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From gang- and drug-related shootings to mass shootings in schools, shopping centers, and movie theatres, reports of gun crimes fill the headlines of newspapers and nightly news programs. At the same time, a different kind of headline has captured public attention: a steady surge in pro-gun sentiment among Americans. In Citizen-Protectors, Jennifer Carlson offers a compelling portrait of gun carriers, shedding light on Americans' complex relationship with guns. Delving headlong into the world of guns, Carlson participated in firearms training classes, attending pro-gun events, and carried a firearm herself. Through these experiences, she explores the role guns play in the lives of Americans who carry them and shows how, against a backdrop of economic insecurity and social instability, gun carrying becomes a means of being a good citizen. A much-needed counterpoint to the rhetorical battles over gun control, Citizen-Protectors is a captivating and revealing look at gun culture in America, and a must-read for anyone with a stake in this heated debate.
"In this in-depth and systematic look at gun carriers, Jennifer Carlson draws on her fieldwork attending guns shows and training courses, becoming an NRA certified instructor, and carrying a firearm to unpack the everyday politics of guns. Carlson argues that guns are taken up to address practical problems of policing and protection-in effect to manage social insecurities and suspicions surrounding state disinvestment and the efficacy of state institutions, especially law enforcement. In this context, guns carrying becomes a means of practicing good citizenship by producing social order amidst disorder. This understanding helps to clarify why Americans cling to their guns as both practical and symbolically charged tools of policing and protection, but it also sheds light on the NRA's hidden power as the primary organization that certifies Americans to carry guns. Rather than focus simply on how to handle a firearm responsibly, these training courses primarily cultivate the disposition, capacity, and desire to use guns in self-defense as well as teach the idea that carrying guns is a part of responsible citizenship"--
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
Citizen Journalism explores citizen participation in the news as an evolving disruptive practice in digital journalism. This volume moves beyond the debates over the mainstream news media attempts to control and contain citizen journalism to focus attention in a different direction: the peripheries of traditional journalism. Here, more independent forms of citizen journalism, enabled by social media, are creating their own forms of news. Among the actors at the boundaries of the professional journalism field the book identifies are the engaged citizen journalist and the enraged citizen journalist. The former consists of under-represented voices leading social justice movements, while the latter reflects the views of conservatives and the alt-right, who often view citizen journalism as a performance. Citizen Journalism further explores how non-journalism arenas, such as citizen science, enable ordinary citizens to collect data and become protectors of the environment. Citizen Journalism serves as an important reminder of the professional field’s failure to effectively respond to the changing nature of public communication. These changes have helped to create new spaces for new actors; in such places, traditional as well as upstart forms of journalism negotiate and compete, ultimately aiding the journalism field in creating its future.
This book comprehensively analyzes the global illusion of citizen protection so common today. This text helps students understand a central puzzle in human security, which has two distinct components: (1) although it might be reasonable to assume that political leaders’ threat responses would almost always have a decent chance of safeguarding the mass public, sometimes they do not, exhibiting rhetoric-reality gaps and purely symbolic gestures; and (2) although the wealth of security information available to the mass public would seem to provide them with the opportunity to gain almost always an accurate picture of existing dangers and state threat responses, sometimes citizens’ evaluation of their own safety is grossly distorted, exhibiting an overly extreme sense of helplessness about ongoing threat and an overly extreme sense of skepticism about state protection. At first glance, it is difficult to comprehend fully why states would often select ineffective means of protecting their citizens (assuming the availability of other options) when it appears that there are incentives for them to choose effective ones, particularly within societies with responsive forms of government; and why citizens would often mischaracterize their own security predicament when they have a direct “on-the-ground” view of their plight and seem to have incentives to view their own safety accurately. In exploring these puzzles through detailed international case study analysis, this text investigation consciously deviates from some prevailing orthodox assumptions. It call into question the desirability of the political centrality of state authority and of the prevailing economic and cultural norms in today’s world, opening up serious questions about when and how existing structures and values contribute to increasing rather than decreasing human insecurity for the average world citizen.
A Washington Post Book of the Year Winner of the Merle Curti Award Winner of the Jacques Barzun Prize Winner of the Ralph Waldo Emerson Award “A masterful study of privacy.” —Sue Halpern, New York Review of Books “Masterful (and timely)...[A] marathon trek from Victorian propriety to social media exhibitionism...Utterly original.” —Washington Post Every day, we make decisions about what to share and when, how much to expose and to whom. Securing the boundary between one’s private affairs and public identity has become an urgent task of modern life. How did privacy come to loom so large in public consciousness? Sarah Igo tracks the quest for privacy from the invention of the telegraph onward, revealing enduring debates over how Americans would—and should—be known. The Known Citizen is a penetrating historical investigation with powerful lessons for our own times, when corporations, government agencies, and data miners are tracking our every move. “A mighty effort to tell the story of modern America as a story of anxieties about privacy...Shows us that although we may feel that the threat to privacy today is unprecedented, every generation has felt that way since the introduction of the postcard.” —Louis Menand, New Yorker “Engaging and wide-ranging...Igo’s analysis of state surveillance from the New Deal through Watergate is remarkably thorough and insightful.” —The Nation
Since its Broadway debut, Hamilton: An American Musical has infused itself into the American experience: who shapes it, who owns it, who can rap it best. Lawyers and legal scholars, recognizing the way the musical speaks to some of our most complicated constitutional issues, have embraced Alexander Hamilton as the trendiest historical face in American civics. Hamilton and the Law offers a revealing look into the legal community's response to the musical, which continues to resonate in a country still deeply divided about the reach of the law. A star-powered cast of legal minds—from two former U.S. solicitors general to leading commentators on culture and society—contribute brief and engaging magazine-style articles to this lively book. Intellectual property scholars share their thoughts on Hamilton's inventive use of other sources, while family law scholars explore domestic violence. Critical race experts consider how Hamilton furthers our understanding of law and race, while authorities on the Second Amendment discuss the language of the Constitution's most contested passage. Legal scholars moonlighting as musicians discuss how the musical lifts history and law out of dusty archives and onto the public stage. This collection of minds, inspired by the phenomenon of the musical and the Constitutional Convention of 1787, urges us to heed Lin-Manuel Miranda and the Founding Fathers and to create something new, daring, and different.