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Chinese Children's Favorite Stories is a delightful selection of thirteen Chinese folktales as retold by author and illustrator Mingmei Yip. Inspired by her beloved father's nightly story-telling when she was a child, Yip hopes that by retelling some of these thousand-year-old Chinese stories she can pass along Chinese folklore and fables to international readers of all ages. These beautifully illustrated tales give children in other countries a glimpse into the traditions and culture of China, while emphasizing universal lessons about being kind and successfully overcoming obstacles. Readers will encounter many delightful characters--from an angry dragon to a wise cow--in stories such as: The Dream of the Butterfly--A sweet tale about accepting who you are and fully appreciating the world around you Carp Jumping Over the Dragon Gate--A popular story about the rewards of hard work Playing the Qin for the Water Buffalo--A musical tale that highlights empathy and understanding And many more! Recommended for children ages five to ten.
Tikki tikki tembo-no sa rembo- chari bari ruchi-pip peri pembo! Three decades and more than one million copies later children still love hearing about the boy with the long name who fell down the well. Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo. Tikki Tikki Tembo is the winner of the 1968 Boston Globe - Horn Book Award for Picture Books.
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China. China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta. As she tracks their lives, Chang paints a never-before-seen picture of migrant life—a world where nearly everyone is under thirty; where you can lose your boyfriend and your friends with the loss of a mobile phone; where a few computer or English lessons can catapult you into a completely different social class. Chang takes us inside a sneaker factory so large that it has its own hospital, movie theater, and fire department; to posh karaoke bars that are fronts for prostitution; to makeshift English classes where students shave their heads in monklike devotion and sit day after day in front of machines watching English words flash by; and back to a farming village for the Chinese New Year, revealing the poverty and idleness of rural life that drive young girls to leave home in the first place. Throughout this riveting portrait, Chang also interweaves the story of her own family’s migrations, within China and to the West, providing historical and personal frames of reference for her investigation. A book of global significance that provides new insight into China, Factory Girls demonstrates how the mass movement from rural villages to cities is remaking individual lives and transforming Chinese society, much as immigration to America’s shores remade our own country a century ago.
In ancient China, the different tribes lived under the protection of benevolent spirits that took the form of animals--fish, ox, bird, horse, and serpent. But, as often happens, the tribes grew envious of each other and began to fight amongst themselves in the names of their spirits. The children decided to declare a war on war by creating a creature that combined the best of all the spirits and would protect all the people. To this day, the dragon is a symbol of peace and plays an especially important role in the celebration of the Chinese New Year. This timely message of cooperation and empowerment makes this book especially appealing to trade and institutional accounts. Communities with significant Chinese populations will also have a special interest in this title. Catherine Louis' Liu and the Bird was a critical hit with review journals, teachers, and librarians.
The Chinese Boy and Girl by Isaac Taylor Headland is about Mr. Headland and his friend Mrs. Yin as they investigate Mother Goose's beloved nursery rhymes. Excerpt: "It is a mistake to suppose that any one nation or people has the exclusive right to Mother Goose. She is an omnipresent old lady. She is Asiatic as well as European or American. Wherever there are mothers, grandmothers, and nurses there are Mother Gooses,—or; shall we say, Mother Geese—for I am at a loss as to how to pluralize this old dame. She is in India, whence I have rhymes from her, of which the following is a sample: Heh, my baby! Ho, my baby! See the wild, ripe plum..."
This is a book recording the normal life of some ordinary Chinese with plenty of excellent essays and pictures. China boasts an ancient civilization of 5,000 years, which has nourished the hearts and souls of all Chinese and could also help explain all good and bad things in the characters of the Chinese nation. The ordinary Chinese have diversified experiences and destinies, and of course, different personalities, too. Nevertheless, they share many similarities which are deeply rooted in the country's ancient civilization. In this book the many diverse lives of some "ordinary" Chinese are brought together, uniting them as a people and yet granting them their undeniable individuality. In its second volume, Chinese Stories continues to deliver the stories of the everyday modern Chinese with all their diversity and unwavering devotion to hold on to their culture by tradition.