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Drawing on a lifetime of pastoral experience, The Care of Souls is a beautifully written treasury of proven wisdom which pastors will find themselves turning to again and again. Harold Senkbeil helps remind pastors of the essential calling of the ministry: preaching and living out the Word of God while orienting others in the same direction. And he offers practical and fruitful adviceâ€"born out of his five decades as a pastorâ€"that will benefit both new pastors and those with years in the pulpit. In a time when many churches have lost sight of the real purpose of the church, The Care of Souls invites a new generation of pastors to form the godly habits and practical wisdom needed to minister to the hearts and souls of those committed to their care.
When in the dark ... you falter. Tyce seems like a normal teenager living in a military-occupied city. Living with his adopted mother, during the day he attends high school with his best friends, Dylan and Samantha. But things aren't always as they seem. Once the sun sets, Tyce turns vigilante fighting the secretive, authoritarian government that rules over the city. The government might be Tyce's enemy #1, but he soon finds out that the government isn't the only evil lurking in the shadows. Tyce must do everything he can to stop a new evil mastermind, even if that means he has to break his only rule: no killing. He soon finds he must fight an evil way beyond him.
O. Palmer Robertson provides a redemptive-historical analysis of Job, Proverbs, Ecclesiastes, Song of Songs, and Lamentations, showing how this often neglected wisdom literature offers the contemporary reader inspired insight (and a solid dose of godly realism) into every major realm of human existence: from grief and calamity to love and intimacy. Book jacket.
For Christians the seventh day has given way to 'the Lord's day' - a day, not of continuing Sabbath law, but of joy in Christ's resurrection. Iain Murray believes that this argument misses the foundation of the biblical teaching, namely, that a day specially set apart has come down from creation, and that in essence its meaning remains the same. This is a conviction that was once pervasive in the English-speaking churches, and, if it is true, it sheds a much needed light on our contemporary situation.
Lord, do you not care if we perish? That's what the frightened disciples shouted to Jesus as he slept in the stern of a storm-tossed boat. In the midst of suffering and uncertainty, we're all prone to think that God has forgotten us, he doesn't care, or he's powerless to do anything. And that's true of us in the midst of the COVID-19 pandemic. In Christ and Calamity, Harold L. Senkbeil speaks pastorally to our suffering and uncertainty. Senkbeil shows God's constant and faithful grace to us. With Paul he encourages us: "Rejoice always, pray without ceasing, give thanks in all circumstances, for this is the will of God in Christ Jesus for you" (1 Thess 5:16-18). Calamities come in many different sizes, and God addresses them all in his word and by his Spirit. Even when we don't see or feel it, God is always faithful. "If I dwell in the uttermost parts of the sea, even there your hand shall lead me, and your right hand shall hold me" (Ps 139:9-10). The disciples' faith in the midst of the storm may have been weak, but Jesus was mighty to save. And he will save you, too. No matter how small your faith, you can count on him to hear your anguished cry and to answer.
The New Oxford Annotated Bible offers a vast range of information, including extensive notes by experts in their fields; in-text maps, charts, and diagrams; supplementary essays on translation, biblical interpretation, cultural and historical background, and other general topics. Extensively revised, the Annotated Fourth Edition adds to the established reputation of this essential biblical studies resource. This timely edition maintains and extends the excellence the Annotated's users have come to expect, bringing still more insights, information, and perspectives to bear upon the understanding of the biblical text.
Jesus is your model and example on how to deal with every crisis and circumstance. You were never created to react to your circumstances! Its easy to do, and we all fall prey to that mindset. Whether its personally or globally, we want to immediately react in knee-jerk fashion to the crises we are experiencing. The problem is we start to pray from a place of crisis, fear, and anxiety. When you know who the Father is and what He says about what you are going through, you can pray from a place of confidence. You can stand strong, even when everything seems to be shaking around you. Pastor Bill Johnson delivers a timely reminder that we are called to respond to disaster by first, knowing who Father God is, and then, responding to Him in the midst of what we are going through. Discover: How to be unshakably rooted in who the Father is. How a revelation of Jesus reveals the Fathers heart, will, and voice. How to respond to your every problem like Jesus would, from disease to money to possessions. How to know the difference between God being in control and God being in charge. How to disarm the powers of hell with thanksgiving. Prepare your heart for a fresh encounter with the goodness of God. In the midst of disaster and crisis, settle your mind in the unchangeable truths of who God is, what Jesus revealed about the Good Father, and how Jesus dealt with the circumstances He faced while walking the Earth. After all, Jesus is your model and example!
In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.