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A young male university graduate contracts an unusual marriage which results in a set of dizygotic twins and the ownership of an unusual home and life style.
Chez Vicalle Too was inspired by the genius of Emile Durkheim who wrote: "All social realities--VALUES and PROCESSES--are created by humans. The social and ideational world represents NO entity without humans. Such a world is the REFLECTION of the socialization experienced by EACH individual in his or her cognitive development." The surreal quality of Chez Vicalle Too was inspired by Marcel Duchamp and Edward Gorey. Readers of Chez Vicalle Too are encouraged to read A. S. Byatt's novella Morpho Eugenia and view the movie Angels and Insects which was based upon the novella.
A young Kuban Kazachka named Marina Orlova, must find a way to survive after wandering into World War I, and later the Russian Civil War. When a motion picture maker is hospitalized in a small Wisconsin town, hes asked to make a movie about events that took place in Imperial Russia during World War I and the Russian Civil War. The crux of the action begins when a young Kuban Kazak maiden named Marina Orlova wanders into the midst of World War I on the Armenian front. There, she suffers a serious leg wound, and struggles to recover. With the Russians advancing on Sivas, Turkey, Maria becomes a truck driver for a Red Cross unit helping the Imperial Army evacuate the wounded from the Persian front. Eventually, Maria is injured again, this time quite seriously. As she moves from hospital to hospital, she witnesses the developing Russian Civil War, and in Kazan, by a fluke of battle, becomes a soldier in the White Army. Join Maria as she finds the courage to navigate through a key period of world history, traveling from Kazan to Omsk, to Irkutsk, to Mukden and beyond in Beyond Chez Vicalle: The Volunteer.
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Satiric and symbolic romance in which Manuel's widow institutes the cult of the Redeemer of Poictesme.
An overview of women's autobiography, providing historical background and contemporary criticism along with selections from a range of autobiographies by women. It seeks to provide a broad introduction to the major questions dominating autobiographical scholarship today.
A unique assembly of Calle's own thoughts and photographs of her belongings juxtaposed with objects from Sigmund Freud's personal collection, still kept in the house where he lived.
Charts the ways that woman artists have represented themselves and their life stories