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An examination of Greek mythology and a discussion about how religion and truth have evolved throughout time.
John Chadwick summarizes the results of research into Mycenaean Greece.
Nearly two-thirds of the New Testament—including all of the letters of Paul, most of the book of Acts, and the book of Revelation—is set outside of Israel, in either Turkey or Greece. Although biblically-oriented tours of the areas that were once ancient Greece and Asia Minor have become increasingly popular, up until now there has been no definitive guidebook through these important sites. In A Guide to Biblical Sites in Greece and Turkey, two well-known, well-traveled biblical scholars offer a fascinating historical and archaeological guide to these sites. The authors reveal countless new insights into the biblical text while reliably guiding the traveler through every significant location mentioned in the Bible. The book completely traces the journeys of the Apostle Paul across Turkey (ancient Asia Minor), Greece, Cyprus, and the islands of the Mediterranean. A description of the location and history of each site is given, followed by an intriguing discussion of its biblical significance. Clearly written and in non-technical language, the work links the latest in biblical research with recent archaeological findings. A visit to the site is described, complete with easy-to-follow walking directions, indicating the major items of archaeological interest. Detailed site maps, historical charts, and maps of the regions are integrated into the text, and a glossary of terms is provided. Easy to use and abundantly illustrated, this unique guide will help visitors to Greece, Turkey, and Cyprus appreciate the rich history, significance, and great wonder of the ancient world of the Bible.
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E
In "Intimations of Christianity Among the Ancient Greeks," Simone Weil discusses precursors to Christian religious ideas which can be found in ancient Greek mythology, literature and philosophy. She looks at evidence of "Christian" feelings in Greek literature, notably in "Electra, Orestes," and "Antigone," and in the "Iliad," going on to examine God in Plato, and divine love in creation, as seen by the ancient Greeks.
Provides undergraduate students with a vibrant account of the religious world of ancient Greece, now in its third edition Ancient Greek Religion offers a detailed yet accessible introduction to the beliefs, myths, rituals, and deities of Greek religion. Author Jon D. Mikalson provides a vivid depiction of Greek religious practice in Athens, Delphi, and Olympia during the Classical period and in select other cities during the Hellenistic period. This reader-friendly textbook explains basic concepts of Greek polytheism, describes major deities and cults, and discusses various aspects of Greek religious life in the context of the city-state, the village, the family, and the individual. The revised third edition features new contributions by Andrej and Ivana Petrovic. It has two new chapters: one highlighting Roman, Christian, and modern scholars’ approaches to Greek religion and one identifying the types of sources used to understand and reconstruct ancient Greek religion. This edition also expands discussion of magic and personal practices and includes an updated and expanded bibliography for each chapter. This popular textbook: Offers thorough coverage of major Greek gods, heroes, myths, and cults Presents translations of ancient texts to promote reflection and discussion Features a glossary of recurring Greek terms and a wealth of high-quality color maps, images, figures, and illustrations Describes Greek religious practice from the perspectives of different worshippers, such as priests, slaves, family members, and public officials Discusses various interpretations of the gods and the afterlife, the nature of piety and impiety, and the larger social and political context of ancient Greece Ancient Greek Religion, Third Edition, remains the ideal introductory textbook for undergraduate courses including Greek Civilization, Greek Religion, Greek and Roman Religion, Ancient Religions, and Greek History. It is also an excellent source of reference for graduate students, instructors, and scholars studying religious life in Classical Greece.
This highly acclaimed collection provides a unique look into the public and private lives and legal status of Greek and Roman women of all social classes-from wet nurses, prostitutes, and gladiatrixes to poets, musicians, intellectuals, priestesses, and housewives. The third edition adds new texts to sections throughout the book, vividly describing women's sentiments and circumstances through readings on love, bereavement, and friendship, as well as property rights, breast cancer, female circumcision, and women's roles in ancient religions, including Christianity and pagan cults.
A richly rewarding narrative about a young painter's love affair with the Greek island of Sifnos When Christian Brechneff first set foot on the Greek island of Sifnos, it was the spring of 1972 and he was a twenty-one-year-old painter searching for artistic inspiration and a quiet place to work. There, this Swiss child of Russian émigrés, adrift and confused about his sexuality, found something extraordinary. In Sifnos, he found a muse, a subject he was to paint for years, and a sanctuary. In The Greek House, Brechneff tells a funny, touching narrative about his relationship to Sifnos, writing with warmth about its unforgettable residents and the house he bought in a hilltop farm village. This is the story of how he fell in love with Greece, and how it became a haven from the complexities of his life in Western Europe and New York. It is the story of his village and of the island during the thirty-odd years he owned the house—from a time when there were barely any roads, to the arrival of the modern world with its tourists and high-speed boats and the euro. And it is the story of the end of the love affair—how the island changed and he changed, how he discovered he had outgrown Sifnos, or couldn't grow there anymore. The Greek House is a celebration of place and an honest narrative of self-discovery. In its pages, a naïve and inexperienced young man comes into his own. Weaving himself into the life of the island, painting it year after year, he finds a place he can call home.