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The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
First Published in 1991. Knowing any real city, and still more so, knowing what it is to know a city, may be as much about passive as about active experience. What we read in the field-that field of the city in all its bizarre mixture of culture and nature-is bound to determine, to some non-fictional extent, what we know of it, what we imagine it could be, what we fear it may be, or become. These essays are meant to be, albeit in their critical mode, the recountings of knowing something through something else: they are the projected imagination, through reading, of the reading by the self and/or others (a wide range of each) of a city, or cities as such, of what city-knowing or city-thinking is. The city as stage, market, and labyrinth, variously trafficked and aestheticized, dreamt and politicized, as passionately written by authors from Cicero to Kazin, from Wordsworth, Dickens, Whitman, and Woolf, to Williams, Ashbery, and Bonnefoy, is the place the essays play themselves out, through architecture and metaphor.
Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has received little attention. Believing traditional accounts are limited by their reflection of a specific historical moment, Joan Ramon Resina and Dieter Ingenschay focus, by contrast, on transition. In essays written for this volume, scholars of literary and visual studies, the history of architecture, cultural theory, and urban geography explore the ways perceptual or conceptual paradigms of the city supersede or replace others, while at the same time retaining the "after-image" of what went before. The writers touch on a wide variety of issues related to contemporary urban cultures as they journey through cities including New York, Barcelona, Madrid, Paris, Tijuana, Berlin, and London. Drawing on the work of Roland Barthes, Walter Benjamin, Camilo José Cela, Honoré de Balzac, and Alfred Stieglitz, their approach is broadly cultural rather than technical. After-Images of the City takes into account the intrinsic instability of the image and reveals that representations of the modern metropolis cannot be fixed in time and history.
Patrick Shalhoub has brought together over two hundred fascinating photographs and prints of Jersey City which bring to life the people, places, and events which have created the city's vibrant and colorful history over the centuries. He takes us on a journey into the past. We see the farming communities which dominated the locality from the 1660s through the middle of the nineteenth century, when the area was part of the larger Bergen Township. We then experience the arrival of the immigrants, the advent of industrialization, and the rapid growth of Jersey City from a cluster of farmsteads and villages into the second largest city in New Jersey. Immigration has been the lifeblood of Jersey City's history, and through the images selected here we witness how Jersey City sprang to life with the influx of immigrants between 1830 and 1920-at first, Irish, German, and British, and, later, immigrants from southern and eastern Europe, including Italians, Poles, Russians, and Slovaks. African-Americans were present in Bergen Township from the early days of the city, but their numbers increased with the migration of laborers from the South in the first half of the twentieth century and their important contribution to the city continued. In recent decades, new communities have grown in Jersey City, including Latin American, Asian Indian, Egyptian, Filipino, and Haitian communities.
In 1886, Confederate veteran Burgess Griffin Royse platted his namesake townsite on the blackland prairie of North Texas. A savvy businessman, Royse knew that the Missouri-Kansas-Texas Railroad line between Dallas and Greenville was being planned, and he was instrumental in making sure its route passed through the newly platted city. Train service was a major economic boom to the area, and the small community grew quickly. By 1890, Royse City had a population of 1,000 and boasted two cotton gins, a gristmill, and 20 businesses. Through the mid-1900s, Royse City thrived on farming, with cotton growing, cotton ginning, and cottonseed oil manufacturing serving as the major industries. Although most Royse City citizens now commute to jobs throughout the Dallas-Fort Worth metroplex, this small bedroom community celebrates and preserves its history through the Texas Main Street program, a thriving city-owned historical museum, and many festivals and celebrations that highlight its rich heritage.
Images of the City takes the reader on a fascinating journey through urban landscapes across centuries, literary periods, media, genres and borders. 27 essays gathered from Poland, UK, Romania, Italy, Hungary, and Portugal by researchers representing different academic environments and fields of speciality offer a truly interdisciplinary perspective on the issue of understanding, representing, and interpreting the city. In this respect, the volume complements other anthologies which discuss urban space without limiting itself to one unique theoretical perspective. Its neat division into chronological and thematic sections makes for easy yet informative and inclusive reading, encouraging cross-referencing and challenging interests and tastes of a wide array of readers. Images of the City provides essential reading for cityphiles everywhere.
Originally published in 1961, Images of the American City examines how Americans dealt with the rapid shock of urbanization as it evolved from an agricultural nation. Working from the framework of a social psychologist, Anselm L. Strauss offers a deeper look into the sociological, psychological, and historical perspectives of urban development. He describes how the cultural changes of a space ultimately develop urban imagery by looking towards the urbanization of America from peoples' views of the cities rather than how the cities are themselves. Urban imageries are contrasted with the context of an ideal city and visitors' perspectives of cities. Strauss takes a step back to ask questions about what Americans think and have thought of their cities. How do these cities compare to the image of an ideal city? What are the different perspectives between a city-dweller and a visitor? He contrasts the tension between those within the city and those outside of its urban limits. Strauss describes how space and time are major themes in the symbolic urbanization of a city. He offers a macroscopic view of the city as a whole and shows how urban imageries evolved from changes in lifestyles. He then provides historical breakdowns of different regions of the country and how they were urbanized. This book documents and illustrates the change in American symbolization from the growth of American cities to the union of urbanity and rurality.
This book is an ideal complement to studies showing the potentially devastating ecological effects of climate change, studies trying to calculate the costs of climate change, and studies trying to identify the most pressing needs in preparing for the new climate.
Images of the City is a photographic album that documents urban culture. The 50 photos were taken by Veronika Bernard at several European cities (Cologne, Berlin, Budapest, Lyon, Istanbul, and others) during the period 2007-2013, as part of her two digital arts projects Ornamental Abstractions and Snapshots, along with her two academic projects Breaking the Stereotype and Images. (Series: Anthropology / Ethnologie - Vol. 56)
IMAGES deals with the discourse of cultural encounters within the context of social co-existence. Within this scope, the project deals with both verbal and non-verbal communication and focuses on the thematic fields of cultural encounter, poverty, and migration. This volume thus offers readers a cross-section of current research both on the perception of urbanity and on contemporary and historical representations of the city, coming from a variety of fields in people's daily lives. (Series: Anthropology / Ethnologie - Vol. 57) [Subject: Sociology, Cultural Studies, Urban Studies, Poverty Studies, Migration Studies]