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Since the first century, when Buddhism entered China, the foreign religion has influenced and been influenced in turn by traditional Chinese culture, and eventually became an important part of it. That is one of the great historical themes not only for China but also for East Asia. This book explores the elements of Buddhism, including its classics, doctrines, system, and rituals, to reveal the basic connotation of Buddhism as a cultural entity. Regarding the development of Buddhism in China, it traces the spread in chronological order, from the introduction in Han Dynasties (202 BC–220 AD), to the prosperity in the Sixteen Kingdoms (ca. 304–439 AD), and then to the decline since the Five Dynasties (907–ca. 960 AD). It is noteworthy that the Buddhist schools in the Southern and Northern Dynasties (420–589 AD) and the Buddhist sects in Sui and Tang Dynasties (581–907 AD) contributed to the sinicization of Buddhism. This book also deals with the interesting question of the similarities and differences between Chinese Buddhism and Indian Buddhism, to examine the specific characters of the former in terms of thought and culture. In the last chapter, the external influence of Chinese Buddhism in East Asia is studied. Scholars and students in Buddhism and Chinese culture studies, especially those in Buddhist countries, will benefit from the book. Also, it will appeal to readers interested in religion, Chinese culture, and ancient Chinese history.
This collection of essays on later Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography - scriptures and commentaries, sectarian developments, lives of notable monks - to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period. Straying from well-trodden paths, the authors often transgress the boundaries of their own disciplines: historians address architecture; art historians look to politics; a specialist in literature treats poetry that offers gendered insights into Buddhist lives. The broad-based cultural orientation of this volume is predicated on the recognition that art and religion are not closed systems requiring only minimal cross-indexing with other social or aesthetic phenomena but constituent elements in interlocking networks of practice and belief.
Buddhism had a profound effect not only on Chinese philosophy and ritual, but also on the material culture of China. Examining the impact of books, bridges, sugar, tea and the chair, amongst other things, this text looks at how attitudes to such novelties affected the history of Chinese Buddhism.
Buddhism in China during the late Qing and Republican period remained a powerful cultural and religious force. This innovative book comes from a rising star in this field, offering a new perspective on the influence of Buddhism on Chinese culture.
Written by esteemed academic and professor Zhang Qizhi, this book details the fundamentals of Chinese tradition, ranging from philosophy, ethics and humanities, dominant religions, historical relics, calligraphy, painting, medicine, science, health preservation, Chinese food, ancient architecture, and more.
Provides an in-depth understanding of the historical status of Buddhism and its important role in the evolution of Chinese culture.
No detailed description available for "Traditions of Meditation in Chinese Buddhism".
This engaging book on Chinese religion and culture by Judith Berling has been welcomed by longtime scholars of the same as a vital and fresh perspective. 'A Pilgrim in Chinese Culture' is a story of faith meeting faith that will enrich wisdom-seekers as well as provide a tool to introduce students to cross-cultural and interfaith issues. Berling tells how she became immersed in the issues of religious diversity, of her experiences living with religious neighbors, and of discovering how different from her own Midwestern Protestant milieu is the world of Chinese religion and culture. In China, one can be Buddhist, Confucianist, Taoist, and animist at a single moment. Exploring how this inclusivity can be achieved infuses 'A Pilgrim in Chinese Culture'. The multiplicity of deities, the notion of Truth as having many embodiments, even patterns of hospitality - Berling examines how these key aspects of Chinese culture shape and inform religion in China. Through the tales it tells, 'A Pilgrim in Chinese Culture' offers readers insights that no textbook can match, bringing home what religious diversity means in surprising and illuminating ways.
Confucianism and Daoism absorbing and mutually transforming new horizons, especially Buddhism; attention to the writings of Matteo Ricci and potential Christian contributions to modern development in Chinese culture.
Chinese Buddhism inherited from its Indic predecessor an ethos of cultural and intellectual tolerance and a transcendental and speculative perspective. It also absorbed aspects of the ethical, humanistic, and nature-focussed essence of Chinese traditional culture represented by Confucianism and Daoism.