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The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”
This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.
Let Us Go Then, You and I is a new edition of T. S. Eliot's selected poems, published to celebrate his nomination as the 'Nation's Favourite Poet' in a BBC poll for National Poetry Day 2009.
T.S. Eliot was arguably the most important poet of the twentieth century. Nonetheless, there remains much scope for reconsidering the content, form and expressive nature of Eliot’s religious poetry, and this edited collection pays particular attention to the multivalent spiritual dimensions of his popular poems, such as ‘The Lovesong of J. Alfred Prufrock’, ‘The Waste Land’, ‘Journey of the Magi’, ‘The Hollow Men’, and ‘Choruses’ from The Rock. Eliot’s sustained popularity is an intriguing cultural phenomenon, given that the religious voice of Eliot’s poetry is frequently antagonistic towards the ‘unchurched’ or secular reader: ‘You! Hypocrite lecteur!’ This said, Eliot’s spiritual development was not a logical matter and his devotional poetry is rarely didactic. The volume presents a rich and powerful range of essays by leading and emerging T.S. Eliot and literary modernist scholars, considering the doctrinal, religious, humanist, mythic and secular aspects of Eliot’s poetry: Anglo-Catholic belief (Barry Spurr), the integration of doctrine and poetry (Tony Sharpe), the modernist mythopoeia of Four Quartets (Michael Bell), the ‘felt significance’ of religious poetry (Andy Mousley), ennui as a modern evil (Scott Freer), Eliot’s pre-conversion encounter with ‘modernist theology’ (Joanna Rzepa), Eliot’s ‘religious agrarianism’ (Jeremy Diaper), the maternal allegory of Ash Wednesday (Matthew Geary), and an autobiographical reading of religious conversion inspired by Eliot in a secular age (Lynda Kong). This book is a timely addition to the ‘return of religion’ in modernist studies in the light of renewed interest in T.S. Eliot scholarship.
Overturning the inherited belief that popular music is unrefined, Form as Harmony in Rock Music brings the process-based approach of classical theorists to popular music scholarship. Author Drew Nobile offers the first comprehensive theory of form for 1960s, 70s, and 80s classic rock repertoire, showing how songs in this genre are not simply a series of discrete elements, but rather exhibit cohesive formal-harmonic structures across their entire timespan. Though many elements contribute to the cohesion of a song, the rock music of these decades is built around a fundamentally harmonic backdrop, giving rise to distinct types of verses, choruses, and bridges. Nobile's rigorous but readable theoretical analysis demonstrates how artists from Bob Dylan to Stevie Wonder to Madonna consistently turn to the same compositional structures throughout rock's various genres and decades, unifying them under a single musical style. Using over 200 transcriptions, graphs, and form charts, Form as Harmony in Rock Music advocates a structural approach to rock analysis, revealing essential features of this style that would otherwise remain below our conscious awareness.
A very special edition for all our rock fans! Our Rock by Grouplove book comes with 6 favorite classic rock songs from Queen, John Lennon, Elvis Presley, and Survivor. All these songs are magnificently performed by Grouplove, an American alternative rock band, with an included snippet of their musical hit, Colours.This musical sound book includes 6 classic rock excerpts: Eye of the Tiger, Ziggy Stardust, Blue Suede Shoes, Bicycle Race (Remastered 2011), Imagine, Colours.
Patricia Sloane's study is a detailed reassessment of two of the poet's most provocative works that examine Eliot's allusions and larger purpose. In this close reading of the two poems in which Bleistein appears, Sloane shows that Burbank is an intricate derivation of Dante's Inferno. The book also includes a general introduction to Eliot's use of literary sources and to the introduction of the five poems.
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
To get the best answer-in business, in life-you have to ask the best possible question. Innovation expert Warren Berger shows that ability is both an art and a science. It may be the most underappreciated tool at our disposal, one we learn to use well in infancy-and then abandon as we grow older. Critical to learning, innovation, success, even to happiness-yet often discouraged in our schools and workplaces-it can unlock new business opportunities and reinvent industries, spark creative insights at many levels, and provide a transformative new outlook on life. It is the ability to question-and to do so deeply, imaginatively, and “beautifully.” In this fascinating exploration of the surprising power of questioning, innovation expert Warren Berger reveals that powerhouse businesses like Google, Nike, and Netflix, as well as hot Silicon Valley startups like Pandora and Airbnb, are fueled by the ability to ask fundamental, game-changing questions. But Berger also shares human stories of people using questioning to solve everyday problems-from “How can I adapt my career in a time of constant change?” to “How can I step back from the daily rush and figure out what really makes me happy?” By showing how to approach questioning with an open, curious mind and a willingness to work through a series of “Why,” “What if,” and “How” queries, Berger offers an inspiring framework of how we can all arrive at better solutions, fresh possibilities, and greater success in business and life.