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Children of the Albatross is divided into two sections: "The Sealed Room" focuses on the dancer Djuna and a set of characters, chiefly male, who surround her; "The Café" brings together a cast of characters already familiar to Nin's readers, but it is their meeting place that is the focal point of the story. As always, in Children of the Albatross, Nin's writing is inseparable from her life. From Djuna's story, told in "The Sealed Room" through hints and allusions, hazy in their details and chronology, the most important event to emerge is her father's desertion (like Nin's) when she was sixteen. By rejecting realistic writing for the experience and intuitions she drew from her diary, Nin was able to forge a novelistic style emphasizing free association, spontaneity, and improvisation, a technique that finds its parallel in the jazz music performed at the café where Nin's characters meet.
The last snows of winter are melting away and Little Albatross sits snug in the warmth of Mother Albatross' feathers. He grows bigger and stronger until one day Mother and Father Albatross go fishing together, leaving Little Albatross alone for the first time. Will they return in time to save him from the killer bird who is watching, waiting . . .?
Interwoven with recollections of whalers and famous explorers, "Eye of the Albatross" probes the unmistakable environmental impact of the encounters between man and marine life. Safina's portrait results in an eye-opening look at the health of our oceans. 15 illustrations, 13 maps.
THE WHALE AND THE ALBATROSS could be the story of any of us who come into the presence of someone who awakens a recognition in ourselves. It could be about a friend, a partner, a romantic interest, or someone we meet fleetingly who then appears in our dreams over and over. We feel at home with these rare souls and may feel like we want to spend the rest of our lives in a bubble of time and space with them. However, having our own biological, social, creative, and psychological needs, we may then recognize that our desire to be in communion with these special souls is incompatible with our ultimate need to live our own life to the fullest expression of itself. This means we have to say goodbye, possibly forever. Some goodbyes to others can feel like saying goodbye to parts of ourselves. But if we can gracefully accept the transitory nature of these communions, we can also accept the shifting nature of ourselves and, in turn, continue living to our ultimate joy. This is a story about that process.
Albert finds his way home to the ocean with the help of a lady tourist—and her hat. ‘Many economical words are briskly exchanged before the happy ending.’ —Saturday Review.
"My original concept was Roman Fleuve, a series of novels on various aspects of relationships, portraying four women in a continuous symphony of experience". -- Anais Nin, from the introduction to the British edition of Ladders to Fire.
For use in schools and libraries only. Relates how Mafatu, a young Polynesian boy whose name means Stout Heart, overcomes his terrible fear of the sea and proves his courage to himself and his people.
Winner of the 2021 Silver Medal for Best Illustrator, Moonbeam Children's Book Awards On a school trip to Honolulu’s Bishop Museum, Manu and his classmates are excited to see an ancient skirt made with a million yellow feathers from the ‘ō‘ō, a bird native to Hawai‘i that had gone extinct long ago. Manu knew his full name, Manu‘ō‘ōmauloa, meant “May the ‘ō‘ō bird live on” but never understood: Why was he named after a native forest bird that no longer existed? Manu told his parents he wanted to know more about ‘ō‘ō birds and together they searched the internet. The next day, his teacher shared more facts with the class. There was so much to learn! As his mind fills with new discoveries, Manu has vivid dreams of his namesake bird. After a surprise visit to Hawai‘i Island where the family sees native forest birds in their natural setting, Manu finally understands the meaning of his name, and that he can help the birds and promote a healthy forest. Manu, the Boy Who Loved Birds is a story about extinction, conservation, and culture, told through a child’s experience and curiosity. Readers learn along with Manu about the extinct honeyeater for which he was named, his Hawaiian heritage, and the relationship between animals and habitat. An afterword includes in-depth information on Hawai‘i’s forest birds and featherwork in old Hawai‘i, a glossary, and a list of things to do to help. Illustrated with eye-catching, full-color block prints, the book accurately depicts and incorporates natural science and culture in a whimsical way, showing how we can all make a difference for wildlife. The book is also available in a Hawaiian-language edition, ‘O Manu, ke Keiki Aloha Manu, translated by Blaine Namahana Tolentino (ISBN 9780824883430).
An inspiring story about finding your true element Ever since he first hatched, Gilbert has wanted to fly. But with his big, clumsy feet and small, fluffy wings, learning to fly is a bigger challenge than Gilbert anticipated. His fellow penguins tell him to give up, but Gilbert is sure that if he keeps trying, he’ll be able to soar… Young readers will fall in love with this sweet, motivating story about overcoming obstacles and discovering your hidden talents.
Albert Ross is the biggest Albatross bird, his job is to go fishing in the ocean to feed his family and friends. But one day, Albert finds a new type of food is replacing all of his fish: a mystery called "blue spaghetti."Before long, he sees animals become sick and tangled up from this new food.With the help of his friends, Albert tries to clean up the ocean so he and the other sea animals can become healthy and free again.