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Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.
The scene of incessant battles, campaigns, and occupations, Virginia’s Shenandoah Valley had been touched by the Civil War’s cruel hand during four years of conflict. In an effort to commemorate the Civil War’s sesquicentennial in the Shenandoah Valley, historians Jonathan A. Noyalas and Nancy T. Sorrells, have assembled a first-rate team of scholars, on behalf of the Shenandoah Valley Battlefields Foundation, to examine the Shenandoah Valley’s Civil War era story. Based on presentations made during the Shenandoah Valley Battlefields Foundation’s sesquicentennial conferences, this collection of twelve essays examines a variety of aspects of the Civil War era in the “Breadbasket of the Confederacy.” From analyses of leadership, to the importance of the Second Battle of Winchester, to the various campaigns’ impact on the Valley’s demographically diverse population; the complexities of unionism in the Shenandoah, to General Robert H. Milroy’s enforcement of the Emancipation Proclamation; the role poetry and art played in immortalizing the event of Sheridan’s Ride; and the postwar activities of the Valley’s Ladies Memorial Associations, as well as attempts by members of the Sheridan’s Veterans’ Association to advance postwar reconciliation, this diverse collection illuminates the varying and complex ways in which the conflict impacted the Valley, and how the events in the Shenandoah impacted the Civil War’s outcome.
Through an examination of memoirs, personal papers, and postwar Confederate rituals, this book explores how white southerners interpreted the Civil War, accepted defeat, and readily embraced reunion and a New South. It reveals that while the Lost Cause was a central force in shaping late 19th-century southern culture, the legacy of defeat ultimately had little impact on southern behavior.
Published under the auspices of The Friends of the Cabildo, an auxiliary of the Louisiana State Museum.
This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.