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Readers gain the knowledge to address the growing and increasingly intricate problem of controlling and processing the refuse created by global urban societies with SOLID WASTE ENGINEERING: A GLOBAL PERSPECTIVE, 3E. While the authors prepare readers to deal with issues, such as regulations and legislation, the main emphasis throughout the book is on mastering solid waste engineering principles. The book first explains the basic principles of the field and then demonstrates through worked examples how readers can apply these principles in real world settings. Readers learn to think reflectively and logically about the problems and solutions in today's solid waste engineering. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
A reference work on furniture makers active in England between 1660 and 1840. It lists makers in alphabetical order, recording biographical details, commissions, and information about signed or documented pieces, together with full supporting references.
This publication accompanies two exhibitions that celebrate the 125th anniversary of the establishment of Geelong Gallery in 1896; that honour one of the first and greatest acquisitions to enter the collection; and that assert this Gallery's enduring commitment to the critical visions of contemporary artists.Frederick McCubbin-Whisperings in wattle boughs takes its lyrical title from McCubbin's quietly mesmerising painting of 1886, in which he depicts a solitary man in repose, contemplating the earth, listening to the rustling of the bush around him while his tea boils in the billy nearby. This evocative work sets the tone for an exhibition centred on one of the treasures of Geelong Gallery: McCubbin's much loved A bush burial 1890, the first major painting to enter the Gallery's collection, purchased through public subscription in 1900. A bush burial is brought into dialogue with a selection of other now-iconic paintings in which McCubbin redefined the Australian bush and elaborated the place and roles of human subjects within it. It is, therefore, a focussed thematic survey rather than a broad ranging retrospective of McCubbin's output and follows two recent Geelong-curated scholarly thematic exhibitions: Land of the Golden Fleece- Arthur Streeton in the Western Districts (2016) and Fred Williams in the You Yangs (2017).
During the Meiji Era, of 1868-1912, British influence in Japan was stronger than that of any other foreign power. Although role models were sought from Englishmen and Scotsmen, whether diplomats, engineers, educators or philosophers, the first priority for the Japanese was to achieve a transfer of industrial and technical skills. As important customers, who brought good profits to British industry, the Japanese were accommodated when they stipulated on awarding a contract that their own people should work in office, shipyard or factory. Much new research material discovered in Japan, England and Scotland has enabled the detailed examination of a relationship - with Britain as Senior and Japan as Junior partner - which lasted until 1914. It was on these foundations that Japan was able subsequently to build a great industrial nation.