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Hidden in the tropical mountains of China’s southern border lives one of the most interesting Chinese minorities: The Jino nationality. With a population of only 21,000 people they are one of the less known ethnic groups in China, who in the past were often confused with the surrounding minorities. The study of their culture started only in the last decades of the 20th century and showed the world an ethnic group characterized for the strength with which they preserved their matriarchal tendencies and their surprising adaptability to their tropical environment. The shadow of their former matriarchy, and of their goddesses, was found everywhere in the Jino life and culture, as a giant umbrella that covered their main activities, especially prominent in their myths and legends, as well as in the spiritual life that directed their everyday activities: farming and hunting, house building, village ceremonies and rituals performed by their main religious specialists. The apparent simplicity of this original society slowly revealed a complex technology developed by hundreds of years of adaptation to their particular environment, a technology that allowed them to continuously inhabit lands that otherwise would have been fit for habitation only for a short time. At the heart of this technology was a reverential respect for the mother earth, embodied especially as the Goddess of the Fields and the Lady of the Beasts, and a common exhaustive knowledge of the different kinds of soils, their responses to the changing climatic conditions, to the seasonal weather oscillations, and to different rice varieties. Their ideas about the characteristics of their soils basically correspond with modern geological classifications; their calendar of 11 months (designed to remember the main steps in the creation process of the goddess Amoyaobai) fits perfectly with their agricultural activities; their knowledge of more than 100 varieties of rice allowed them to optimally use every natural resource.
In a mist-shrouded valley on China's invisible border with Tibet is a place known as the "Kingdom of Women," where a small tribe called the Mosuo lives in a cluster of villages that have changed little in centuries. In a mist-shrouded valley on China's invisible border with Tibet is a place known as the "Kingdom of Women," where a small tribe called the Mosuo lives in a cluster of villages that have changed little in centuries. This is one of the last matrilineal societies on earth, where power lies in the hands of women. All decisions and rights related to money, property, land and the children born to them rest with the Mosuo women, who live completely independently of husbands, fathers and brothers, with the grandmother as the head of each family. A unique practice is also enshrined in Mosuo tradition--that of "walking marriage," where women choose their own lovers from men within the tribe but are beholden to none.
The haunting memoir of a girl growing up in the Moso country in the Himalayas -- a unique matrilineal society. But even in this land of women, familial tension is eternal. Namu is a strong-willed daughter, and conflicts between her and her rebellious mother lead her to break the taboo that holds the Moso world together -- she leaves her mother's house.
The past century witnessed dramatic changes in the lives of modern Chinese women and gender politics. Whilst some revolutionary actions to rectify the feudalist patriarchy, such as foot-binding and polygyny were first seen in the late Qing period; the termination of the Qing Dynasty and establishment of Republican China in 1911-1912 initiated truly nation-wide constitutional reform alongside increasing gender egalitarianism. This book traces the radical changes in gender politics in China, and the way in which the lives, roles and status of Chinese women have been transformed over the last one hundred years. In doing so, it highlights three distinctive areas of development for modern Chinese women and gender politics: first, women’s equal rights, freedom, careers, and images about their modernized femininity; second, Chinese women’s overseas experiences and accomplishments; and third, advances in Chinese gender politics of non-heterosexuality and same-sex concerns. This book takes a multi-disciplinary approach, drawing on film, history, literature, and personal experience. As such, it will be of huge interest to students and scholars of Chinese culture and society, women's studies, gender studies and gender politics.
"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."
A feminist movement clashing with China’s authoritarian government. Featured in the Washington Post and the New York Times. On the eve of International Women’s Day in 2015, the Chinese government arrested five feminist activists and jailed them for thirty-seven days. The Feminist Five became a global cause célèbre, with Hillary Clinton speaking out on their behalf and activists inundating social media with #FreetheFive messages. But the Five are only symbols of a much larger feminist movement of civil rights lawyers, labor activists, performance artists, and online warriors prompting an unprecedented awakening among China’s educated, urban women. In Betraying Big Brother, journalist and scholar Leta Hong Fincher argues that the popular, broad-based movement poses the greatest challenge to China’s authoritarian regime today. Through interviews with the Feminist Five and other leading Chinese activists, Hong Fincher illuminates both the difficulties they face and their “joy of betraying Big Brother,” as one of the Feminist Five wrote of the defiance she felt during her detention. Tracing the rise of a new feminist consciousness now finding expression through the #MeToo movement, and describing how the Communist regime has suppressed the history of its own feminist struggles, Betraying Big Brother is a story of how the movement against patriarchy could reconfigure China and the world.
Finding Women in the State is a provocative hidden history of socialist state feminists maneuvering behind the scenes at the core of the Chinese Communist Party. These women worked to advance gender and class equality in the early PeopleÕs Republic and fought to transform sexist norms and practices, all while facing fierce opposition from a male-dominated CCP leadership from the Party Central to the local government. Wang Zheng extends this investigation to the cultural realm, showing how feminists within ChinaÕs film industry were working to actively create new cinematic heroines, and how they continued a New Culture anti-patriarchy heritage in socialist film production. This book illuminates not only the different visions of revolutionary transformation but also the dense entanglements among those in the top echelon of the party. Wang discusses the causes for failure of ChinaÕs socialist revolution and raises fundamental questions about male dominance in social movements that aim to pursue social justice and equality. This is the first book engendering the PRC high politics and has important theoretical and methodological implications for scholars and students working in gender studies as well as China studies.
Until the 1980s, a common narrative about women in China had been one of victimization: women had dutifully endured a patriarchal civilization for thousands of years, living cloistered, uneducated lives separate from the larger social and cultural world, until they were liberated by political upheavals in the twentieth century. Rich scholarship on gender in China has since complicated the picture of women in Chinese society, revealing the roles women have played as active agents in their families, businesses, and artistic communities. The essays in this collection go further by assessing the ways in which the study of gender has changed our understanding of Chinese history and showing how the study of gender in China challenges our assumptions about China, the past, and gender itself.
The role and significance of patriarchy in East Asia varies greatly according to the interplay between deeply entrenched cultural norms, economic change, and government policy. The aim of this book, therefore, is to offer an historical perspective on these issues combined with an analysis of the transitions and outcomes that have occurred in the status of women over the course of modernization and industrialization in five East Asian societies – Japan, South Korea, North Korea, Taiwan, and China. The narrative is interwoven with a discussion of contemporary issues such as the persistence of tradition and gender discrimination, how gender roles undermine the development of healthier marriage and family relationships (and better relations among the generations), the lack of full equality for women in employment, falling birth rates, and rising divorce rates. Patriarchy in East Asia is the first study of its kind undertaken by a sociologist who is fluent in all of the local languages, thereby providing a rare level of access in terms of research of primary sources.
This volume includes 14 articles translated from the leading academic history journal in China, Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu). It offers a rare window for the English speaking world to learn how scholars in China have understood and interpreted central issues pertaining to women and family from the founding of the PRC to the reform era. Chapters cover a wide range of topics, from women’s liberation, women’s movement and women’s education, to the impact of marriage laws and marriage reform, and changing practices of conjugal love, sexuality, family life and family planning. The volume invites further comparative inquiries into the gendered nature of the socialist state and the meanings of socialist feminism in the global context.