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Chihaya, Arata, and Taichi go to compete in a team tournament, their last chance to do so as elementary school students. Beyond it is their graduation ceremony, both a fork in the road and a lesson in how painful endings can be. Chihaya goes on to high school, but continues to be weighed down by her emotions. She knows that while she and her two friends are apart, they all still share the same passion for karuta. But when she calls Arata to tell him about her latest karuta promotion, he tells her something unbelievable. Chihaya is sure that karuta connects her to her friends, but is it really true? Find out in volume 2 of Chihayafuru!
The day that asks who is most determined to become Master and Queen is at last coming to its conclusion... But even though Chihaya and the others are only watching the matches, a new twist seems to come into their lives! Fate moves in a major way in this latest volume of Chihayafuru!
The Mizusawa High Karuta Club has won its way to the final round of the preliminaries for the national tournament in part thanks to the confidence and trust in each other that they've built. In a rematch from last year, they now face off against the powerhouse Hokuou Academy in five evenly matched bouts that are high-strung from their opening moments. Will Mizusawa prevail, or will Hokuou? Both sides refuse to cede a single step as the matches near their end, until something takes place that no one could have ever expected...!
It's now the semi-finals of the national high school karuta championships. Chihaya and the rest of Mizusawa High's karuta club chase after their dream of back-to-back titles as they face off against Fujisaki, who has sworn to get revenge for their loss a year earlier. However, they fall just short of being blessed by the goddess of victory... They're left with one last opportunity in the form of the third place playoff. One last chance to play karuta, the game they love, together. Appearing before them now in their final team match as high schoolers is Fujisaki East, led by Arata. As each player is matched up, fate leads Chihaya and Arata to face off directly against one another...! Reunited, on it goes. And so will we, I know. Chihaya, Arata, and Taichi are all reunited in Omi!
Chihaya punches her ticket at last to the Queen Match after a fierce battle. Chihaya sees where Shinobu, with her unmatched talents, stands, and it is a wasteland beyond anything she could have imagined. Shinobu comes to Chihaya with a proposal in order to achieve her goal of becoming the world's first karuta pro. Meanwhile, Taichi and Arata each have one win and one loss as their feelings for karuta and one another butt heads on the tatami mats! The East-West Challenger Final is determined at last! What is it that they're going to see after this battle they've put their entire youth into?!
Chihaya arrives at Omi Shrine for the Queen Match. Just as the tension grows, she meets Arata and feels a sense of relief. But an unbelievable mistake awaits Chihaya just as she returns to her room after the pre-final reception...!
The East-West Challenger Finals for the Master and Queen Match. Though Arata and Taichi had once stepped away from karuta, both they and Chihaya are able to savor the joy of being in this place together. Momo Yuikawa, representing the West, throws off Chihaya's pace by playing her own style of karuta. Meanwhile, Taichi uses new tactics to attempt to overcome the wall that is Arata and battle Master Suou…?! It's time for best-of-three matches as they all seek out a landscape that none have ever seen before!
Atop the tatami mats at the Master and Queen Match preliminaries, players chase after their dreams. As everyone arrives at the preliminaries with special hopes in mind, Chihaya is in Kyoto on a school trip, there to make a different dream, one given to her by her precious friends and teachers, come true. Meanwhile, Taichi, who is absent from the school trip after claiming to feel unwell, heads to the East Japan preliminary, while Arata goes to West Japan's. What kind of path into the future will be paved by their efforts, hopes, and beliefs?
Taichi faces Arata at the Takamatsunomiya Cup Tournament. Though they both share the rank of Class A, Taichi is overwhelmed by frustration at the difference in level between them that his time and familiarity with the game makes all the more stark. In order to return a smile to his face, Chihaya puts together the ""Taichi Cup,"" an unofficial karuta tournament attended by those who love karuta and who have supported Taichi. A few days later, Taichi happens to be alone with Chihaya in the club room. As the spring breeze comes fluttering in, he opens up to Chihaya about the way he's always felt about her. But this would also be the start of the two embarking on separate paths... Chihaya and the rest of the Mizusawa High Karuta Club have to make it through a spring without Taichi, and the qualifiers for the national tournament are just around the corner!
The Hyaku-nin-isshiu, or 'Single Verses by a Hundred People', were collected together in A.D. 1235. They are placed in approximate chronological order, and range from about the year AD 670. Perhaps what strikes one most in connection with the Hyaku-nin-isshiu is the date when the verses were written; most of them were produced before the time of the Norman Conquest (AD 1066), and one cannot but be struck with the advanced state of art and culture in Japan at a time when Europe was still in a very elementary stage of civilization. The Collection consists almost entirely of love-poems and what the editor calls picture-poems, intended to bring before the mind's eye some well-known scene in nature; and it is marvellous what effect little thumbnail sketches are compressed within thirty-one syllables. Some show the cherry blossoms which are doomed to fall, the dewdrops scattered by the wind, the mournful cry of the wild deer on the mountains, the dying crimson of the fallen maple leaves, the weird sadness of the cuckoo singing in the moonlight, and the loneliness of the recluse in the mountain wilds; while those verses which appear to be of a more cheerful type are rather of the nature of the 'Japanese smile', described by Lafcadio Hearn as a mask to hide the real feelings. Japanese poetry differs very largely from anything we are used to in the West. It has no rhyme or alliteration, and little, if any, rhythm, as we understand it. The verses in this Collection are all what are called Tanka which has five lines and thirty-one syllables, arranged thus: 5-7-5-7-7 which is an unusual metre for Western ears. For this translation the editor has adopted a five-lined verse of 8-6-8-6-6 metre, with the second, fourth, and fifth lines rhyming, in the hope of retaining at least some resemblance to the original form, while at the same time making the sound more familiar to English readers. A percentage of the net sale will be donated to charities specialising in educational scholarships. YESTERDAY'S BOOKS for TOMORROW'S EDUCATIONS