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Presents a collection of photographs that depict the history of Maxwell Street in Chicago.
What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.
Maxwell Street is an open-air market on Chicago's West Side, the center of a ghetto about a mile square, where thousands of Jewish immigrants fleeing pogroms and persecution in Eastern Europe settled and first set up business in America between 1880 and 1924. This engrossing, lively and richly illustrated chronicle recreates the color, the diversity and the personality of Maxwell Street both through the author's recollections of his own childhood experience and the actual stories of many for whom Maxwell Street was the first taste of America.
Winner of the Chicago Tribune‘s 2013 Heartland Prize A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America—from Chess Records to Playboy, McDonald’s to the University of Chicago. Populated with an incredible cast of characters, including Mahalia Jackson, Muddy Waters, Howlin’ Wolf, Chuck Berry, Sun Ra, Simone de Beauvoir, Nelson Algren, Gwendolyn Brooks, Studs Turkel, and Mayor Richard J. Daley, The Third Coast recalls the prominence of the Windy City in all its grandeur.
Chicagos Near West Side was and is the citys most famous Italian enclave, earning it the title of Little Italy. Italian immigrants came to Chicago as early as the 1850s, before the massive waves of immigration from 1874 to 1920. They settled in small pockets throughout the city, but ultimately the heaviest concentration was on or near Taylor Street, the main street of Chicagos Little Italy. At one point a third of all Chicagos Italian immigrants lived in the neighborhood. Some of their descendents remain, and although many have moved to the suburbs, their familial and emotional ties to the neighborhood cannot be broken. Taylor Street: Chicagos Little Italy is a pictorial history from the late 19th century and early 20th century, from when Jane Addams and Mother Cabrini guided the Italians on the road to Americanization, through the areas vibrant decades, and to its sad story of urban renewal in the 1960s and its rebirth 25 years later.
"An achingly rendered exploration of queer desire, grief, and the inexorable scars of the past." —Katy Rose Pool, author of There Will Come A Darkness Death lurks around every corner in this unforgettable Jewish historical fantasy about a city, a boy, and the shadows of the past that bind them both together. Chicago, 1893. For Alter Rosen, this is the land of opportunity, and he dreams of the day he’ll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania. But when Alter’s best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World’s Fair, Alter is now living a nightmare: possessed by Yakov’s dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows. Now, with only days to spare until the dybbuk takes over Alter’s body completely, the two boys must race to track down the killer—before the killer claims them next. "Chillingly sinister, warmly familiar, and breathtakingly transportive, The City Beautiful is the haunting, queer Jewish historical thriller of my darkest dreams."—Dahlia Adler, creator of LGBTQreads and editor of That Way Madness Lies A New York Public Library Best Book for Teens 2021
The Kosher Capones tells the fascinating story of Chicago's Jewish gangsters from Prohibition into the 1980s. Author Joe Kraus traces these gangsters through the lives, criminal careers, and conflicts of Benjamin "Zuckie the Bookie" Zuckerman, last of the independent West Side Jewish bosses, and Lenny Patrick, eventual head of the Syndicate's "Jewish wing." These two men linked the early Jewish gangsters of the neighborhoods of Maxwell Street and Lawndale to the notorious Chicago Outfit that emerged from Al Capone's criminal confederation. Focusing on the murder of Zuckerman by Patrick, Kraus introduces us to the different models of organized crime they represented, a raft of largely forgotten Jewish gangsters, and the changing nature of Chicago's political corruption. Hard-to-believe anecdotes of corrupt politicians, seasoned killers, and in-over-their-heads criminal operators spotlight the magnitude and importance of Jewish gangsters to the story of Windy City mob rule. With an eye for the dramatic, The Kosher Capones takes us deep inside a hidden society and offers glimpses of the men who ran the Jewish criminal community in Chicago for more than sixty years.
Stretching south from 47th Street to the Midway Plaisance and east from Washington Park to the lake’s shore, the historic neighborhood of Hyde Park—Kenwood covers nearly two square miles of Chicago’s south side. At one time a wealthy township outside of the city, this neighborhood has been home to Chicago’s elite for more than one hundred and fifty years, counting among its residents presidents and politicians, scholars, athletes, and fiery religious leaders. Known today for the grand mansions, stately row houses, and elegant apartments that these notables called home, Hyde Park—Kenwood is still one of Chicago’s most prominent locales. Physically shaped by the Columbian Exposition of 1893 and by the efforts of some of the greatest architects of the nineteenth and twentieth centuries—including Daniel Burnham, Frank Lloyd Wright, Mies Van Der Rohe—this area hosts some of the city’s most spectacular architecture amid lush green space. Tree-lined streets give way to the impressive neogothic buildings that mark the campus of the University of Chicago, and some of the Jazz Age’s swankiest high-rises offer spectacular views of the water and distant downtown skyline. In Chicago’s Historic Hyde Park, Susan O’Connor Davis offers readers a biography of this distinguished neighborhood, from house to home, and from architect to resident. Along the way, she weaves a fascinating tapestry, describing Hyde Park—Kenwood’s most celebrated structures from the time of Lincoln through the racial upheaval and destructive urban renewal of the 1940s, 50s, and 60s into the preservationist movement of the last thirty-five years. Coupled with hundreds of historical photographs, drawings, and current views, Davis recounts the life stories of these gorgeous buildings—and of the astounding talents that built them. This is architectural history at its best.
An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood? In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there. Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.
In "Chicago Sketches," we visit places as diverse as Maxwell Street, Riverview, Wrigley Field, the old Clark Theater, and the National Bohemian Cemetery. We meet the famous-Nelson Algren and Yevgeny Yevtushenko-and the other people who have touched Reeder's life-Bubbie Gussie, Rabbi Mendel, and the Big Klu. We also witness moments in Reeder's life that echo through history-November 4, 1960 and November 22, 1963. Leonid Osseney's vivid illustrations make all these Chicago sketches come even more alive. "From the Foreword by Charles R. Middleton, President, Roosevelt University, Chicago IL: " Many of us carry vignettes of our lives around in our mind's eye and even occasionally pause to expand upon a moment and craft it into a silently remembered story. But most of us, and I confess to being with you in this, don't really have a startling variety of experiences and memories of people. Richard Reeder, in "Chicago Sketches," thankfully does. A good story may start with the people, as these in "Chicago Sketches" always do, but it's their context that adds flavor to the stew. It's important that someone settled in Tulsa or Old Town. It shaped him in that moment of time when you encountered him, and it says something about you that you found him there and not elsewhere. A good story, much less a collection of them like this one, has as another essential ingredient. While people and places give a story life, that life is brought into motion by the storyteller. Mr. Reeder's sensitivity to humanity touches a chord in us and provides sufficient reason to spend some time, however brief, with these people in these places long ago but not so far away. Finally, I have a confession to make. I begin reading a book today just as I did when I was in first grade. I start by looking at all the pictures (if there are any). Pictures are windows into the written text as well as visions beyond it. Leonid Osseny's illustrations in this book are a wonderful example of this. Once these illustrations have captured you, as they did me, the written words seem to take on additional meanings. Enjoy!