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Christianity and the Culture Machine is a precedent-shattering approach to combining theories of media and culture with theology. In this intensive examination of Christianity's role in the cultural marketplace, the author argues that Christianity's inability to effectively contest the ideology of secular humanism is not a theological shortcoming, but rather a communications problem: the institutional church is too wedded to an outmoded aesthetic of Christianity to communicate effectively. Privileging authority and obedience over the egalitarian and transformative goal of Christianity, the church fails to recognize how it undermines the vitality of the Christian narrative and message. In the absence of a more compelling vision offered by the official church, a new aesthetic can be found forming within the margins of popular culture texts. Despite its past failures in representing the Bible in mainstream film and television, the culture industry now offers more compelling versions of core Christian theology without even realizing it--within the margins of the main storylines. This book analyzes the aesthetic principles employed by these appropriations and articulations of Christian discourse as a means of theorizing what a new aesthetic of Christianity might look like.
*The crucial Ohio get-out-the-vote effort that lifted Bush over Kerry. *The Terri Schiavo controversy. *The push for a constitutional amendment to ban gay marriage. *Attacks on Roe v. Wade. *"Intelligent design" in our science curriculum. The evangelical right has pushed all of these initiatives, led by the immense behind-the-scenes influence of Dr. James Dobson, the founder and chairman of Focus on the Family: an organization that has grown from its roots as a local parenting advice center to a powerful ministry that broadcasts Dr. Dobson each day on more than 3,000 radio and 80 television stations in the U.S. alone. Dobson has supplanted Jerry Falwell, Pat Robertson, and Ralph Reed as the spokesman for tens of millions of American evangelical Christians--even though Dobson is not a minister, but a family therapist with a doctorate in child development. Dobson maintains that the American political and social spectrums are firmly rooted in a centuries-old Christian tradition--one that has come under siege beginning in the 1960s, spear-headed by court rulings that have undermined the necessity of religion in public life. With the support of evangelical followers, Dobson has garnered more and support than many ever thought possible and has harnessed this power to wage a crusade in support of strengthening abortion restrictions and establishing anti-gay rights litigation. The Jesus Machine is the first book to examine Focus on the Family as the cutting edge of the larger evangelical movement, backing what many view to be goals in common with the current political agenda of the Bush administration, as it works to become the voice of mainstream America. Through exhaustive research, Dan Gilgoff, a Senior Reporter for US News & World Report, exposes the intricacies of the Focus on the Family's rallying cry and the drastic implications they hold for the future of America's political system.
Our ancestors saw the material world as alive, and they often personified nature. Today we claim to be realists. But in reality we are not paying attention to the symbols and myths hidden in technology. Beneath much of our talk about computers and the Internet, claims William A. Stahl, is an unacknowledged mysticism, an implicit religion. By not acknowledging this mysticism, we have become critically short of ethical and intellectual resources with which to understand and confront changes brought on by technology.
Unlike the global North, “the ferment of Christianity” in the global South, among the majority of world people, has been astronomical. Despite the shift in the center of gravity of Christianity to the global South, intra-ecclesial tensions globally remain those of the relationship of culture to religion. The questions posed revolve around to what extent Western Christianity should be adapted to local cultures. Should we talk of Christianity in non-Western contexts or of majority world Christianity? Is it appropriate to describe the shift as the emergence of global Christianity or world Christianity? Should Christianity in the global South mimic Christianity in the global North, or can it be different in the light of the diversity of these cultures? Can Africans, Asians, Latin Americans, Europeans and North Americans – the entire global community – speak of God in the same way? This book is devoted to examining varieties of the intercultural process in world Christianity. It understands culture broadly as a common meaning upon which communities’ social order is organized. Culture in this sense is the whole life of people. It is the integrator of the filial bond holding people together and the various institutional structures – economic, technological, political and legal – that guarantee peace and survival in societies, states, and nations, both locally and internationally. As this book shows, the centrality of culture for world Christianity equally showcases the important position the scale of values occupies in world Christianity.
Contemporary theology, argues Miller, is silent on what is unquestionably one of the most important cultural issues it faces: consumerism or "consumer culture." While there is no shortage of expressions of concern about the corrosive effects of consumerism from the standpoint of economic justice or environmental ethics, there is a surprising paucity of theoretically sophisticated works on the topic, for consumerism, argues Miller, is not just about behavioral "excesses"; rather, it is a pervasive worldview that affects our construction as persons-what motivates us, how we relate to others, to culture, and to religion. Consuming Religion surveys almost a century of scholarly literature on consumerism and the commodification of culture and charts the ways in which religious belief and practice have been transformed by the dominant consumer culture of the West. It demonstrates the significance of this seismic cultural shift for theological method, doctrine, belief, community, and theological anthropology. Like more popular texts, the book takes a critical stand against the deleterious effects of consumerism. However, its analytical complexity provides the basis for developing more sophisticated tactics for addressing these problems.
This major new reader introduces students to the new and growing field of religion and everyday culture.
Originally published: New Rochelle, N.Y.: Arlington House, 1978.
This is a short, accessible analysis of Christianity that focuses on its social and cultural diversity as well as its historical dimensions.
Christianity and the Culture Machine is a precedent-shattering approach to combining theories of media and culture with theology. In this intensive examination of Christianity's role in the cultural marketplace, the author argues that Christianity's inability to effectively contest the ideology of secular humanism is not a theological shortcoming, but rather a communications problem: the institutional church is too wedded to an outmoded aesthetic of Christianity to communicate effectively. Privileging authority and obedience over the egalitarian and transformative goal of Christianity, the church fails to recognize how it undermines the vitality of the Christian narrative and message. In the absence of a more compelling vision offered by the official church, a new aesthetic can be found forming within the margins of popular culture texts. Despite its past failures in representing the Bible in mainstream film and television, the culture industry now offers more compelling versions of core Christian theology without even realizing it--within the margins of the main storylines. This book analyzes the aesthetic principles employed by these appropriations and articulations of Christian discourse as a means of theorizing what a new aesthetic of Christianity might look like.
Ancient Manuscripts in Digital Culture presents an overview of the digital turn in Ancient Jewish and Christian manuscripts visualisation, data mining and communication. Edited by David Hamidović, Claire Clivaz and Sarah Bowen Savant, it gathers together the contributions of seventeen scholars involved in Biblical, Early Jewish and Christian studies. The volume attests to the spreading of digital humanities in these fields and presents fundamental analysis of the rise of visual culture as well as specific test-cases concerning ancient manuscripts. Sophisticated visualisation tools, stylometric analysis, teaching and visual data, epigraphy and visualisation belong notably to the varied overview presented in the volume.