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CITIZEN NINJA stand up to power in pursuit of freedom, truth, and justice. Citizen Ninjas speak up; they don’t wait for others to speak for them. Citizen Ninjas are prepared, discerning, self-reliant and assertive. They step out of their comfort zone to nimbly challenge powerful entities that disenfranchise the public and reduce citizen power. Citizen Ninjas respond to community issues and actively engage City Hall to make a difference. They pay attention to government business and actively direct elected public servants to create policies that benefit the interests of the whole community. They are the activists who demand government transparency and are the watchdogs who speak out when there is corruption or ethical wrongdoing. Citizen Ninjas are passionate. They know that their civic participation places them in a better position of influence when new regulations, mandates, and ordinances are enacted. Citizen Ninjas are activists who strive to preserve the power of self-government—a representative republic that is of the people, by the people, and for the people. They actively engage in the public square rather than passively allowing government agencies to make decisions on their behalf. While being passionate, Citizen Ninjas avoid throwing vitriolic word bombs like “fascist pig” or “baby killer” and instead build trust, find common ground, and work toward constructive solutions. Showing up at a city council meeting, a public workshop, a rally, or a town hall meeting to express dissatisfaction is the right thing to do, but being effective takes more than good intentions. Citizen Ninjas are smarter, more cunning and strategically savvy in approaching highly organized government agencies, powerful corporations and established non-governmental organizations they partner with. In CITIZEN NINJA author Baker presents a peaceful approach to political activism espousing an exchange of ideas, robust debate, respect, and tolerance as opposed to tactics which promote violence, hatred, prejudice, and bullying. Every two years, many Americans get busy and campaign for the candidate of their choice. Activity ranges from simply speaking to friends and family about their choices, to donating money, walking precincts, and voting. Then after the election the majority go back to working, playing, and raising families. CITIZEN NINJA explores the importance of continuing participation in government after elections. Baker stresses that We the People keep informed about what is going on in local government agencies—city council, school board, county board of supervisors, and metropolitan planning organizations, to seek opportunities for civic participation. In CITIZEN NINJA shows that we are the boss, politicians are the employees who require supervision and guidance and are more effective when having our support and attention. When we are part of the process, we are part of the solution. In CITIZEN NINJA readers learn how to speak up in public without being scared or intimidated. CITIZEN NINJA shows that to be effective in civil discourse, we must transform the way we think about activism. Standing up to power is not about acting out in anger, condoning violence, or relying on mean-spirited tactics. Rather it is about honesty, building trust, treating others with respect, working towards constructive solutions, and effective communication. With practice, CITIZEN NINJA readers will master skills that enable them to respond intelligently rather than to reacting to stimulation or provocation. These skills include how to seek opportunities for engagement, assess a setting, ask a question, discern a person’s knowledge on an issue, neutralize a bully, and more!
Providing a truly comprehensive overview of international journalism and global news reporting in the digital age, this new introductory textbook surveys the full variety of contexts that journalists around the world operate in; the challenges and pressures they face; their journalistic practices; and the wider theoretical and social implications. Analysing key scholarship in the field, Vera Slavtcheva-Petkova and Michael Bromley explore not just journalism as a single entity, but equally the multiple cultures which host journalism and the variety of journalisms which exist across the world. Clear and accessible, this is an ideal companion for undergraduate and postgraduate students of international and global journalism on journalism or media and communication studies degrees.
This compelling book explores how Egyptian bloggers used citizen journalism and cyberactivism to chip away at the state’s monopoly on information and recalibrate the power dynamics between an authoritarian regime and its citizens. When the Arab uprisings broke out in early 2011 and ousted entrenched leaders across the region, social media and the Internet were widely credited with playing a role, particularly when the Egyptian government shut down the Internet and mobile phone networks in an attempt to stave off the unrest there. But what these reports missed were the years of grassroots organizing, digital activism, and political awareness-raising that laid the groundwork for this revolutionary change. Radsch argues that Egyptian bloggers created new social movements using blogging and social media, often at significant personal risk, so that less than a decade after the information revolution came to Egypt they successfully mobilized the overthrow of the state and its president.
Examinations of civic engagement in digital culture—the technologies, designs, and practices that support connection through common purpose in civic, political, and social life. Countless people around the world harness the affordances of digital media to enable democratic participation, coordinate disaster relief, campaign for policy change, and strengthen local advocacy groups. The world watched as activists used social media to organize protests during the Arab Spring, Occupy Wall Street, and Hong Kong's Umbrella Revolution. Many governmental and community organizations changed their mission and function as they adopted new digital tools and practices. This book examines the use of “civic media”—the technologies, designs, and practices that support connection through common purpose in civic, political, and social life. Scholars from a range of disciplines and practitioners from a variety of organizations offer analyses and case studies that explore the theory and practice of civic media. The contributors set out the conceptual context for the intersection of civic and media; examine the pressure to innovate and the sustainability of innovation; explore play as a template for resistance; look at civic education; discuss media-enabled activism in communities; and consider methods and funding for civic media research. The case studies that round out each section range from a “debt resistance” movement to government service delivery ratings to the “It Gets Better” campaign aimed at combating suicide among lesbian, gay, bisexual, transgender, and queer youth. The book offers a valuable interdisciplinary dialogue on the challenges and opportunities of the increasingly influential space of civic media.
This is the last issue of Occupied London, a journal that started in the political freeze-frame that was London in the mid 00s. In December 2008, at the continent’s other end, the frames started moving again; as they sped up, new movements, revolts, ripples of transformation appeared. We changed our shape to respond to this unfolding condition. For a few years, we focused on regular blog updates from the streets in Greece; then, taking a few steps back and a deep breath, we put a book together, trying to understand the state of the antagonist movement in Greece with our comrades. And now? The frames have reached a dazzling speed; the consensus of democracy’s good ol’ times has broken and sheds its glass all over the continent, and beyond: the old world is in crisis, and along with it is its previously imposed global consensus on what counts as “progress”, “democracy” or “development”. Are these the creaks and sighs of a new global order settling, are they the early days of global economic fascism, or, could they be the cracks and moaning of its collapse?
Superagent Alix Nico returns in a new Shadowstorm thriller from the author of Blades of Winter, which was hailed as “a hell-bent-for-leather mash-up of spy novel and science fiction” by Jason Bourne novelist Eric Van Lustbader. Alix Nico, code-named Scarlet, is a one-woman demolition derby. As a top American Level, she’s a cybernetically and biologically enhanced operative fighting a Cold War among the forces of freedom, a Soviet Union that never fell, a China hungry for power, and a Germany that emerged from World War II more powerful than ever. There’s a mole within ExOps, the covert agency responsible for the security of the United States, who has been working to decapitate the organization’s leadership. And when treason strikes, Scarlet and her partner, Darwin, find themselves matched against a rogue Level known as Talon, a merciless killing machine whose augmentations place her in a league of her own. But behind Talon lurks the real enemy, a traitor whose thirst for control threatens to upset the fragile balance of mutually assured destruction that has kept the four Great Powers from breaking into open warfare—until now. Praise for G. T. Almasi’s Blades of Winter “Almasi handles his high-octane blend of espionage, alternate history, and coming-of-kick-ass-age debut with an impressively steady hand. . . . The story leaps into immediate action like Alix going after an adversary and maintains its breakneck pace to the very end, with blood dripping from every page.”—Publishers Weekly (starred review) “First-rate . . . a hell-bent-for-leather mash-up of spy novel and science fiction, set in a well-realized alternate history, starring a snarky, hormonal nineteen-year-old named Scarlet, who will capture your heart as well as your imagination.”—Eric Van Lustbader, New York Times bestselling author of Robert Ludlum’s™ The Bourne Enigma “Smart, sassy, and seriously appealing, Blades of Winter is a fully realized alternate history with extraordinary detailing and high-velocity writing.”—Jeff Long, New York Times bestselling author of The Descent “A fun, fast-moving alt-history romp!”—S. M. Stirling, New York Times bestselling author of Prince of Outcasts Look for all of G. T. Almasi’s riveting Shadowstorm novels: BLADES OF WINTER | HAMMER OF ANGELS | TALON OF SCORPIO
DEADLY NINJA WISDOM FOR THE NON-NINJA Carefully consider the joy of your soft-headed ignorance before you begin to run, flip, and jump along the Ninja Path. After much debate and in a spirit of morbid amusement, the International Order of Ninjas has chosen to produce The Ninja Handbook, the first-ever secret ninja training guide specifically designed for the non-ninja. Most non-ninjas who handle these delicate, deadly pages will die–probably in an elaborately horrific and painful manner. But whether your journey lasts five seconds or five days or (rather inconceivably) five years, all those who bravely take up this text and follow the tenets and trials laid out within will die knowing they were as ninja as they possibly could’ve been. For the true of heart or the extremely lucky, this powerful and honorable manuscript contains such phenomenal ninja wisdom as: •How to create and name your very own lethal ninja clan •The proper weapon to use when fighting a vampire pumpkin •Why clowns and robots are so dangerous on the Internet •Easy-to-follow charts showing when to slice and when to stab •How to execute such ultradeadly kicks as the Driving Miss Daisy •Why pretty much every ninja movie ever made sucks •How to make a shoggoth explode using well-placed foliage •What the heck a shoggoth is and why you’ll need to make it explode •Death Aide certification •And much more ninjafied enlightenment on every shuriken-sharp page! Remember: People do not take the Path, the Path takes people.
Miles has spent her whole life in the shadow of her cousin Laura. Laura is the golden one—smart, gorgeous, rich, and popular—while Miles considers herself the unwanted one—an unattractive, underachieving social outcast. As far as Miles is concerned, Laura has the perfect life…until Laura commits suicide, leaving Miles lost the wake of the event. Losing Laura shatters Miles and sets her on a dangerous downward spiral. When she hits rock bottom, Miles must make a choice: She can escape from it all, just like Laura did, or she can look for strength in herself and in those she didn’t believe cared about her, and try to find a reason to live.
Mickey Finn: 21st Century Noir, Volume 4, the fourth entry of the hard-hitting anthology series, is another crime-fiction cocktail that will again knock readers into a literary stupor. Contributors push hard against the boundaries of crime fiction, driving their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule. And they do all this in contemporary settings, bringing noir into the 21st century. Like any good cocktail, Mickey Finn is a heady mix of ingredients that packs a punch, and when you’ve finished reading every story, you’ll know that you’ve been “slipped a Mickey.” The nineteen contributors, including some of today’s most respected short-story writers and new writers making their mark on the genre, include: Ann Aptaker, Trey R. Barker, Michael Bracken, John M. Floyd, Nils Gilbertson, David Hagerty, James A. Hearn, Hugh Lessig, Sean McCluskey, Adam Meyer, Gabe Morran, Alan Orloff, Josh Pachter, Stephen D. Rogers, Bev Vincent, Joseph S. Walker, Andrew Welsh-Huggins, Sam Wiebe, and Stacy Woodson.