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It was a midsummer night’s dream that lingers during the day Arkansas 1935. Rarely, and always in summer, a strange carnival will come to a town. The town is never too large or too small and never a city. Furthermore, it is always a place isolated in space and time. Never today but fifty or a hundred years ago when things were as different from today as they are the same. The owner of this particular carnival is a black woman and devotee of voodoo. But Lady Priscilla conceals this fact, allowing everyone to believe that Wildcat, who runs the carnival’s wrestling and boxing show, is the owner. In the South, it is not wise to antagonize the Klan by letting it be known that a black woman has money or power. When the carnival sets up in a pasture outside Redmond, Arkansas, Priscilla drinks a cup of belladonna tea and soon finds herself in the land of the dead, where she is given a vision. A dark-hearted man lives in the area and has killed six young women. They are all blondes. And when Birdie, the carnival’s beautiful blond trapeze artist, disappears and is held as a sex slave, a mystery begins to unfold. The midway lies before us, and it is into this “carnival of dreams” that we now tread.
In 1969 twelve-year-old Mimi and her family move to an all-white town in Vermont, where Mimi's mixed-race background and interest in "boyish" topics like astronomy make her feel like an outsider.
Greece's most acclaimed living novelist gives us a magical realist portrait of contemporary Europe and contemporary Europeans. Here are seven tales that explore the themes of materialism, post Cold War politics, love, religious faith, and the power of imagination. In the tradition of Gabriel García Márquez and Luigi Pirandello, Vassilikos writes of the fantasies within reality, the spirit in existence, and the art within life.
Eloise doesn't speak, but can she see into the past? This exciting and atmospheric mystery from the author of the Chanters of Tremaris series explores themes of family, friendship, and grief. Something flickered at the top of the stairs. Eloise heard a voice call,I'm coming!, and a girl in a pale dress and a big sunhat came running, her fingertips slipping down the curve of the slim iron railing. Eloise went cold all over. She couldn't move, or breathe; her mouth was dry. At the bottom of the steps, the girl in the pale dress faltered, then stopped. For a fraction of a second she stood motionless, as if she were listening. Then all at once she turned and stared straight at Eloise. And suddenly the foyer was empty. The ghostly girl was gone. When Eloise's get-rich-quick dad moves them back to his home town to turn the derelict family mansion into a convention center, Eloise feels an immediate bond with the old house. She begins spending all her time there, ignoring her strange grandmother and avoiding the friendly boy next door. Then Eloise meets a "ghost girl" who may or may not be from the house's past, and events take a strange—and ultimately dangerous—turn. Beautifully written, poignant, and gripping, this is a charming and atmospheric story of personal growth, overcoming grief, and the true nature of friendship and family.
Accompanying the new translation of Artemidorus' The Interpretation of Dreams in the Oxford World's Classics series, this volume aims to provide the non-specialist reader with a readable and engaging road-map to this vast and complex text and to the theory and practice of dream-interpretation in antiquity.
First published in 1939. This book consists chiefly of extracts from Chuang Tzu, Mencius and Han Fei Tzu. Chuang Tzu's appeal is to the imagination; the appeal of mencius is to the moral feelings; realism, as expounded by Han Fei Tzu, finds a close parallel in modern Totalitarianism and as a result these extracts from a book of the third century B.C. nonetheless have a very contemporary connection.
Piero Camporesi is one of the most original and exciting cultural historians in Europe today. In this remarkable book he examines the imaginative world of poor and ordinary people in pre-industrial Europe, exploring their everyday preoccupations, fears and fantasies. Camporesi develops the startling claim that many people in early modern Europe lived in a state of almost permanent hallucination, drugged by their hunger or by bread adulterated with hallucinogenic herbs. The use of opiate products, administered even to children and infants, was widespread and was linked to a popular mythology in which herbalists and exorcists were important cultural figures. Through a careful reconstruction of the everyday imaginative life of peasants, beggars and the poor, Camporesi presents a vivid and disconcerting image of early modern Europe as a vast laboratory of dreams. Bread of Dreams is a rich and engaging book which provides a fresh insight into the everyday life and attitudes of people in pre-industrial Europe. Camporesi's vision is breathtaking and his work will be much discussed among social and cultural historians. This edition includes a Preface by Roy Porter, Professor of the History of Medicine at the Wellcome Institute for the History of Medicine.
The female owner, Li, had transmigrated into the body of the ugly daughter of the Prime Minister of the Great Phoenix Empire. Her survival was not easy and she had unintentionally become involved in the power struggle.
One of PureWow's "Best Beach Reads of Summer 2018" New York Times bestselling author Karen White crafts evocative relationships in this contemporary women's fiction novel, set in the Lowcountry of South Carolina, about lifelong friends who share a devastating secret. On the banks of the North Santee River stands a moss-draped oak that was once entrusted with the dreams of three young girls. Into the tree's trunk, they placed their greatest hopes, written on ribbons, for safekeeping—including the most important one: Friends forever, come what may. But life can waylay the best of intentions.... Nine years ago, a humiliated Larkin Lanier fled Georgetown, South Carolina, knowing she could never go back. But when she finds out that her mother has disappeared, she realizes she has no choice but to return to the place she both loves and dreads—and to the family and friends who never stopped wishing for her to come home. Ivy, Larkin's mother, is discovered badly injured and unconscious in the burned-out wreckage of her ancestral plantation home. No one knows why Ivy was there, but as Larkin digs for answers, she uncovers secrets kept for nearly fifty years—whispers of love, sacrifice, and betrayal—that lead back to three girls on the brink of womanhood who found their friendship tested in the most heartbreaking ways.
This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.