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This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Chris Potter. These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, so all these exercises will be worked accidentally. This project is an extension of my last three methods of improvisation: * Improvise Now *220 Chromatic Exercises + 1165 Jazz lines phrases *Herbie Hancock lines voicings and rhythms from transcriptions. *John Coltrane & Michael Brecker Legacy
Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.
This book is a summary of both exercises and improvisation lines designed to enhance Michael Brecker Style of playing. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, therefore, all these exercises will be written accidental way.
Delve into the Mind of a Jazz Legend Are you ready to transcend your musical boundaries? Experience the unparalleled genius of Joe Henderson through the eyes of renowned author and educator Olegario Diaz. Joe Henderson Jazz Master provides an unforgettable journey into the life and artistry of one of jazz's most influential tenor saxophonists. Imagine immersing yourself in the deeply evocative melodies and intricate harmonies of Joe Henderson. This book opens the door to a richer understanding of his unique sound that captivated audiences worldwide. From his early years in Lima, Ohio, to his celebrated career with Blue Note Records and beyond, every chapter paints a vivid picture of Henderson's musical evolution and lasting impact on the jazz scene. Your gateway to mastering Henderson's improvisational mastery awaits. In this comprehensive guide, Olegario Diaz deconstructs Henderson's compositional techniques and improvisational brilliance. Detailed exercises and phrases emulate Henderson's style, allowing musicians across all levels to integrate his distinctive approach to harmony, rhythm, and melody into their playing. Whether you're navigating minor 7th chords or tackling advanced altered dominant scales, this book equips you with the tools to channel Henderson's creativity. Don't just study jazz – live it. The transcribed solos from iconic tracks like "Recordame" and "Inner Urge" serve as a practical handbook for students eager to innovate and explore. The routine and advanced exercises, coupled with the author's three-step method - acquisition, assimilation, and application - ensure you can seamlessly incorporate Henderson's magic into your performance. A must-have for any serious jazz enthusiast or professional musician. Joe Henderson Jazz Master is not merely a book; it's an essential part of your musical journey. Dive deep into the soul of jazz, and transform your artistry through the mastery of one of its great legends.
This book covers new concepts regarding post-bop and contemporary jazz improvisation in a practical way. It is aimed at intermediate to advanced students. It provides new tools for performance in contemporary jazz improvisation. It covers all of my previously published books and adds brand new exercises and line phrases form transcriptions. Chromatic, linear, intervalic, arpeggios, extensions and passing tones in accordance to the chord and scale at any given time are included. Each exercise is transported to be played in all 12 keys. Always remember, JAZZ IS ALIVE.
This theoretical book is meant to improve contemporary jazz styles techniques for all musician players of modern jazz. We will divide this book into scale exercises, arpeggio exercises, jazz line phrases as well as contemporary chord progressions. Exercises consist of jazz solos by great musicians such Miles Davis, Bill Evans, John Coltrane, Freddy Hubbard, Woody Shaw, Wayne Shorter, Joe Henderson, Chick Corea, Herbie Hancock, Joe Farrel, Dave Liebman. Bob Berg, Michael and Randy Brecker, Jerry Bergonzi, George Garzone,Tom Harrel, Chris Potter, Brad Mehldau, Joey Calderazzo, Kenny Garret, Branford Marsalis, Walt Weiskopf, Rich Perry, Seamus Blake, Alex Sipiagin and many others well known musicians these days. The majority of theses exercises should be transposed to all twelve tones, so we can achieve perfect coordination> Major chords, Minos chords and Dominant chords will be extended to their highest level, in scales, arpeggios and chromatic form. There will not be key signature centers, so we will work all exercises in accidental way. These exercises were made as an extension of my first book Imprivise Now (Charles Colin Publications). There are as well many improvisational lines transcribed from some of the previously mentioned musicians.
This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Brecker, Berg, Mintzer, Coltrane, Henderson, etc. These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, so all these exercises will be worked accidentally. This project is an extension of my last five books of improvisation: * Improvise Now * 240 Chromatic Exercises + 1165 Jazz Lines Phrases * Herbie Hancock The Blue Note Years * John Coltrane & Michael Brecker Legacy * Chris Potter Jazz Styles
This book is a summary of both exercises and improvisation lines designed to enhance Intervalic Improvisation. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, therefore, all these exercises will be written accidental way. This project is an extension of a 6 chapter collection on improvisation by the same author: * Improvise Now * 240 Chromatic Exercises + 1165 Jazz Lines Phrases * Herbie Hancock. The Blue Note Years * John Coltrane & Michael Brecker Legacy * Chris Potter Jazz Styles * Bidirectional Contemporary Jazz Improvisation * New Conception for Linear & Intervalic Jazz Improvisation
Dive into the heart of modern jazz with "Iconic Line Phrases from Transcription Solos and Linear Intervalic Chord Scale Exercises for All Instruments" by Olegario Díaz. This indispensable guide offers musicians a deep exploration into the techniques of post-bop and contemporary jazz improvisation. With a tribute to the legendary Wayne Shorter, Díaz interweaves the spirit of Shorter's groundbreaking work into each lesson, crafting a curriculum that extends beyond mere scales and arpeggios. This book is an assemblage of Díaz's refined educational methods, presenting an array of exercises that will enhance the chromatic and intervalic understanding of the aspiring jazz artist. The inclusion of transcribed solos morphs into inventive exercises, ensuring that each phrase will embolden your improvisational skills. For those dedicated to mastering the craft, every exercise is designed to be transposed into all 12 keys, facilitating a comprehensive practice routine. Whether you are an intermediate enthusiast or an advanced player, this book is your gateway to unlocking the secrets of jazz giants and infusing their essence into your performances. With its blend of rigorous training and homage to jazz royalty, this book is not just a study guide--it's a journey through the lineage of jazz. Embrace the challenge and let "Iconic Line Phrases from Transcription Solos and Linear Intervalic Chord Scale Exercises for All Instruments" be the key to your next breakthrough in the world of jazz.
Post-Bop is a modern jazz style that continues the distinguishing characteristics that separate jazz from the world of pop and rock; swing rhythm and extended harmonies (9th chords 11ths, altered chords, etc). Post-Bop grew out of the Hard Bop genre during the early to mid 60s as musicians such as Bill Evans, Wayne Shorter and Herbie Hancock began to introduce more extended harmonies, abstract structures and looser rhythms in their playing and compositions. When Hancock and Shorter joined Miles Davis's quintet in the mid-60s, that group became the perfect vehicle for extending the boundaries of what could happen in a Post-Bop format. The Miles Davis Quintet albums, "Nefertiti" and "Sorcer", continue to be pinnacles of Post-Bop composition and performance. Some styles of free modal jazz, such as Coltrane's "A Love Supreme", are also part of the Post-Bop sound. Although there are still some musicians, such as Kenny Garret, who play in that style, mostly that sound has been fading since the early 70s. Of course, theory doesn't come close to explaining music. If music is a language, theory is just grammar. More important than grammar is knowing the vocabulary that comes from listening, with awareness, to great players, and playing as much as possible. Beyond grammar and vocabulary is the ability to communicate with listeners to "tell a story," and to reach an audience on an emotional, or even spiritual, level.