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Describes how the Christmas holiday season is celebrated in different parts of Latin America, including the pre-Christmas festivals of Las Posadas, Christmas day itself, and Three Kings Day on January 6.
Christmas is celebrated in many different ways by many cultures. This festive book focuses on the varying and beautiful Christmas traditions of Latin America, including Las Posadas, which focuses on the search for shelter, and Los Tres Reyes Magos, which celebrates the three wise men.
Allow students to join in the festivities learning about carnivals.
Hispanic-Americans celebrate their lasting and deep roots during Hispanic Heritage Month. The unique contributions of Hispanic-Americans, including those in art, cuisine, economics, and government are brought to center focus for this important population.
Describes the Christmas traditions of twenty-five Latin American countries.
“Aguinaldos y villancicos, recetas, tradiciones de Navidad”—songs, recipes, and traditions of Christmas from the nineteen Spanish-speaking countries of Middle and South America, as well as from the one state that is officially bi-lingual, are included in this well-researched book. There is a wealth of Christmas music, much of it unknown to North Americans, with tunes and guitar chords, words and translations. And there are recipes from each country for holiday foods, ranging from simple beverages to complex tamales and desserts—from “gingebre” to “hallaca” and “tres leches.” Also included are customs and traditions from each of the countries, some common to all, others specific to place, all reflecting the joys of Christmas. An index, glossary, and extensive bibliography make this a valuable resource for readers of all interests. VIRGINIA NYLANDER EBINGER wass a retired music teacher and a teacher trainer, researcher, and author, with special interest in the Hispanic folklore of New Mexico. Among her other publications are “Niñez: Spanish Songs, Games and Stories of Childhood” and “De Colores.”
The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region’s uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.