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Stephen King’s ultimate evil vehicle of terror, Christine: the frightening story of a nerdy teenager who falls in love with his vintage Plymouth Fury. It’s love at first sight, but this car is no lady. Evil is alive in Libertyville. It inhabits a custom-painted red and white 1958 Plymouth Fury named Christine and young Arnold Cunningham, who buys it. Along with Arnold’s girlfriend, Leigh Cabot, Dennis Guilder attempts to find out the real truth behind Christine and finds more than he bargained for: from murder to suicide, there’s a peculiar feeling that surrounds Christine—she gets revenge on anyone standing in her path. Can Dennis save Arnold from the wrath of Christine? This #1 national bestseller is “Vintage Stephen King…breathtaking…awesome. Carries such momentum the reader must force himself to slow down” (The New York Times Book Review).
"Introduces readers to Evelyn Cheesman who forged her own path at a time when women rarely went to college, much less worked as veterinarians or entomologists."--Provided by publisher.
Christine de Pizan, an Italian-born writer in French in the early 15th century, composed lyric poetry, debate poetry, political biography, and allegory. Her texts constantly negotiate the hierarchical and repressive discourses of late medieval court culture. How they do so is the focus of this volume, which places Christine's work in the context of larger discussions about medieval authorship, identity, and categories of difference.
Christine de Pizan's Livre de la Cité des Dames (1405) is justly renowned for its full-scale assault on the misogynist stereotypes which dominated the culture of the Middle Ages. Rosalind Brown-Grant locates the Cité in the context of Christine's defence of women as it developed over a number of years and through a range of different texts. Arguing that Christine tailored her critique of misogyny according to the genre in which she was writing and the audience she was addressing, this study shows that Christine's case for women nonetheless had an underlying unity in its insistence on the moral, if not the social, equality of the sexes. Whilst Christine may not have been a radical in modern feminist terms, she was able to draw upon the cultural resources of her day in order to construct an intellectual authority for herself that challenged the prevailing orthodoxy of the day.
In this deliciously charming novel, Barbara Chepaitis-a new and truly one-of-a-kind voice in women's fiction-skillfully explores the powerful camaraderie shared by four exceptional women. Reminiscent of Like Water for Chocolate and How to Make an American Quilt, this unique tale filled with unforgettable characters has a style all its own. It is a delightful ode to the special unbreakable bond that exists between women-and the crazy things true friends will do to show they care. . . . Feeding Christine Teresa DiRosa believes that life, like fine food, is made special by mixing together the best ingredients: time, patience, and a lot of love. Owner of a thriving catering business, Bread and Roses, she has turned the feeding of stomachs and souls into her life's work. Now, with her niece Christine, best friend and bookkeeper Delia, and baker Amberlin, Teresa is gearing up for Bread and Roses' most important event of the year: the annual Christmas open house. But as Teresa juggles recipes and party decorations, her personal life is spinning out of control. Her divorce is barely final when a handsome acquaintance hints that he'd like to be more than just friends. Her college-age son has broken her heart by choosing to spend Christmas with his father. And her niece Christine, beautiful and artistic, is engaged to marry a prominent psychologist-but seems to be losing her own grip on sanity as her wedding draws closer. The preparty cooking marathon promises to be filled with the usual chaos and conversation, and Teresa hopes it will be a good time to talk things over with her niece. But she's not prepared when a suicidal Christine arrives at her house-and Teresa is the only one who can save her. The radical steps she takes to stop her niece from killing herself will shock everyone-but with Delia's and Amberlin's help, Teresa feeds Christine a healthy dose of courage, wisdom, and pure friendship . . . all while trying to pull off a grand party for a hundred people. Witty and warmhearted, Feeding Christine is a testament to the many different kinds of friendship it takes to live a full life-and to the different kinds of wisdom each of us has to share.
Christine de Pizan wrote voluminously, commenting on various aspects of the late-medieval society in which she lived. Considered by many to be the first French woman of letters, Christine and her writing have been difficult to place ever since she began putting her thoughts on the page. Although her work was neglected in the eighteenth and nineteenth century, there has been a eruption of Christine studies in recent decades, making her the perfect subject for a casebook. This volume serves as a useful guide to contemporary research exploring Christine's life and work as they reflected and influenced her socio-political milieu.
The first popular biography of a pioneering feminist thinker and writer of medieval Paris. The daughter of a court intellectual, Christine de Pizan dwelled within the cultural heart of late-medieval Paris. In the face of personal tragedy, she learned the tools of the book trade, writing more than forty works that included poetry, historical and political treatises, and defenses of women. In this new biography—the first written for a general audience—Charlotte Cooper-Davis discusses the life and work of this pioneering female thinker and writer. She shows how Christine de Pizan’s inspiration came from the world around her, situates her as an entrepreneur within the context of her times and place, and finally examines her influence on the most avant-garde of feminist artists, through whom she is slowly making a return into mainstream popular culture.
Christine had shared everything with Jennifer. There was a moment of silence as the two women considered all that Christine had confessed. Jennifer could see that Christine still felt a great amount of love for Bo. "Christine, there is one question you must still be able to answer." Christine knew what Jennifer was pointing to. "Christine, if you see Bo Wyoming again, and he asks you to forgive him for the last twenty-four years, and that he still is in love with you, what will you say?" Christine had considered this very question throughout the last twenty-four years, especially over the past two or three years. She answered Jennifer very slowly as if to think through each word she spoke. "I am no longer a young girl in love with a budding hero. I've seen a lot, I've experienced a lot these past twenty-four years. In some ways, I am happy with my life today. Yet I admit, that I have been lonely for many years. I have never lost my love for Bo even though I have no idea how he feels about me." "But what if he tells you that he still loves you Christine? What will you do then?" "I hope that I am strong enough to tell him that I still love him very much. That I have always loved him and that I have never loved anyone else." Jennifer was pressing now but seemed to realize that Christine wanted to confront what might very well happen. "Christine, if Bo asks you to marry him, will you?" Christine had come to the end of the road. Jennifer was only asking what Christine had dreamed about. "Jennifer, so many years have gone by, and we have lived such different lives." "Christine, will you marry Bo Wyoming if he proposes to you?" Christine knew her answer.