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Misogyny, atheism and terrorism in one issue? It must be Chimeraworld #3 time. Twenty-three short stories of sexual annihilation, god murder and exploding children all mingled together in one really nasty annual debauch of the senses. Fiction was never meant to be this extreme, this subversive, this genre-breaking. Share the pain and pleasure of Ralph Greco, Jr., Dean R Winters, Michael De Kler, Jenny Ashford, Nicholas Alan Tillemans, C. C. Parker, Joshua Scribner, Sean Logan, Chet Gottfried, Paul Pinn, D.L. Snell, Anthony Armstrong, C.L. Russo, Will McIntosh, Tim McDaniel, Michael A. Kechula, Kevin James Miller, Richard Pitaniello, Richard D. Moore, Liam Davies, Tonya Price, Glen Alan Hamilton, David L Tamarin.
The modern motorcar (and the industry that surrounds it) is nothing but a cancer on the face of the Earth. Mark Zirbel, Christina Kinnan, Paul Murray Collrin, Jenny Ashford, Liam Davies, Courtney Burback, Mark Robyn, M.P. Johnson, Tyler Runde, J. M. Heluk, Kelly Stevens, Ken C Goldman, Ray Wallace, Gerard Brennan, Brad C. Hodson, M. Jones, Suzanne Burns, Jeff Drake, Cameron Pierce, Sean Rickards, David Mitchell Turnbull, Kek-W and Alex Severin bring us twenty-three tales of the revolting lives and ugly deaths of these beasts of the road. Long may they remain dead.
Chimeraworld #1 is a dark place your mind will never escape. A collection of the most ferocious, the most relentless, the most wonderfully rendered nightmare landscapes ever witnessed in literary history. This is not horror. This is not sci-fi. This is not mystery. This is not thriller. CHIMERAWORLD exceeds all boundaries of taste and narrative. Stories from C.C. Parker, W. Bill Czolgosz, Greg Beatty, John Peters, L. Marie Wood, Latricia L. Lane, T.M. Gray, Ken Goldman, Queenie Tirone, Jaime L. Burvato, Alex Severin, William S. Brock, polycarp kusch, Joseph Miles, Kevin Anderson, J. M. Heluk, Isaac Fellows, Kevin L. Donihe, Tony Richards, S.J. Hinton, Steve Short, John Edward Lawson and Rickey Windell George
Some of the best short stories in the world have found themselves being rejected. Jade Eckert, Larry Lefkowitz, Chris Reed, Kaalii Cargil, Julya Oui, Deb Atwood, Alex Severin, Ralph Robert Moore, Wayne Summers, J.R. Murdock, George O'Gorman, Gary McMahon, Geoffrey Maloney, D.W. Green, David Simms, Joel Jacobs, Jeremy Hepler, John B. Rosenman, Kevin James Miller, Forrest Armstrong, James R.Cain, Christina Capewell and Adam Lowe share their misfit visions with us. Quite a ride.
Still reeling from the nightmare excesses of CHIMERAWORLD #1? Relax a while and enjoy the ambient tones of sadness, depression, degradation and utter hopelessness of CHIMERAWORLD #2. Twenty three of the most mentally corrosive stories from twenty three of the most innovative authors ever assembled in one collection. Stories from Steve Lockley & Paul Lewis, Brian W Keen, Kurt Newton, Dustin LaValley, David L Tamarin, Derek Gunn, Michele Acker, Anthony Cain, William D. Carl, Glen Alan Hamilton, Quentin S Crisp, J. M. Heluk, Charles Richard Laing, Ken Goldman, Nicholas Alan Tillemans, Suzanne Church, Eric Shapiro, Tony Richards, Karen James, John Meany, Andrew Zimmerman Jones, Richard Lee and Destiny West.
Our team of crack historians has uncovered the truth you never learned in school: the living dead have walked among us since the dawn of time. In this collection of gruesome tales from throughout the ages, the ravenous undead shamble through bloody battlefields, plague-ridden cities, genteel country estates, and dusty frontier towns. They emerge from foggy cemeteries, frozen barrows, loamy bogs, cursed mines, and gore-spattered operating rooms to prey on the living. But these zombies don't just eat people. They help painters and writers save their faltering careers. They unwittingly push humankind on the quest for fire. They topple evil capitalists and their corporate empires. They fight crime. They fall in love. Join us on a journey into our zombie-filled past... Neither history nor the living dead have ever been this exciting!
For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link and Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original—in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint, and Jeff VanderMeer, highlighting the best of the fantastic in, respectively, media, music, and comics, as well as honorable mentions—notable works that didn’t quite make the cut, but are nonetheless worthy of attention. The Year’s Best Fantasy and Horror: Twentieth Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.
Satisfy your hunger for the living dead in the third installment of the popular Undead series, THE UNDEAD: FLESH FEAST. A new recruit must face the grotesque realities behind the zombie war. An ancient, tentacled horror commands the walking dead. A green mold creeps across an uncharted island, driving its mysterious inhabitants insane. A lone survivor of the zombie apocalypse wants only one thing... to be bitten. The Grim Reaper struggles to claim the souls of the deceased that won't stay dead. And in the featured novella, "The Legend of Black Betty," a small town in the Old West rots with a plague wreaked by an evil prostitute.
This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals. The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.