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This is the first book that examines Ghana's compliance with the United Nations Convention on the Rights of the Child (CRC). Ghana being the first country to ratify the Convention, it thus fills an important gap in the literature on Ghana. The book throws a searchlight on a wide range of rights issues including children's identity, violence against children and women, child exploitation and children in conflict with the law plus a host of other CRC related issues and further identifies and explains the main obstacles in the way of realizing children's rights in Ghana. A major strength of this book is that the contributors, Ghanaians and non-Ghanaians alike have vast experience in empirical research in Ghana and most importantly, come from diverse academic disciplines. Researchers, instructors, and students of Social Work, Sociology, Criminology Human Rights, Education and Law, are examples of a few academic disciplines that would find this book a welcome relief in their search for relevant and current data on children's issues in Ghana. It should also be of great interest to policy makers, human rights activists, Children's NGOs and international development partners interested in children's issues.
Contributors analyse the theories behind children's literature, its functions and cultural significance, and suggest the new directions this literature is taking in terms of its craft, themes and intentions.
Tawia lives in a fishing village near Accra. He helps on the beach, but his uncle thinks he is too young to go to sea; so he secretly makes his own little canoe with twigmen in it. But there is only a big sea, he cannot go out in it. But all the fishermen are so impressed, that uncle takes him to sea. This happy story is beautifully illustrated and children learn about fishing and respect for the sea through the words and illustrations.
Here is an innovative exploration of the blues aesthetic that reflects the literary work created by Black authors and illustrators for the Black child reader. This book examines literature written for Black children, using critical and creative writings - by artists, scholars, and critics - that define the blues within Black «adult» literature, poetry, and the visual arts. The book identifies Black children's literature published in the past forty years by authors and illustrators who can be classified as blues artists, and whose work reflects social, political, economical, and historical developments of the Black experience throughout the United States. Referencing work created by Jacqueline Woodson, Walter Dean Myers, John Steptoe, Tom Feelings, Sherley Anne Williams, and others, this book demonstrates how the blues aesthetic now includes the literature dedicated to Black children.
Sosu's Call, won the 1999 UNESCO 1st prize for Children's and Young People's Literature in the Service of Tolerance. It is listed as one of the top twelve titles of Africa's 100 Best Books; and has been named an Honor Book for Young Children by the African Studies Association's Children's Africana Book Committee, as a contribution to accurate and balanced material on Africa for children. Beautifully illustrated on artpaper, the story tells of Sosu, a young disabled boy who cannot walk. Sosu misses going to school and all the activities of the other children. His village is on a lagoon, and one day when everyone is away fishing, working in the fields or at school, he raises the alarm with his drumming, and saves the village from total destruction by the sea. His heroism is rewarded when a wheelchair is donated and at last he can go to school.
In the slums of Accra, Ghana’s fast-moving, cosmopolitan capital, teenagers are turning up dead. Inspector Darko Dawson has seen many crimes, but this latest string of murders—in which all the young victims bear a chilling signature—is the most unsettling of his career. Are these heinous acts a form of ritual killing or the work of a lone, cold-blooded monster? With time running out, Dawson embarks on a harrowing journey through the city’s underbelly and confronts the brutal world of the urban poor, where street children are forced to fight for their very survival—and a cunning killer seems just out of reach.
Set in Accra, Ghana, The Ghanaian Goldilocks is a modern twist on the classic Goldilocks fairytale. Like traditional kente cloth, West African culture and themes are woven seamlessly into the story of a boy with sun lightened hair named Kofi, better known to his friends and family as Goldilocks. Like the Goldilocks in the traditional tale, Kofi has been known to get into some trouble here and there, but it's an unexpected visit to a neighbor's house that teaches him a valuable lesson of a lifetime.
A timely interdisciplinary, comparative and historical perspective on African childhood migration that draws on the experience of children themselves to look at where, why and how they move - within and beyond the continent - andthe impact of African child migration globally.