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Serious and humorous biography of an English priest that will fascinate many, many more people than actually go to church
NATIONWIDE POLLS AND DENOMINATIONAL REPORTS ARE SHOWING THAT THE NEXT GENERATION IS CALLING IT QUITS ON THE TRADITIONAL CHURCH.
In this colourful memoir, from 1950’s childhood to the COVID crisis, Brian Mountford describes his life as a priest, which has spanned a period of immense social change and seen the secularisation of Britain to the point where 52% of the population say they have ‘no religion’. Opening with a vibrant account of London in the Sixties, he moves to Cambridge college life in the Seventies, Suburbia in the Eighties, and thirty years as Vicar of the ‘most visited parish church in England’, the University Church, Oxford. Rich in humour and anecdote, he unpacks his liberal theological ideas on the way, addressing questions such as God, the meaning of life, sexual ethics, and the relationship between doubt and faith. A central idea is that the abandonment of organised religion has not eradicated spiritual questioning and, following Philip Larkin’s poem Church Going, from which the book takes its title, people of all ages are forever ‘surprising/A hunger in (themselves) to be more serious.’ Both the story and the essay content will fascinate many, many more people than actually go to church.
In Church-going, Going, Gone! Michael Horan argues that although the Christian church in Britain may be in terminal decline, that is not to be equated with a national decline in spiritual values. Most if not all people have some level of awareness of what he calls the 'Other-than-oneself', even though they have rejected, or never accepted, the church's now outdated teaching. Church-going, Going, Gone! is concerned less with teaching than with learning. The book provides atheists, agnostics and believers-in-exile, as well as those who have given little thought to belief, with a framework for collaborating as learners, working toward equality, peace and reconciliation, and dedicated to unselfish and imaginative social action. A new movement of the human spirit is beginning.
When church and culture look the same... For the many Christians eager to prove we can be both holy and cool, cultural pressures are too much. We either compartmentalize our faith or drift from it altogether—into a world that’s so alluring. Have you wondered lately: Why does the Western church look so much like the world? Why are so many of my friends leaving the faith? How can we get back to our roots? Disappearing Church will help you sort through concerns like these, guiding you in a thoughtful, faithful, and hopeful response. Weaving together art, history, and theology, pastor and cultural observer Mark Sayers reminds us that real growth happens when the church embraces its countercultural witness, not when it blends in. It’s like Jesus said long ago, “If the salt loses its saltiness, it is no longer good for anything…”
Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.
For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.
An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they—not merely the clergy—affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.
Tells how a renowned preacher left her ministry to rediscover the authentic heart of her faith. A moving reflection on keeping faith amidst the relentless demands of modern life.