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The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.
Challenges conventional views of the Edwardian period as either a hangover of Victorianism or a bystander to literary modernism In this ground-breaking study, Jonathan Wild investigates the literary history of the Edwardian decade. This period, long overlooked by critics, is revealed as avibrant cultural era whose writers were determined to break away from the stifling influence of preceding Victorianism. In the hands of this generation, which included writers such as Arnold Bennett, Joseph Conrad, E. M. Forster, Beatrix Potter, and H. G. Wells, the new century presented a uniqueopportunity to fashion innovative books for fresh audiences. Wild traces this literary innovation by conceptualising the focal points of his study as branches of one of the new department stores that epitomized Edwardian modernity. These "departments" - war and imperialism, the rise of the lowermiddle class, children's literature, technology and decadence, and the condition of England - offer both discrete and interconnected ways in which to understand the distinctiveness and importance of the Edwardian literary scene.Overall, The Great Edwardian Emporium offers a long-overdue investigation into a decade of literature that provided the cultural foundation for the coming century.
Especially evident in Victorian-era writings is a rhetorical tendency to liken adults to children and children to adults. Claudia Nelson examines this literary phenomenon and explores the ways in which writers discussed the child-adult relationship during this period. Though far from ubiquitous, the terms “child-woman,” “child-man,” and “old-fashioned child” appear often enough in Victorian writings to prompt critical questions about the motivations and meanings of such generational border crossings. Nelson carefully considers the use of these terms and connects invocations of age inversion to developments in post-Darwinian scientific thinking and attitudes about gender roles, social class, sexuality, power, and economic mobility. She brilliantly analyzes canonical works of Charles Dickens, Charlotte Brontë, William Makepeace Thackeray, Bram Stoker, and Robert Louis Stevenson alongside lesser-known writings to demonstrate the diversity of literary age inversion and its profound influence on Victorian culture. By considering the full context of Victorian age inversion, Precocious Children and Childish Adults illuminates the complicated pattern of anxiety and desire that creates such ambiguity in the writings of the time. Scholars of Victorian literature and culture, as well as readers interested in children’s literature, childhood studies, and gender studies, will welcome this excellent work from a major figure in the field.
Ever since children have learned to read, there has been children’s literature. Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter. The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word. “Lerer has accomplished something magical. Unlike the many handbooks to children’s literature that synopsize, evaluate, or otherwise guide adults in the selection of materials for children, this work presents a true critical history of the genre. . . . Scholarly, erudite, and all but exhaustive, it is also entertaining and accessible. Lerer takes his subject seriously without making it dull.”—Library Journal (starred review) “Lerer’s history reminds us of the wealth of literature written during the past 2,600 years. . . . With his vast and multidimensional knowledge of literature, he underscores the vital role it plays in forming a child’s imagination. We are made, he suggests, by the books we read.”—San Francisco Chronicle “There are dazzling chapters on John Locke and Empire, and nonsense, and Darwin, but Lerer’s most interesting chapter focuses on girls’ fiction. . . . A brilliant series of readings.”—Diane Purkiss, Times Literary Supplement
Exposition. London. Barbican Art Gallery. 1987-1988.
A NEW COMPANION TO VICTORIAN LITERATURE AND CULTURE The Victorian period was a time of rapid cultural change, which resulted in a huge and varied literary output. A New Companion to Victorian Literature and Culture offers experienced guidance to the literature of nineteenth-century Britain and its social and historical context. This revised and expanded edition comprises contributions from over 30 leading scholars who, approaching the Victorian epoch from different positions and traditions, delve into the unruly complexities of the Victorian imagination. Divided into five parts, this new Companion surveys seven decades of history before examining the key phases in a Victorian life, the leading professions and walks of life, the major literary genres, the way Victorians defined their persons, homes, and national identity, and how recent “neo-Victorian” developments in contemporary culture reconfigure the sense we make of the past today. Important topics such as sexuality, denominational faith, social class, and global empire inform each chapter’s approach. Each chapter provides a comprehensive bibliography of established and emerging scholarship.
A Sunday Times Best Book of the Year: The “informative and entertaining” first major biography of the trailblazing, controversial children’s author (The Washington Post). Born in 1858, Edith Nesbit is today considered the first modern writer for children and the inventor of the children’s adventure story. In The Life and Loves of E. Nesbit, award-winning biographer Eleanor Fitzsimons uncovers the little-known details of her life, introducing readers to the Fabian Society cofounder and fabulous socialite who hosted legendary parties and had admirers by the dozen, including George Bernard Shaw. Through Nesbit’s letters and archival research, Fitzsimons reveals “E.” to have been a prolific lecturer and writer on socialism and shows how Nesbit incorporated these ideas into her writing, thereby influencing a generation of children—an aspect of her literary legacy never before examined. Fitzsimons’s riveting biography brings new light to the life and works of this remarkable writer and woman. “Meticulous and invaluable...exceptionally illuminating and detailed.” —The Wall Street Journal “Fitzsimons handily reassembles the hundreds of intricate, idiosyncratic parts of the miraculous E. Nesbit machine.” —The New York Times Book Review “I’ve always loved the work of E. Nesbit—The Railway Children and Five Children and It are my favorites—but I knew nothing about the extraordinary, surprising life of this great figure in children’s literature . . . so gripping that I read [it] in two days.” —Gretchen Rubin, #1 New York Times-bestsellingauthor of The Happiness Project “A charming, lively, and old-fashioned biography . . . highly readable.” —Publishers Weekly “A terrific book.” —Neil Gaiman
By examining some of Dickens's works that contain the imperfect child, Malkovich considers the construction, romanticization, and socialization of the Victorian child within work read by and for children during the Victorian Era, contending that the Victorian child can still be found in popular literatures read by children contemporarily.
In the wild lands of Norway, Hunlaf must quell a violent revolt in Matthew Harffy's new historical adventure. Northumbria, AD 794. Those who rule the seas, rule the land. None know the truth of this more than the Vikings. To compete with the seafaring raiders, the king of Northumbria orders the construction of his own longships under the command of oath-sworn Norseman, Runolf. When the Vikings attack again, the king sends cleric turned warrior, Hunlaf, on a mission to persuade the king of Rogaland into an alliance. But Hunlaf and Runolf have other plans; kin to seek out, old scores to settle, and a heretical tome to find in the wild lands of the Norse. Their voyage takes them into the centre of a violent uprising. A slave has broken free of his captors and, with religious fervour, is leading his fanatical followers on a rampage – burning all in his path. Hunlaf must brave the Norse wilderness, and overcome deadly foes, to stop this madman. Can he prevent a night of flames and slaughter? Reviews for Matthew Harffy: 'Harffy is a master of the Dark Age thriller' Theodore Brun 'Absolutely gripping storytelling' Angus Donald 'Nothing less than superb' Historical Novel Society 'Harffy's writing just gets better and better' Jemahl Evans
Mellem 1865 og 1930 skabte de fem forfattere på baggrund af deres egen frustration og længsel efter barndommens uskyld en børnelitterær guldalder