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Chinese Imperial City Planning is the first synthesis of what is known from textual and archaeological evidence about every Chinese imperial capital, from earliest times to the present. It explains the fundamental architectural principles and visual characteristics of imperial planning in China and shows how these features are related to the Chinese idea of rulership. The volume also reconstructs the 3,500-year-old history of imperial planning using sources such as resident descriptions, travel accounts, official Chinese court records, and the most recent archaeological and scholarly studies. The extensive documentation provides students with a standard source of reference from which to embark on further research on Chinese urban planning.
Chinese Spatial Strategies presents a study of social spaces of the capital of Ming Qing China (1420-1911). Focusing on early Ming and early and middle Qing, it explores architectural, urban and geographical space of Beijing, in relation to issues of history, geopolitics, urban social structure, imperial rule and authority, symbolism, and aesthetic and existential experience. At once historical and theoretical, the work argues that there is a Chinese approach to spatial disposition which is strategic and holistic.
This history of China’s imperial capital cities reveals “a picaresque chronicle of dynastic succession and court intrigue” across millennia (Publishers Weekly). Throughout the long history of Imperial China, emperors designed their capital cities in ways that reveal the heart of their dynasty. The ley lines of these cities reveal religious preoccupations, while the design of important buildings tells us much about the cultural influences of the period. The Shang Emperor of the third century B.C. made obsessive—and ultimately fatal—attempts to engage the Immortals with cosmologically pleasing urban planning. Meanwhile, the Tang capital at Chang'an betrays the striking creativity and cultural receptiveness that earmark the era as a literary and artistic golden age. And the Forbidden City of fifteenth century Beijing still stands as testament to Ming dynasty architectural virtuosity. Arthur Cotterell provides an inside view of the rich array of characters, political and ideological tensions, and technological genius that defined the imperial cities of China, as each in turn is uncovered, explored, and celebrated. The oldest continuous civilization in existence today stands to become the most influential.
Beijing Record, the result of ten years of research on the urban transformation of Beijing in the last fifty years, brings to an extended Western audience the inside story on the key decisions that led to Beijing's present urban fragmentation and its loss of memory and history in the form of bulldozing its architectural heritage. Wang's publication presents a survey of the main developments and government-level (both central and municipal) decisions, devoting a lot of attention to the 1950s and 1960s, when Beijing experienced a critical wave of transformative events.Shortly after its original Chinese bestseller edition was published by SDX joint Publishing Company House in October 2003, it ignited a firestorm of debate and discussion in a country where public interaction over such a sensitive subject rarely surfaces. The Chinese edition is in its 11th print run and was translated into Japanese in 2008. This newly-translated English version has the latest update on the author's findings in the area. As the only edition printed in full color with nearly 300 illustrations, the English version powerfully showcases the stunning architecture, culture, and history of China's Dynamic Capital, Beijing.Home to more than 15 million people, this ancient capital city — not surprisingly — has a controversial, complicated history of planning and politics, development and demolition. The publication raises a number of unsettling questions: Why have a valuable historical architectural heritage such as city ramparts, gateways, old temples, memorial archways and the urban fabric of hutongs (traditional alleyways) and siheyuan (courtyard houses) been visibly disappearing for decades? Why are so many houses being demolished at a time of economic growth? Is no one prepared to stand up for the preservation of the city?For his research, Wang went through innumerable archives, read diaries and collected an unprecedented quantity of data, accessing firsthand materials and unearthing photographs that clearly document the city's relentless, unprecedented physical makeover. In addition, he conducted more than 50 in-person interviews with officials, planners, scholars and other experts. Many illustrations are published here for the first time, compiled in the 1990s when archival public access was reformulated.
Drawing on a wealth of primary materials detailing the city's history, customs, and urban construction as well as on recent work in Chinese history, culture, and religion, Yinong Xu examines characteristics of building and transformation in pre-modern Suzhou, characteristics that, while particular to the city's own historical development, reflect or were determined by factors representative of China's urban history in general.".
Outgrowth of the author's thesis (Ph.D.--University of Washington).
This book teaches us to read the contemporary Chinese city. Li Shiqiao deftly crafts a new theory of the Chinese city and the dynamics of urbanization by: exploring the rise of stories of labour, finance and their hierarchies examining how the Chinese city has been shaped by the figuration of the writing system analyzing the continuing importance of the family and its barriers of protection against real and imagined dangers demonstrating how actual structures bring into visual being the networks of safety in personal and family networks. Understanding the Chinese City elegantly traces a thread between ancient Chinese city formations and current urban organizations, revealing hidden continuities that show how instrumental the past has been in forming the present. Rather than becoming obstacles to change, ancient practices have become effective strategies of adaptation under radically new terms.
Building in China is about striking an architectural balance between the pull of monumental tradition and the push of technological novelty. Centering on the dynamic period of post-imperial and pre-Communist China, the book focuses on the building and city planning initiatives of Henry Murphy, a little-known American architect who initially ventured to China in 1914 to design a campus for the Yale-in-China programme, but who then found himself captivated by a professional and cultural challenge that lasted two decades: how to preserve China's rich architectural traditions while also designing new buildings using up-to-date Western technologies. Murphy's buildings were compromises — " wine in old bottles" as he once called them — and the book uses those "tles" as lenses through which to understand not only Murphy's quest to find a middle ground for his architecture in China, but also to gaze at a tumultuous society facing an uncertain future. Murphy's buildings were more than vessels for either aesthetic visions or technical expertise; inadvertently they became political emblems, as Chinese rulers such as Chiang Kai-shek and Sun Yat-sen's son called on Murphy for city planning advice to complement their hopes for urban reconstruction. There are few serious studies of Western architects in the twentieth century who practiced in non-Western contexts, and those scant studies that have been published concentrate largely on British, French or Dutch examples in colonial settings. Hence, the book makes significant contributions to the fields of both American and Chinese architectural history.
Seventeen-year-old Alex Jackson comes home from school to find that his father, a CBC news cameraman, wants to take him to China's capital, Beijing. Once there, Alex finds himself on his own in Tian An Men Square as desperate students fight the Chinese army for their freedom. Separated from his father and carrying illegal videotapes, Alex must trust the students to help him escape. Closely based on eyewitness accounts of the massacre in Beijing, Forbidden City is a powerful and frightening story.
With a practical approach to theory, Designing the City of Reason offers new perspectives on how differing belief systems and philosophical approaches impact on city design and development, exploring how this has changed before, during and after the impact of modernism in all its rationalism. Looking at the connections between abstract ideas and material realities, this book provides a social and historical account of ideas which have emerged out of the particular concerns and cultural contexts and which inform the ways we live. By considering the changing foundations for belief and action, and their impact on urban form, it follows the history and development of city design in close conjunction with the growth of rationalist philosophy. Building on these foundations, it goes on to focus on the implications of this for urban development, exploring how public infrastructures of meaning are constructed and articulated through the dimensions of time, space, meaning, value and action. With its wide-ranging subject matter and distinctive blend of theory and practice, this book furthers the scope and range of urban design by asking new questions about the cities we live in and the values and symbols which we assign to them.