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This edited volume brings together scholars positioned in and outside of China, including former Chinese journalists, in a comprehensive and in-depth study of Chinese investigative journalists’ dreams, work practices, and strategies. It is the first book that systematically addresses the roles and values of Chinese investigative journalists in different types of media, in the process addressing topics such as journalism education, different generations and sub-groups among investigative journalists, and gendered roles within investigative journalism. The book discusses journalists’ relations with the state and issues of political control and censorship but seeks to unpack the state by looking at different administrative levels, institutions and geographical locations. Furthermore, the authors acknowledge and analyze how investigative journalism today is shaped, constrained and negotiated through contacts with other actors than the state, including companies, civil society, and the audience. The book sheds light on the possibilities and restrictions for more critical journalism in an authoritarian regime.
This edited volume provides comprehensive and in-depth case studies of Chinese investigative journalists' dreams, work practices, and strategies. It is the first book that systematically addresses the roles, values, and methods of Chinese investigative journalists in different types of media and geographical locations. It provides insights into the possibilities for critical journalism within China at a time where the media appears crucial in realizing the country's ambitions for greater global soft power.
Investigative journalism emerged in China in the 1980s following Deng Xiaoping’s media reforms. Over the past few decades, Chinese investigative journalists have produced an increasing number of reports in print or on air and covered a surprisingly wide range of topics which had been thought impossible by the standards of the Communist era. In the 2010s, however, investigative journalism has been replaced by activist journalism. This book examines how, with the aid of new media technologies and in response to new calls for social responsibility, these new-era journalists vigorously seek to expand the scope of their journalism and their capacity as journalists. They tend to perceive themselves as more than professional journalists, and their activities are not limited to the physical boundaries of newsrooms. They are not only detached observers of society but also engaged organizers of social movements—they are social activists as well as responsible journalists who challenge state power and the party line and point to the limitations of the more traditional conceptions of journalism in China. This book analyzes how journalism in China has been gradually transformed from a tool of the state to a means of broadening calls for democratic reform.
This book examines how the news media in general, and investigative journalism in particular, interprets environmental problems and how those interpretations contribute to the shaping of a discourse of risk that can compete against the omnipresent and hegemonic discourse of modernisation in Chinese society.
This book explores how journalists at local metro papers in a south-western China metropolis give meaning to their work and how these meanings are shaped by the specific social environment within which these journalists operate. These metro papers provide the bulk of daily news to the general public in China, yet are often understudied compared to the country’s party news outlets. Informed by fieldwork in four metro newspapers, the book puts forward a grounded theory for exploring journalists’ occupational culture: the aspiration-frustration-reconciliation framework.
In the framework of democratic societies, investigative journalism is deemed as serving the public interest, helping maintain a healthy public sphere and helping to hold power into account. The ideals of a democratic society justify the idea and practice of investigative journalism. Alternately, modern China runs an authoritarian system of the one-party rule, so where does the idea of investigative journalism fit in? Why can investigative journalism appear in such an authoritarian society and with what characteristics? Investigative Journalism in China examines the four aspects of Chinese investigative journalism (the Idea of investigative journalism and its comparison against Western contexts; the Development/Influence; Reporters and their work; and the Impacts on society), by using empirical data from Dr. Jingrong Tong's fieldwork at two newsrooms (the Southern Metropolitan Daily and the Dahe Daily) in 2006, 73 in-depth-interviews conducted from 2004-2008, and the analysis of internal and public documents and media cases in order to accurately survey the field and put it in context.
Despite operating in one of the most tightly controlled media environments in the world, Chinese journalists sometimes take extraordinary risks, braving the perils of job loss or imprisonment to report sensitive stories. As a result, a group of journalists stands at the forefront of some of China’s most dramatic social and political changes. This book is the first to systematically explore why some Chinese journalists decide to challenge Communist Party power holders and the censorship system. Based on 18 months of fieldwork, interviews with over 70 Chinese journalists and academics and analysis of nearly 20,000 Chinese newspaper articles, it investigates the motivation behind news workers who often brave the perils of challenging an authoritarian system. Rather than being driven by commercial pressures or financial inducements, the book suggests that many aggressive journalists push the limits of acceptable coverage because of their sense of public spirit and their professional role orientation. It argues that ultimately, these advocate journalists matter because they challenge specific policies and are changing China, one article at a time. By investigating these path-breaking journalists, the book engages with literature across the social sciences on contentious politics and social movements, political communication, media theory and the sociology of professions. Therefore, it will be of great interest to students and scholars of Chinese Studies, Politics and Media Studies.
Who watches over the party-state? In this engaging analysis, Maria Repnikova reveals the webs of an uneasy partnership between critical journalists and the state in China. More than merely a passive mouthpiece or a dissident voice, the media in China also plays a critical oversight role, one more frequently associated with liberal democracies than with authoritarian systems. Chinese central officials cautiously endorse media supervision as a feedback mechanism, as journalists carve out space for critical reporting by positioning themselves as aiding the agenda of the central state. Drawing on rare access in the field, Media Politics in China examines the process of guarded improvisation that has defined this volatile partnership over the past decade on a routine basis and in the aftermath of major crisis events. Combined with a comparative analysis of media politics in the Soviet Union and contemporary Russia, the book highlights the distinctiveness of Chinese journalist-state relations, as well as the renewed pressures facing them in the Xi era.
The Routledge Handbook of Chinese Culture and Society is an interdisciplinary resource that offers a comprehensive overview of contemporary Chinese social and cultural issues in the twenty-first century. Bringing together experts in their respective fields, this cutting-edge survey of the significant phenomena and directions in China today covers a range of issues including the following: State, privatisation and civil society Family and education Urban and rural life Gender, and sexuality and reproduction Popular culture and the media Religion and ethnicity Forming an accessible and fascinating insight into Chinese culture and society, this handbook will be invaluable to students and scholars across a range of disciplines, including anthropology, sociology, area studies, history, politics and cultural and media studies.
This book, the first of its kind, investigates the historical trajectory and current situation of popular journalism in the People's Republic of China. Taking a popular cultural perspective, the book redefines “popular journalism” as a particular journalistic genre and media form and applies it to conceptualize popular journalism in the Chinese context. In particular, it examines how the dynamic and complex interplay of politics, the market, culture, and communication technology in shifting contexts has shaped the changing landscape of popular journalism in contemporary China. Meanwhile, regardless of how these factors might have changed over time, the fundamental nature of popular journalism as a source of fun and a troublemaker against elite powers in China, as in other places, has remained. The book further argues that the historical development of popular journalism in China forms an important and integral part of the country's social-cultural fabric and ultimately illustrates the mediated ideological and cultural struggle between popular/public and elite/state discourses in the country’s everyday social life in its challenging and discursive transition to modernity.