female experience. No single character embodies a feminist ideal but together they represent attributes of the contemporary feminist conversation. This collection of new essays uses a similar approach, inviting a diverse group of scholars to address the many questions about gender roles and female agency in the series. Essays analyze how the series engages with feminism, Supergirl's impact on queer audiences, and how families craft the show's feminist narratives. In the ever-growing superhero television genre, Supergirl remains unique as viewers watch a female hero with almost godlike powers face the same struggles as ordinary women in the series.
***A BEST BOOK OF 2018 SELECTION*** NPR * The Washington Post * Book Riot * Autostraddle * Psychology Today ***A BEST FEMINIST BOOK SELECTION*** Refinery 29, Book Riot, Autostraddle, BITCH Rage Becomes Her is an “utterly eye opening” (Bustle) book that gives voice to the causes, expressions, and possibilities of female rage. As women, we’ve been urged for so long to bottle up our anger, letting it corrode our bodies and minds in ways we don’t even realize. Yet there are so, so many legitimate reasons for us to feel angry, ranging from blatant, horrifying acts of misogyny to the subtle drip, drip drip of daily sexism that reinforces the absurdly damaging gender norms of our society. In Rage Becomes Her, Soraya Chemaly argues that our anger is not only justified, it is also an active part of the solution. We are so often encouraged to resist our rage or punished for justifiably expressing it, yet how many remarkable achievements would never have gotten off the ground without the kernel of anger that fueled them? Approached with conscious intention, anger is a vital instrument, a radar for injustice and a catalyst for change. On the flip side, the societal and cultural belittlement of our anger is a cunning way of limiting and controlling our power—one we can no longer abide. “A work of great spirit and verve” (Time), Rage Becomes Her is a validating, energizing read that will change the way you interact with the world around you.