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Getting three trucks and two horses stuck in the mud on "a good road" into BC's wild, remote interior was just the start of Bruce Watt's hilarious adventuresand it was his honeymoon, too. When the newly married Watt moved there in 1948 to take up ranching, he was a just a kid in his early 20s. He and his wife fell in love with Big Creek, three hours southwest of Williams Lake, and its wildlife, beautiful landscapes and quirky, down-to-earth people. Despite the tough work and difficult conditions, they put down roots and stayed, raising a family of five, along with herds of cattle and horses.
Alex Lord, a pioneer inspector of rural British Columbia schools, shares in these recollections his experiences in a province barely out of the stage coach era. Travelling through vast northern territory, utilizing unreliable transportation and enduring climatic extremes, Lord became familiar with the aspirations of remote communities and their faith in the humanizing effects of tiny assisted schools. En route, he performed in resolute yet imaginative fashion the supervisory functions of a top government educator developing an educational philosophy of his own based on an understanding of the provincial geography, a reverence for citizenship, and a work ethic tuned to challenge and accomplishment. These memoirs invite the reader to experience the British Columbia that Alex Lord knew. Through his words, we endure the difficulties of travel in this mountainous province. We meet many of the unusual characters who inhabited this last frontier and learn of their hopes, fears, joys, sorrows, and eccentricities. More particularly, we are reminded of the historical significance of the one-room rural school and its role as an indispensable instrument of community cohesion. John Calam organizes the memoirs according to the regions through which Lord travelled. Included in the introduction are a biography of Alex Lord, a brief description of the British Columbia he knew, a sketch of the province's public education system and an assessment of the place Lord's writing now occupies among other works on education and society.
Following the threads of Nick Hutchinson’s extraordinary life and adventures, A Mingled Yarn weaves together theatre, farming, family, horses, social unrest, Shakespeare, drugs, manic depression, love and more. ​ Son of renowned actress Dame Peggy Ashcroft and master advocate Lord Jeremy Hutchinson Q.C. Hutchinson grew up around the greats of British Theatre. ​As a young adult in the sixties, deeply uncomfortable with the class structure into which he was born, his idealism and passion involved him in direct action in Europe he encountered revolutionary theatre practices and in Paris the student protests. His move to Canada-first to Montreal, a city in the throes of its own revolution-brought him finally to the Wild West, where he began to live his childhood cowboy dream. As artistic director of the horse-drawn travelling show, The Caravan Stage Company he mounted thought- provoking, audience - immersive productions under the open skies, later founding the Caravan Farm Theatre for farm centred shows- from a masked Animal Farm among real pig pens to a winter production of the Snow Queen on horse drawn sleighs and the first Caravan Shakespeare productions. A Mingled Yarn is a journey through modern theatre history. It is a testament to the power of theatre and the creative process-even when it borders on mania. But it is also a celebration of community and a simpler life, lived on the land. Hutchinson’s sweeping autobiography has broad appeal, particularly for creative people and theatre lovers, as well as those who find their peace in wide open spaces on the back of a horse.
Alex Lord, a pioneer inspector of rural BC schools shares in these recollections his experiences in a province barely out of the stage coach era. Travelling through vast northern territory, utilizing unreliable transportation, and enduring climatic extremes, Lord became familiar with the aspirations of remote communities and their faith in the humanizing effects of tiny assisted schools. En route, he performed in resolute yet imaginative fashion the supervisory functions of a top government educator, developing an educational philosophy of his own based on an understanding of the provincial geography, a reverence for citizenship, and a work ethic tuned to challenge and accomplishment. Although not completed, these memoires invite the reader to experience the British Columbia that Alex Lord knew. Through his words, we endure the difficulties of travel in this mountainous province. We meet many of the unusual characters who inhabited this last frontier and learn of their hopes, fears, joys, sorrows, and eccentricities. More particularly, we are reminded of the historical significance of the one-room rural school and its role as an indispensable instrument of community cohesion. John Calam has organized the memoirs according to the regions through which Lord travelled. He has included in his introduction a biography of Alex Lord, a brief description of the British Columbia he knew, a sketch of its public education system, and an assessment of the place Lord’s writing now occupies among other works on education and society.
Comprehensive in scope yet full of ethnographic detail, this book examines the history of language policy by and for Native Americans, and contemporary language revitalization initiatives. Offering a critical-theory view and emphasizing the perspectives of revitalizers themselves, the book explores innovative language regenesis projects, the role of Indigenous youth in language reclamation, and prospects for Native American language and culture continuance.
Old Nero, the biggest grizzly of the Chilcotin; Siberia, the too-friendly black wolf; and Lucky, the not-so-lucky guide are some of the characters in Chilco Choate's latest collection of yarns and pithy observations from BC's backcountry. Changing some names to protect the guilty, he skewers the once-a-year hunters who, stricken by "buck fever," blast away like they're at a target range then wonder why their guide won't take them out after big game. This long-time hunter also reveals how he's maybe softening with age, enjoying time in the bush as much with a camera as with a gun and sometimes cheering on the prey instead of the predator. There are tried-and-true packing tips for readers planning their own expedition to the backcountry, a discussion of fire power, and culinary ideas sure to whet the appetite of a trail-weary traveller, as well as a few yarns about memorable bush-camp meals that maybe weren't quite so tasty. There are also close encounters with wolves and cougars, and fascinating details on the lives and behaviour of some of BC's most revered critters. For a change of pace, Chilco describes a winter he spent away from his beloved Chilcotin, feeding herds of elk in the East Kootenay. This gives him a chance to examine the resource-use plans too often dictated by ranchers and foresters who turn a blind eye to conservation and the rights of the wildlife that was on the range first. Chilco Choate first came to the Chilcotin in 1952 to try cowboying. Enticed by the lure of the great plateau, he was soon leading both seasoned hunters and hesitant dudes through the back country by day and spinning campfire stories by night. Chilco's previous book for Heritage House, Born for the Wild Country, tells of his early years, hunting and playing hooky along the Nicomekl River near White Rock, BC. In Unfriendly Neighbours, his first book, he describes his volatile relationship with the Gang Ranch.
A short series of profiles about medical pioneers in Central British Columbia, many of whom set up practice there in the latter part of the 19th century.
This collection of photographs, taken between 1920 and 1924, depicts the Bella Coola Valley, and the Nuxalk, Chilcotin and Carrier peoples.
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