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Finalist for the Shamus Award for Best First Private Eye Novel! A. E. Roman's debut is a fast, fun read offering an authentic, vibrant look at New York City and the wide variety of people who make up its streets, bodegas, and penthouses. Chico Santana is broke and brokenhearted after his wife, Ramona, leaves him. On New Year's Eve, he comes out of his self-imposed seclusion and runs into an old friend from St. Mary's Home for Boys, a member of "The Dirty Dozen." Albert Garcia is now a waiter and a wannabe filmmaker, tangled up with rising film star Kirk Atlas and his wealthy, eccentric family. On learning Chico's a PI, Atlas hires him to track down his cousin Tiffany, a beautiful Chinese-Cuban-American girl who has packed up and left her family, sending letters saying she doesn't want to be found. It seems like easy dough, which Chico could use. But on the night he gets the job, Atlas's Brazilian maid falls from the rooftop of her apartment in Queens. Albert and everyone else insists it was a suicide, but Chico has a bad feeling. His search for Tiffany is soon thwarted by other family members, and more disturbing and sinister details come to light. Although Chico's being paid good money to look the other way, he's driven to uncover the truth.
For nearly three decades Shirley Fong-Torres and her Wok Wiz Chinatown Tour staff guided 20,000 visitors a year through San Francisco's Chinatown. This book shows why so many keep coming back for more. It's Chinese-American history with a bottomless appetite for quirky anecdotes, respected traditions and exquisite dumplings. " I love Shirley Fong-Torres. Her effervescence and passion make her irresistible. If she writes a book I'll buy it, if she hosts a tour, I'll take it, if she recommends a restaurant I'll eat there." -Gene Burns, KGO, San Francisco " Shirley Fong-Torres knows San Francisco's Chinatown better than anyone She's downloaded a chunk of what she knows in this book, filled with great information and a touching account of her family history." -Michael Bauer, San Francisco Chronicle " I thought I knew San Francisco Chinatown, that is, until I met Shirley." -Martin Yan, YAN CAN COOK " Shirley Fong-Torres has a contagious love of life, people, place and food I am rapt by her stories, energized by her passion and touched by her spirit." -Joey Altman, BAY CAF " This is Shirley Fong-Torres, a very bossy woman. But if you want to do business in San Francisco Chinatown you have to deal with her. She knows everybody and everything." -Comedian Martin Clune
Focusing on the local history of the Chinese in Oakland, California, this study examines common stereotypes in the early Chinese community and Chinatown organizations.
Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.
During the first hundred years of Chinese immigration--from 1848 to 1943--San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler shines a light on this little-known chapter in our history--and gives us a vivid portrait of the safe house to which enslaved women escaped. The Occidental Mission Home, situated on the edge of Chinatown, served as a gateway to freedom for thousands. Run by a courageous group of female Christian abolitionists, it survived earthquakes, fire, bubonic plague, and violent attacks. We meet Dolly Cameron, who ran the home from 1899 to 1934, and Tien Fuh Wu, who arrived at the house as a young child after her abuse as a household slave drew the attention of authorities. Wu would grow up to become Cameron's translator, deputy director, and steadfast friend. Siler shows how Dolly and her colleagues defied convention and even law--physically rescuing young girls from brothels, snatching them from their smugglers--and how they helped bring the exploiters to justice. Riveting and revelatory, The White Devil's Daughters is a timely, extraordinary account of oppression, resistance, and hope.
Revealing the untold stories of a pioneer generation of young Chinese Americans, this book places the children and families of early Chinatown in the middle of efforts to combat American policies of exclusion and segregation. Wendy Jorae challenges long-held notions of early Chinatown as a bachelor community by showing that families--and particularly children--played important roles in its daily life. She explores the wide-ranging images of Chinatown's youth created by competing interests with their own agendas--from anti-immigrant depictions of Chinese children as filthy and culturally inferior to exotic and Orientalized images that catered to the tourist's ideal of Chinatown. All of these representations, Jorae notes, tended to further isolate Chinatown at a time when American-born Chinese children were attempting to define themselves as Chinese American. Facing barriers of immigration exclusion, cultural dislocation, child labor, segregated schooling, crime, and violence, Chinese American children attempted to build a world for themselves on the margins of two cultures. Their story is part of the larger American story of the struggle to overcome racism and realize the ideal of equality.
In Chinatown to deliver a baby, Sarah Brandt meets a group of women she might otherwise never have come across: Irish girls who, after alighting on Ellis Island alone, have married Chinese men in the same predicament. But with bigotry in New York from every side, their mixed-race children are often treated badly, by the Irish, the Chinese—even the police. When the new mother’s half-Chinese, half-Irish, 15-year-old niece goes missing, Sarah knows that alerting the constables would prove futile. So she turns to Detective Sergeant Frank Malloy—and together they begin the search themselves. And after they find her, dead in an alley, Sarah and Malloy have ample suspects—from both sides of Canal Street.