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The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time--whether painter or sculptor, major or minor--who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece--"immagini" (icons), "historie" (narratives), and "misteri" (mysteries)--and is illustrated with 250 beautiful reproductions of the artworks.
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Jesus was an initiate and adept of the ancient Judaic mysteries who strove to reinstate the tradition of the bridechamber sacrament in his time • Shows that Jesus sought to establish equity of masculine and feminine in both spiritual practice and social traditions, particularly in the sacrament of marriage • Reinterprets Jesus’ key teachings in light of the ancient tradition of sacred consortship • Reveals what happened to the gnostic heart of Christianity that Jesus embodied Jesus was a high-initiate and master adept of the ancient Judaic mysteries who strove to free people from the dead hand of the ritualists. He was trained in a dissident Jewish brotherhood that arose in Egypt before he was born, which sought to bring back the ancient Judaic mysteries outlawed by the Jerusalem temple. At the heart of this movement was a yogic-based practice known in the apocrypha as the Gnosis of the Heart, which espoused the union of both sexes in a secret initiatic teaching. As a fearless social reformer, Jesus wanted to restore the authority of the feminine principle, including asserting the equality of man and woman in the social contract of marriage. He reinstated in his own life the tradition of sacred consortship--a rite known to early Church fathers as the bridechamber sacrament, whereby the marriage of the masculine and feminine energies was effected. This rite, Victoria LePage suggests, was the primary focus of Jesus’ teachings, the very heart of his exhortations to love thy neighbor, and the source of his healing power. Mysteries of the Bridechamber explains how, as a master adept of the Temple of Solomon, Jesus derived these teachings directly from ancient Judaic mystery traditions, revealing both a life story for Jesus that differs markedly from the version the Church has offered as well as a spiritual practice based on a mystical wisdom tradition of self-initiation and transformation.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.
Examines facets of the relationship between Saint Augustine and the thinkers of the Italian Renaissance.
A groundbreaking work of intellectual history, The Lost Italian Renaissance uncovers a priceless intellectual legacy suggests provocative new avenues of research.