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“Chicagoland Dream Houses is an engaging addition to the growing body of scholarship concerning Chicago’s twentieth-century residential landscape characterized by a diverse group of architects and builders.”--Michelangelo Sabatino, coauthor of Modern in the Middle: Chicago Houses 1929–1975
Chicago is a name that everyone around the world has heard of--thanks to Al Capone! Doug's love for Chicagoland, and his desire to bring the same love for the "Windy City" and its suburbs to people presently living there or planning to reside there in the future, supersedes his own personal "shortcomings." For people who used to live there, the memories found in this book should be quite fulfilling. The "Chicago Ancestry" chapters, in particular, promise to be historical and informative.
Illinois is home to cemeteries and burial grounds dating back to the Native American era. Whether sprawling over thousands of acres or dotting remote woodlands, these treasure troves of local and state history reflect two centuries of social, economic, and technological change. This easy-to-use guidebook invites amateur genealogists, historians, and cemetery buffs to decipher the symbols and uncover the fascinating past awaiting them in Illinois 's resting places. Hal Hassen and Dawn Cobb have combined almost three hundred photographs with expert detail to showcase how cemeteries and burial grounds can teach us about archaeology, folklore, art, geology, and social behavior. Features include the ways different materials used as gravestones and markers reflect historical trends; how to understanding the changes in the use of iconographic images; the story behind architectural features like fencing, roads, and gates; what enthusiasts can do to preserve local cemeteries for future generations. Captivating and informed, Cemeteries of Illinois is the only guide you need to unlock the mysteries of our state 's final resting places.
Challenging Chicago reveals the survival strategies to which the many people who flocked to the city resorted, especially those of the lower and middle classes for whom urban life was a new experience.
Long before designing his signature Usonian houses, Frank Lloyd Wright envisioned an earlier series of affordable models for the middle class: The American System-Built Homes. He developed seven floorplans of varying size and layout, standardized so that materials could be precut at the factory to reduce costs. Only a few years after the project began, the United States entered World War I, and all home construction was stalled due to lumber shortages. Wright then turned his attention to other projects, and with fewer than twenty built, the American System-Built Homes were all but forgotten.In 2011, Jason Loper and Michael Schreiber purchased the only American System-Built Home constructed in Iowa, the Meier House, which set them on a course of refurbishing and researching their new residence. In This American House, Loper and Schreiber trace the history of the Meier House through its previous owners, and shed light on this underexplored period of Wright's oeuvre. With a preface by John H. Waters, the Preservation Programs Manager of the Frank Lloyd Wright Building Conservancy, This American House addresses what it means to be the stewards of a piece of history.
The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients--typically middle-class professionals, progressive in their thinking--helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study--until now.
Chicago in the late nineteenth century was the wonder city of the Western world, its famous Loop the laboratory in which to study innovative commercial architecture. There, Old World assumptions were overthrown by New World realities, as the past was discounted, the present glorified, and the future eagerly anticipated.
Public funds spent on jets and horses. Shoeboxes stuffed with embezzled cash. Ghost payrolls and incarcerated ex-governors. Illinois' culture of "Where's mine?" and the public apathy it engenders has made our state and local politics a disgrace. In Corrupt Illinois, veteran political observers Thomas J. Gradel and Dick Simpson take aim at business-as-usual. Naming names, the authors lead readers through a gallery of rogues and rotten apples to illustrate how generations of chicanery have undermined faith in, and hope for, honest government. From there, they lay out how to implement institutional reforms that provide accountability and eradicate the favoritism, sweetheart deals, and conflicts of interest corroding our civic life. Corrupt Illinois lays out a blueprint to transform our politics from a pay-to-play–driven marketplace into what it should be: an instrument of public good.
Portrays the race riot which left 38 dead, 537 wounded and hundreds homeless in Chicago during the summer of 1919.
Combining her other research with interviews of nearly fifty Italian immigrants of her grandparents' generation, Adria Bernardi has crafted a memorable oral history of a community of working-class immigrants. Bernardi tells their story clearly and with care, interspersing transcriptions and translations with her own recollections and interpretations of life among the Italian immigrants of Highwood.