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The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
La cueva de La Peña (San Román de Candamo, Asturias) es una de las cavidades pioneras en el descubrimiento del arte paleolítico de la Región Cantábrica. En Asturias, los primeros reconocimientos de este valioso patrimonio cultural –uno de los más importantes de Europa–, se inician en 1908 con el descubrimiento de pinturas y grabados de edad paleolítica en cuevas tan singulares como El Pindal y La Loja. Estas primeras valoraciones del arte del Pleistoceno se producen gracias a la colaboración prestada por estudiosos locales que, como Hermilio Alcalde del Río y Ricardo Duque de Estrada, más conocido como Conde de la Vega del Sella, impulsarán la investigación prehistórica prestando un apoyo decidido a los grandes arqueólogos del momento que trabajan en el norte de España: Hugo Obermaier y Henri Breuil, entre otros. La cueva de La Peña de Candamo era conocida en la comarca y visitada ocasionalmente entre 1903 y 1911, según testimonian diversos graffitis conservados en lugares retirados como la Galería de las Batiscias. El descubrimiento científico se produce en el verano de 1914, cuando un vecino de Pravia señala a Hernández-Pacheco la probable existencia de pinturas prehistóricas en la cavidad, aportando su propio testimonio y el de un vecino conocido como “El Cristo”, que penetraban en la cueva en busca de estalactitas. Paralelamente, aunque de forma independiente, el Conde de la Vega del Sella visita la cueva e improvisa un cierre provisional de la entrada, reconociendo ambos la antigüedad de las pinturas y grabados de los paneles del Gran Salón de los Grabados.
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
This collection presents state-of-the-art approaches to the use of inorganic raw materials in the period known as prehistory. It focuses on stone-tools, adornments, colorants and pottery from Europe, America and Africa. The chapters intimately merge archaeology, anthropology, geology, geography, physics and chemistry to reconstruct past human behaviour, economy, technology, ecology, cognition, territory and social complexity. The book represents a framework of raw material investigation for those working in science, regardless of the time period, region of the world or materials they are studying.
This Special Issue of the Manufacturing Engineering Society 2019 (SIMES-2019) has been launched as a joint issue of the journals Applied Sciences and Materials. The 10 contributions published in this Special Issue of Applied Sciences present cutting-edge advances in the field of manufacturing engineering, focusing on production planning, sustainability, metrology, cultural heritage, and materials processing, with experimental and numerical results. It is worth mentioning that the topic “production planning” has attracted a great number of contributions in this journal, due to their applicative approach.
The book assembles new insights into humanity’s social, cultural and economic developments during the Last Glacial Maximum in Western Europe and adjacent regions. It gathers original, up-to-date research results on the Solutrean techno-complex, reflecting four major fields of research: data from current excavations; analysis of lithic assemblages; new results from studies on climatic conditions and human-environmental interactions; and insights into artistic expressions. New methodological and analytical approaches are applied, providing significant contributions to Paleolithic research beyond the Last Glacial Maximum.
This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive.
Base de datos elaborada por el Departamento de Ciencias Históricas de la Universidad de Cantabria que recoge documentación gráfica sobre el arte paleolítico en el norte de España.
This Element presents emerging concepts and analytical tools in landscape archaeology. In three major sections bookended by an Introduction and Conclusion, the Element discusses current and emerging ideas and methods by which to explore how people in the past engaged with each other and their physical settings across the landscape, creating their lived environments in the process. The Element reviews the scales and temporalities that inform the study of human movements in and between places. Learning about how people engaged with each other at individual sites and across the landscape deep in the past is best achieved through transdisciplinary approaches, in which archaeologists integrate their methods with those of other specialists. The Element introduces these ideas through new research and multiple case studies from around the world, culminating in how to 'archaeomorphologically' map anthropic constructions in caves and their contemporary environments.
For speleologists and holidaymakers alike, here is an essential handbook. The first guide to all the decorated Ice Age caves in Europe that are open to the public, fully revised and updated for a third edition, this book covers more than 50 caves in the UK, France, Spain, Portugal and Italy, as well as relevant museums and centres.