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What would YOU do if… Everyone around you disappeared and suddenly you were in a circus? A beam of moonlight tattooed your arm with a circus act you are meant to master? You and four strangers were brought together to defeat The Shadows? Jaiden, Stella, Adam, Eli, and Laura had no idea either. One minute Jaiden was worried about a date, Stella was babysitting, Eli was running away from Adam, Laura was sneaking out – and the next, they were meeting R.L., the ringleader of Cirque. With the guidance of R.L. and their trainers, they become a human cannonball, acrobats, an equestrian, a clown, and most importantly – Shadow Chasers.
For a decade, Dr. Arthur Brown had been protecting the city of Toronto as the Shadow Chaser. But, a series of events on one unfortunate night changed his life forever. He was able to heal and move on, but the Shadow Chaser was no more. Now 20 years later, that same evil has returned to prey on the innocent. Brown, with the help of his friend, Alexander Taylor, prepares for war. Brown chooses Kevin Wolf, a dispirited seventeen-year-old, damaged by the brutal murder of a loved one, to reprise his role. But will the new Shadow Chaser be able to fend off the impending darkness, or will he descend, as did Brown, into a self-imposed abyss?
Through a decade of challenging hikes up Colorado's 14,000-foot peaks, the Fourteeners, with his father, Richard J. Foster, Nathan Foster navigated his twenties - finishing college, choosing a career, a possible cross-country move, the early years of marriage and a major personal crisis. Along the way he would discover the wisdom - and love - his father could offer him. Here is their story together. Includes an afterword by Richard J. Foster, author of Celebration of Discipline and coauthor of Longing for God.
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.