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A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
"Joe Nickell - once a carnival pitchman, then a magician, private detective, and investigative writer - has pursued sideshow secrets for years and has worked the famous carnival midway at the Canadian National Exhibition. For this book, he interviewed showmen and performers, collected carnival memorabilia, researched published accounts of sideshows and their lore, and even performed some classic sideshow feats, such as eating fire and lying on a bed of nails as a cinderblock was broken on his chest. The result of these varied efforts, Secrets of the Sideshows tells the captivating story of the magic, tricks - real or illusory - and performers of the world's midway shows."--BOOK JACKET.
“The Cujo Cat Chronicles 2, The Chaos Continues” are the further musings of the world’s smallest dictator. In this book, the maniacal housecat shares his thoughts and insights on everything from stray animals to stray politicians. He continues to rule his kingdom with an iron paw while pondering Shakespeare, baseball, and just about everything in between. Once again, Cujo invites his readers into his world and seeks to subjugate them.
When a traveling skycircus arrives in town, Lily and Robert can’t wait to step aboard. But something sinister lurks there. And before Lily and Robert can do anything, they’re captured and whisked off in the mysterious flying circus to somewhere far, far away...
Spangles, Elephants, Violets & Me is a moving and revealing journey back to the playground of Victoria Cristiani Rossis youth. It is, quite simply, one thought-provoking train rideone that involves fairy tales, nightmares and miracles. Victoria describes the tempestuous world of her Internationally Famous Cristiani Riding Act family (former Ringling Bros. and Barnum & Bailey superstars), her life-altering convent experiences, starting at age six, and her near-fatal accident under the big top in Los Angeles. There are fascinating glimpses of Emmett Kelly, Karl Wallenda, Hugo Zacchini and disgraced 1950's quiz-show contestant Charles Van Doren. Spangles, Elephants, Violets & Me is also a story of the American dream, the confluence of wealth and fame, the strength and frailty of family, social and economic ambition, misplaced trust, conflict, loss and redemption. Victorias gift for writing is most evident as she builds dramatic contrast between days spent happily on the circus lot, and haunting nights spent away from it. Employing her authentic voice and role in circus history, Victoria honors an institution often caught publicly and unfortunately between its defenders and detractors, a situation that can preempt enjoyment of its true reason for being, or appreciation of the circus industrys numerous contributions to American culture.
From a two-time Newbery Honor author comes a skillfully crafted historical novel of friendship, community, and acceptance. Illustrations.
Fire sweeps along the wall of a circus tent while inside thousands of people enjoy a Ringling Brothers and Barnum and Bailey matinee. Within minutes, flames consume the canvas and vast sections collapse, killing 168 people and injuring hundreds more. Inspired by the 1944 Hartford Circus Fire, the interconnected stories in Michael Downs's The Greatest Show explore the aftermath of a disaster in a world of clowns, elephants, and childhood fantasies. In the opening story, Ania Liszak, a young Polish housemaid, steals circus tickets from her employer to take her three-year-old son, Teddy, to the matinee. The fire nearly kills both and leaves them scarred in different ways: Teddy's mother enjoys the beautiful strangeness of the scar on her face, but the patches across Teddy's body inspire cruel schoolmates to call him "Lizard Liszak." Over time, his mother transforms her pain into drama, while Teddy, having no memory of that day, seeks ways to return to it. These and other captivating characters appear throughout the book, creating a portrait of an American city and its people over five decades, raising questions about wounds and healing, memory and forgetting, and about the human capacity for kindness -- with all its futility and power -- in the midst of great loss.
The acclaimed author of Emily, Alone and Henry, Himself brings all his narrative gifts to bear on this gripping account of tragedy and heroism—the great Hartford circus fire of 1944. It was a midsummer afternoon, halfway through a Ringling Brothers Barnum and Bailey Circus performance, when the big top caught fire. The tent had been waterproofed with a mixture of paraffin and gasoline; in seconds it was burning out of control. More than 8,000 people were trapped inside, and the ensuing disaster would eventually take 167 lives. Steward O'Nan brings all his narrative gifts to bear on this gripping account of the great Hartford circus fire of 1944. Drawing on interviews with hundreds of survivors, O'Nan skillfully re-creates the horrific events and illuminates the psychological oddities of human behavior under stress: the mad scramble for the exits; the perilous effort to maneuver animals out of danger; the hero who tossed dozens of children to safety before being trampled to death. Brilliantly constructed and exceptionally moving, The Circus Fire is history at its most compelling.